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A glittering trip back in time to the 1920s! In a little cottage on the edge of the grand Somerset Estate, Mona lives with her aunt - a dressmaker to the lady of the house. Life on the edge of the Somerset Estate means that Mona knows she will never have a life full of beautiful clothes and riches. But soon, that will all change . . . When Lady Somerset dies and a new member of the family inherits the house, Mona is propelled into a life of razzle-dazzle parties, new Bohemian friends and wonderful trips to London. However, even with these changes Mona discovers that she cannot dance away from her past. A sparkling, glamorous story where history is brought to life for children like never before, from the bestselling Jacqueline Wilson. ‘Wild glamour, class conflict, buried secrets and a cameo appearance by Hetty Feather are all delivered with Wilson’s inimitable, intensely readable flair, interspersed with Nick Sharratt’s cheery illustrations’ - The Guardian
The cult classic novel set in the gay underground of 1920s Charleston—with a new afterword by the Lambda Literary Award-winning author. South Carolina, 1920s. For those young men and women fortunate enough to come from the right families, life in Charleston was a party—one where the latest craze was a strange new dance called “The Charleston.” But some young men were forced to seek their romances in the shadows—where judgment and the law have trouble identifying exactly who is who. Decades later, whispers emerge of something baffling and tragic that happened back then. As an old man confronts those demanding the truth, a story of love, betrayal and the deadly consequences of repression unfolds. A cult favorite by the author of What the Dead Remember and The German Officer’s Boy, Harlan Greene’s debut novel is restored to print with a new afterword revealing the facts upon which it is based.
Reveals the rich, untold story of the evolution of American jazz music and how the inhabitants of Charleston, South Carolina, had a huge impact on the music as we know it today. Original.
In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.
What happened when a former enslaved man took beat-up old instruments and gave them to a bunch of orphans? Thousands of futures got a little brighter and a great American art form was born. In 1891, Reverend Daniel Joseph Jenkins opened his orphanage in Charleston, South Carolina. He soon had hundreds of children and needed a way to support them. Jenkins asked townspeople to donate old band instruments—some of which had last played in the hands of Confederate soldiers in the Civil War. He found teachers to show the kids how to play. Soon the orphanage had a band. And what a band it was. The Jenkins Orphanage Band caused a sensation on the streets of Charleston. People called the band's style of music "rag"—a rhythm inspired by the African American people who lived on the South Carolina and Georgia coast. The children performed as far away as Paris and London, and they earned enough money to support the orphanage that still exists today. They also helped launch the music we now know as jazz. Hey, Charleston! is the story of the kind man who gave America "some rag" and so much more.
The mega-bestselling tale of fiery, spirited Victorian foundling, Hetty Feather. London, 1876. Hetty Feather is just a tiny baby when her mother leaves her at the Foundling Hospital. The Hospital cares for abandoned children - but Hetty must first live with a foster family until she is big enough to go to school. Life in the countryside is sometimes hard, but with her foster brothers, Jem and Gideon, Hetty helps in the fields and plays vivid imaginary games. Together they sneak off to visit the travelling circus, and Hetty is mesmerised by the show - especially the stunning Madame Adeline and her performing horses. But Hetty's happiness is threatened once more when she must return to the Foundling Hospital to begin her education. The new life of awful uniforms and terrible food is a struggle for her, and she desperately misses her beloved Jem. But now she has the chance to find her real mother. Could she really be the wonderful Madame Adeline? Or will Hetty find the truth is even more surprising? Jacqueline Wilson will surprise and delight old fans and new with this utterly original historical novel. The first book featuring feisty Victorian heroine, Hetty Feather, this is a compelling, moving, funny and totally fascinating tale that will thrill and captivate readers.
The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, once provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing, they failed to suppress the popularity of the waltz or other dance crazes of the period, including the Charleston, the tango, and "animal dances" such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development of these popular dances, considering in particular how their very existence as "taboo" cultural fads ultimately provided a catalyst for lasting social reform. In addition to examining the impact of the waltz and other scandalous dances on fashion, music, leisure, and social reform, the text describes the opposition to dance and the proliferation of literature on both sides.
With all things vintage enjoying a boom worldwide, swing dancing has well and truly swung back into fashion. From vintage festivals and tea dances to weekend socials and hundreds of weekly classes held around the world, multiple forms of the dance that was created in 1930s Harlem by Frankie Manning are growing ever more popular. Swing Dance explores the vibrant contemporary swing-dancing scene, looking at the different dance styles and the associated culture, community and fashion. Illustrated with vintage and contemporary photography, as well as specially commissioned step-by-step guides, it provides everything you need to know, whether you fancy kicking up your heels in the Charleston or mastering the Lindy Hop ‘swing out’. The four major dance styles are covered – Charleston, Collegiate Shag, Balboa and Lindy Hop, including the Strolls, which are guaranteed to fill the dance floor. Each chapter begins with an overview of the fascinating evolution of the dance style. ‘Get the Look’ examines the fashions for guys and girls, including hair and make-up, and a clothing, shoes and accessories checklist, while ‘The Music’ suggests the top ten tunes to practise to. Then follows a breakdown of the basic step patterns upon which the dance is built, and a guide to some of the key moves. There are also insider tips from old-timers and today’s leading swing dancers as well as fun, easy-to-follow page-embedded video demonstrations produced exclusively for the book and accessible via scannable QR codes.
Is it possible to right the wrongs of the past? It's a question Wallace Hayes asked himself many times, and the answer is always the same. Yessuh. You see, Wallace knows about the power within all of us because he has seen it in action. Wallace grew up at Summerton Place, the plantation where his grandparents were once slaves and his father was born the illegitimate child of a wealthy landowner. Now the owner of what's left of the once grand plantation, Wallace is determined to bring good from the tragic and painful events of the past. Slavery, rape, abuse, and war happened along the long line of ancient oaks. Two children born, Moses and Hope-one into slavery and one smuggled out, never to be seen again. But God had hold of every event, as He always promised He would. Repentance, forgiveness, and redemption follow, but some things cannot be undone. In an effort to teach others the life-giving power of forgiveness and faith that his father taught him, Wallace decides to share his family's darkest secrets and the sweetest truths of his heritage with three special people. In fact, he has a wish for all of them as they come to terms with their own personal pasts, and Wallace's quest to right the wrongs come full circle. Set in Charleston, South Carolina, Dancing on Fields of Sorrow and Blessing spans three generations of the Summerton-Hayes family, beginning in 1860 on the cusp of the Civil War and ending in the greatest lesson of all-the power not only to change our personal stories but to change the world.
A reimagining of the "Twelve Dancing Princesses" traces the story of a family of flappers who work in a 1920s speakeasy until their suspicious father decides to marry them off, prompting a confrontation with a bootlegger from the eldest sister's past.