Download Free Dancing Spirits Book in PDF and EPUB Free Download. You can read online Dancing Spirits and write the review.

Dancing Spirits brings together our spiritual beliefs accepted by faith and shows how the latest Quantum Physics research unites our faith with fact. It makes subatomic research understandable even to the scientific novice and shows how science now reveals in the laboratory what the religions of the world have asked us to accept by faith since before recorded history. In doing so, Dancing Spirits enhances and reinforces our spiritual faith and guides us in making contact with the everlasting Spirit within us. It encourages and helps our own inner Spirit, which is truly our invisible Soul, to literally dance in hope and joy now and look forward without fear or doubt to the heaven hereafter with those we've loved and lost.
Seventeen years ago, Glen 'Dragon' De Souza founded the Keylemanjahro School of Arts and Culture on the
Meke, a traditional rhythmic dance accompanied by singing, signifies an important piece of identity for Fijians. Despite its complicated history of colonialism, racism, censorship, and religious conflict, meke remained a vital part of artistic expression and culture. Evadne Kelly performs close readings of the dance in relation to an evolving landscape, following the postcolonial reclamation that provided dancers with political agency and a strong sense of community that connected and fractured Fijians worldwide. Through extensive archival and ethnographic fieldwork in both Fiji and Canada, Kelly offers key insights into an underrepresented dance form, region, and culture. Her perceptive analysis of meke will be of interest in dance studies, postcolonial and Indigenous studies, anthropology and performance ethnography, and Pacific Island studies.
The reflexive approach and the concept of bimusicality have made possible this in-depth study of the Rada rite, the foundation of the complex and sensationalized religion of Haiti, Vodun. Fleurant returned to his native Haiti to immerse himself in the socio-cultural life of those who practice the religion that was brought to Haiti by the people captured in Africa from the 16th to the 18th centuries. Through total immersion in daily life culture and apprenticeship in the music culture (reflexive approach and concept of bimusicality), the author has accessed information and provided a descriptive analysis heretofore unavailable to scholars. From this privileged position, the author details the complexity, sophistication, and beauty of the ritual, music, and dance. The pioneering works on the music or the dance of Vodun have attempted to cover the whole ritual spectrum. Fleurant contends that the religion is too complex and too sensationalized to be treated in one volume and that each rite should be studied separately and in greater depth. Dancing Spirits examines drum rhythms, song tunes, and texts of the major Rada dances. A model of the Rada ceremony in Bòpo, a community located some ten miles north of Port-au-Prince, serves as a guide to the reader not familiar with Vodun liturgy. The work challenges studies that do not delve deeply enough into this complex religion, and serves as a model for further studies.
This memoir of Native American teacher, writer and artist Warren Petoskey spans centuries and lights up shadowy corners of American history with important memories of Indian culture and survival. Warren's family connects with many key episodes in Indian history, including the tragedy of boarding schools that imprisoned thousands of Indian children as well as the traumatic effects of alcohol abuse and bigotry. He writes honestly about the impact of these tragedies, and continually returns to Indian traditions as the deepest healing resources for native peoples. He writes about the wisdom that comes from practices such as fishing, hunting and sharing poetry. This memoir is an essential voice in the chorus of Indian leaders testifying to major chapters of American history largely missing from most narratives of our nation's past.
The candid and provocative autobiography of the first black superstar of American dance. Voices of those who have known and worked with her through the years are interwoven with Jamison's own to make Dancing Spirit a vivid portrait of a life lived without a moment's waste. 45 photos.
Dance, Human Rights, and Social Justice: Dignity in Motion presents a wide-ranging compilation of essays, spanning more than 15 countries. Organized in four parts, the articles examine the regulation and exploitation of dancers and dance activity by government and authoritative groups, including abusive treatment of dancers within the dance profession; choreography involving human rights as a central theme; the engagement of dance as a means of healing victims of human rights abuses; and national and local social/political movements in which dance plays a powerful role in helping people fight oppression. These groundbreaking papers_both detailed scholarship and riveting personal accounts_encompass a broad spectrum of issues, from slavery and the Holocaust to the Bosnian and Rwandan genocides to the Israeli-Palestinian conflict; from First Amendment cases and the AIDS epidemic to discrimination resulting from age, gender, race, and disability. A range of academics, choreographers, dancers, and dance/movement therapists draw connections between refugee camp, courtroom, theater, rehearsal studio, and university classroom.
In Spirit Song: Afro-Brazilian Religious Music and Boundaries, Marc Gidal investigates how and why a multi-faith community in southern Brazil utilizes music to combine and segregate three Afro-Brazilian religions: Umbanda, Quimbanda, and Batuque. Combining ethnomusicology and symbolic boundary studies, Gidal advances a theory of musical boundary-work: the ways music reinforces, bridges, or blurs boundaries, whether for personal, social, spiritual, or political purposes. Gidal focuses on spirit-mediumship rituals and their musical accompaniment, exploring how the Afro-gaucho religious community employs music and rituals to variously promote innovation and egalitarianism in Umbanda and Quimbanda, while it reinforces musical preservation and hierarchies in Batuque. Religious and musical leaders carefully restrict the cosmologies, ceremonial sequences, and sung prayers of one religion from affecting the others so as to safeguard Batuque's African heritage. Members of disenfranchised populations view the religions as vehicles for empowerment, whether based on race-ethnicity, gender, or religious belief; and innovations in ritual music reflect this activism. These rituals come to life through illustrative video and audio examples on the book's companion website. The first book in English to focus on music in Afro-Brazilian religions, Spirit Song is a landmark study that will be of interest to ethnomusicologists, anthropologists, and religious studies scholars.
How do Africans conceive space? How are places constructed and imagined? How do the conceptions, constructions, imaginings of spaces and places affect, and in turn are affected by, social, economic and political change. These are some of the questions answered in this, the first book of its kind to address systematically the themes of of space and spatiality.
A gift to a world divided by race, this memoir is of two healers in the Bantu tradition-one in Africa, one in a U.S. hospital-who know themselves as spiritual twins. Merging Western medicine with shamanic practice, they offer a profound view of peacemaking that requires meeting "the other" as friend and teacher.