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Teachers and students who love Catherine Rollin's duet series Dances for Two will enjoy this solo collection of pieces based on dance rhythms. Titles: * Chicago Jazzland Dance * French Movie Waltz * Hungarian Gypsy Dance * Island Rhumba * Limbo Lucy * Paso Doble * Tarantella Agitato "Paso Doble" and "French Movie Waltz" were selected for the Federation Festivals 2011-2013.
Teachers and students who love Catherine Rollin's duet series Dances for Two will enjoy the third book in her solo series based on dance rhythms. Book 3 titles: Argentina! * Can You Can-Can? * Danza Cubana * Evenings in Vienna * Temptation Tango.
Teachers and students love Catherine Rollin's duet series Dances for Two, and encouraged her to write all-new solo collections of pieces based on dance rhythms. Titles: * Conga, Conga, Conga * The Jester's Gigue * Make Mine Cha-Cha-Cha * Mazurka for Chopin * Mediterranean Dance * Rock and Roll Slow Dance * Samba Fun * Spicy Salsa * Tantalizing Tango * Tap Time Encore "Mazurka for Chopin" and "Tantalizing Tango" were selected for the Federation Festivals 2011-2013.
Six of Catherine Rollin's favorite early-intermediate to intermediate sheet music solos are included in this volume. The variety of styles and sophisticated sounds make this music appealing to students of all ages. Titles: Blue Bayou Waltz * Jazz Cat * Malibu Mist * Nights in Spain * Nocturne for the Left Hand * Winter Waltz.
#1 New York Times bestselling author Nora Roberts—hailed by Publishers Weekly as “a storyteller of immeasurable diversity and talent”—presents the first book in a trilogy about friendship, fate, and the mysterious ways of the heart. When Nell Channing arrives on charming Three Sisters Island, she believes that she’s finally found refuge from her abusive husband—and from the terrifying life she fled so desperately eight months ago… But even in this quiet, peaceful place, Nell never feels entirely at ease. Careful to conceal her true identity, she takes a job as a cook at the local bookstore café—and begins to explore her feelings for the island sheriff, Zack Todd. But there is a part of herself she can never reveal to him, for she must continue to guard her secrets if she wants to keep the past at bay. One careless word, one misplaced confidence, and the new life she’s so carefully created could shatter completely. Just as Nell starts to wonder if she’ll ever be able to break free of her fear, she realizes that the island suffers under a terrible curse—one that can only be broken by the descendants of the Three Sisters, the witches who settled the island back in 1692. And now, with the help of two other strong, gifted women—and the nightmares of the past haunting her every step—she must find the power to save her home, her love, and herself. Don’t miss the other books in the Three Sisters Island Trilogy Heaven and Earth Face the Fire
With all things vintage enjoying a boom worldwide, swing dancing has well and truly swung back into fashion. From vintage festivals and tea dances to weekend socials and hundreds of weekly classes held around the world, multiple forms of the dance that was created in 1930s Harlem by Frankie Manning are growing ever more popular. Swing Dance explores the vibrant contemporary swing-dancing scene, looking at the different dance styles and the associated culture, community and fashion. Illustrated with vintage and contemporary photography, as well as specially commissioned step-by-step guides, it provides everything you need to know, whether you fancy kicking up your heels in the Charleston or mastering the Lindy Hop ‘swing out’. The four major dance styles are covered – Charleston, Collegiate Shag, Balboa and Lindy Hop, including the Strolls, which are guaranteed to fill the dance floor. Each chapter begins with an overview of the fascinating evolution of the dance style. ‘Get the Look’ examines the fashions for guys and girls, including hair and make-up, and a clothing, shoes and accessories checklist, while ‘The Music’ suggests the top ten tunes to practise to. Then follows a breakdown of the basic step patterns upon which the dance is built, and a guide to some of the key moves. There are also insider tips from old-timers and today’s leading swing dancers as well as fun, easy-to-follow page-embedded video demonstrations produced exclusively for the book and accessible via scannable QR codes.
"Musical theatre dance is an ever-changing, evolving dance form, egalitarian in its embrace of any and all dance genres. It is a living, transforming art developed by exceptional dance artists and requiring dramaturgical understanding, character analysis, knowledge of history, art, design and most importantly an extensive knowledge of dance both intellectual and embodied. Its ghettoization within criticism and scholarship as a throw-away dance form, undeserving of analysis: derivative, cliché ridden, titillating and predictable, the ugly stepsister of both theatre and dance, belies and ignores the historic role it has had in musicals as an expressive form equal to book, music and lyric. The standard adage, "when you can't speak anymore sing, when you can't sing anymore dance" expresses its importance in musical theatre as the ultimate form of heightened emotional, visceral and intellectual expression. Through in-depth analysis author Liza Gennaro examines Broadway choreography through the lens of dance studies, script analysis, movement research and dramaturgical inquiry offering a close examination of a dance form that has heretofore received only the most superficial interrogation. This book reveals the choreographic systems of some of Broadway's most influential dance-makers including George Balanchine, Agnes de Mille, Jerome Robbins, Katherine Dunham, Bob Fosse, Savion Glover, Sergio Trujillo, Steven Hoggett and Camille Brown. Making Broadway Dance is essential reading for theatre and dance scholars, students, practitioners and Broadway fans"--
Winner of the Pura Belpré Illustrator Award A Kirkus Reviews Best Picture Book In soaring words and stunning illustrations, Margarita Engle and Rafael López tell the story of Teresa Carreño, a child prodigy who played piano for Abraham Lincoln. As a little girl, Teresa Carreño loved to let her hands dance across the beautiful keys of the piano. If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee to the United States. Teresa felt lonely in this unfamiliar place, where few of the people she met spoke Spanish. Worst of all, there was fighting in her new home, too—the Civil War. Still, Teresa kept playing, and soon she grew famous as the talented Piano Girl who could play anything from a folk song to a sonata. So famous, in fact, that President Abraham Lincoln wanted her to play at the White House! Yet with the country torn apart by war, could Teresa’s music bring comfort to those who needed it most?
Melody Bober's The Dakotas visits both North and South Dakota in three movements. In the opening movement, "The Great Plains," majestic chords, sixteenth-note runs and a soaring melody recreate the sweeping vistas of this vast grassland area that is found in both states. In the second movement, "Heirlooms and Lace," a lyrical and expressive melody with lush accompaniment recreates the sense of loss and longing when families moved to the new Dakota Territory created in 1861 and left behind precious belongings. The final movement, "Badlands Rough Rider," brings the suite to an energetic close. The Badlands regions of North and South Dakota are represented by this lively piece that shows the style and flair of a rough and tough horse and rider in this desolate region.
A guide to general dancing skills accompanies sequential photographs and foot-pattern diagrams illustrating the fundamentals of the fox-trot, waltz, cha-cha, tango, polka, and other popular ballroom dances.