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Sometimes we are damaged by people we know, trust, and love. This damage shocks us and sends us into a state of emotional numbness for a while. We trap ourselves in a constant inner fight to believe the reality of the damage. We blame ourselves. We get shocked and unwantedly disappointed. We question our self-worth. We review what has happened in our mind and look for an excuse to change the whole perception. We enrage, hold grudges, and we plot our revenge. This bitter fight will never end unless we change the purpose of the fight to find our true selves. We can either give in and play the victim or get on the journey to become strong and unfold our real value. The journey is there; grab your tools and go for the breakthrough.
Legsinaugurated William Kennedy's brilliant cycle of novels (including Billy Phelan's Greatest Gameand Ironweed) set in Albany, New York. True to both life and myth, Legsbrilliantly evokes the flamboyant career of the legendary gangster Jack "Legs" Diamond, who was finally murdered in Albany. Through the equivocal eyes of Diamond's attorney, Marcus Gorman (who scraps a promising political career for the more elemental excitement of the criminal underworld), we watch as Legs and his showgirl mistress, Kiki Roberts, blaze their gaudy trail across the tabloid pages of the 1920s and 1930s. Diamond and his gangster entourage emerge as emblematic figures from an era of American innocence-and corruption.
Dance music is music composed, played, or both, specifically to accompany dancing. It can be either the whole musical piece or part of a larger musical arrangement. Dance music works usually bear the name of the corresponding dance, e.g. waltzes, the tango, the bolero, the can-can, minuets, salsa, various kinds of jigs and the breakdown. Other dance forms include contradance, the merengue, the cha-cha-cha. Often it is difficult to know whether the name of the music came first or the name of the dance. Although dance is often accompanied by music, it can also be presented alone (Postmodern dance) or provide its own accompaniment (tap dance). Dance presented with music may or may not be performed in time to the music depending on the style of dance. Dance performed without music is said to be danced to its own rhythm. An introduction to classical and modern dance including hip hop dance, what is dance, and the dance music (electronic music, rock and roll, disco, house, techno, trance, etc.)
A wide range of bestselling and acclaimed writers—from masters of noir to literary lights—explore the milieu of drug culture in this “eye-opening series” (New York Journal of Books). From Lee Child to William T. Vollmann, Joyce Carol Oates to Sherman Alexie, Eric Bogosian to actor James Franco, many of the finest contemporary writers of fiction weigh in on the lure and destruction of drug use, society’s ambiguous relationship to drug culture, and criminal behavior with short stories that are alternately harrowing, funny, sad, or scary—but always original and gripping. The Cocaine Chronicles edited by Gary Phillips and Jervey Tervalon Contributors include Lee Child, Laura Lippman, Ken Bruen, and Susan Straight “Urban, gritty, and raw noir.” —Harlan Coben The Speed Chronicles edited by Joseph Mattson Contributors include William T. Vollmann, Sherman Alexie, James Franco, and Megan Abbott “Deserves great praise for the audacity of the topic, the depth of the discussion, the diversity of voices, and plain, old, good storytelling.” —New York Journal of Books The Heroin Chronicles edited by Jerry Stahl Contributors include Eric Bogosian, Lydia Lunch, Ava Stander, and Gary Phillips “[An] impressive array of writers . . . these tales of chasing the dragon, with corollaries often violent and savage, will satisfy devotees of noir fiction and outsider are alike.” —Publishers Weekly The Marijuana Chronicles edited by Jonathan Santlofer Contributors include Joyce Carol Oates, Lee Child, Raymond Mungo, and Rachel Shteir “Joyce Carol Oates is in a rare class of her own . . . So, too, are other contributors to this collection, including Lee Child and the always enjoyable Raymond Mungo.” —Kirkus Reviews
Washed-up movie star Jack Palms is knee-deep in a Bay Area drug war and it’ll take the performance of a lifetime to get him through it alive. In the three years since Jack Palms left Hollywood and kicked his drug habit, he’s added fourteen pounds of muscle, read eighty-three books, and played it as straight as anyone could reasonably ask. But the residual checks are drying up, and the ascetic lifestyle’s starting to wear thin, so Jack’s happy to cash in on his former celebrity by showing some out-of-town high rollers around San Francisco’s club scene. Then people start turning up dead, and Jack realizes he’s been playing tour guide to a pack of former KGB agents turned coke dealers. Soon he’s got too many gunmen after him to count–including a South American drug cartel, a mountain-sized Samoan enforcer, and a mobbed-up strip-club owner with an army of thugs. That’s not to mention the gorgeous bartender who may be planning on shooting him in the back and the homicide cop who’s just given Jack twenty-four hours to bring down the Bay Area’s biggest drug dealer. But the thing that scares Jack the most? He’s starting to enjoy himself. From the Trade Paperback edition.
THE STORY: The title character (who remains unseen) is the equine star of television's longest-running and most popular show, in which he is partnered with The Lush Thrushes, a cowboy troupe whose members bear the names of the various brands of booze they guzzle so copiously. The group makes a rare live appearance at the Houston Astrodome, only to flop disastrously, and then retreats to their hotel where each member then reveals his (or her) innermost thoughts in hilarious detail. When the hotel catches fire they are too far gone to notice, and the epilogue finds them all in heaven-dressed in white western finery, and lamenting the fact that Whiskey, who miraculously survived the inferno, is about to become the star of a new series.
Get the first four books in L.H. Cosway’s HEARTS series, a collection of interconnected standalone novels that have everything a romance reader could ask for. From friends-to-lovers to second chance romance to star-crossed lovers, these stories will have you glued to the pages. Praise for The HEARTS Series: "There is so much 'swoonage' in these pages that romance readers will want to hold this book close and not let go." - Babbling About Books & More on Six of Hearts. "We just fell in love. Complete and utter beautiful book love." - Totally Booked on Hearts of Fire. "I was looking for a superb read, and somehow I stumbled across an epic one!" - Natasha is a Book Junkie on King of Hearts. "Sexy, witty and fresh. Confidently a TRSOR recommendation and fave!" - The Rock Stars of Romance on Hearts of Blue. The Hearts Boxset Bundle includes: Six of Hearts (book #1) Hearts of Fire (book #2) King of Hearts (book #3) Hearts of Blue (book #4)
Caleb A. Mertzas newest mystery novel, The Silhouetted Leaves, focuses on the story of a local celebrity, Jack, and a heartbroken disturbed roommate, Jamie. Their vexatious tale spins and twists as it unveils to the narrator, Troy. Intense from the first paragraph, Jack and Jamie deal with their extraordinary lives with their own perilous psychological issues. The profound situation is acknowledged when the realities at hand begin to surface. Chased by the fears of each otheras sickness is their common grounds, which may lead to utter destruction or pure happinessa]
Whoever heard of a party at which the hosts lavishly give away presents, refusing to accept any gifts in return, keeping little for themselves? This is the custom of the Northern Athapaskan potlatch, a tradition that has long fascinated Americans. In Rifles, Blankets, and Beads, William E. Simeone explores the potlatch and its role in balancing competition and cooperation among the Tanacross people, a Northern Athapaskan culture. According to Simeone, the potlatch tradition helps the Tanacross people uphold standards of acceptable behavior through curbing competitiveness and stressing the ideals of cooperation. Simeone also examines Northern Athapaskan leadership practices, the introduction of trade goods into Athapaskan culture, and the complexities of cultural identity for the Tanacross.