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Dancing with the Gods: Essays in Ga Ritual explores cosmological concepts and ritual actions of the Ga people of southeastern Ghana through case studies of calendrical agricultural rites, social status transition rites, and redressive rites. Based on fieldwork in the 1960s, the essays present descriptive analyses of verbal and non-verbal ritual action. While verbal ritual actions specify ideas pertinent to a particular rite, non-verbal ritual actions express more general concepts. Kilson's analyses show how the same motifs of non-verbal ritual action recur in sacred and secular Ga rites. Whenever and wherever such motifs occur, they convey the same basic underlying Ga concepts, thereby creating a unified conceptual network of belief that is the foundation of the Ga ritual system. The essays in this collection previously appeared in Anthropos, Journal of African Studies, Journal of Religion in Africa, Parabola, and Sextant.
Is Bethany Baptist Academy God's choice? Ask the fundamentalist Christians who teach there or whose children attend the academy, and their answer will be a yes as unequivocal as their claim that the Bible is God's inerrant, absolute word. Is this truth or arrogance? In God's Choice, Alan Peshkin offers readers the opportunity to consider this question in depth. Given the outsider's rare chance to observe such a school firsthand, Peshkin spent eighteen months studying Bethany's high school—interviewing students, parents, and educators, living in the home of Bethany Baptist Church members, and participating fully in the church's activities. From this intimate research he has fashioned a rich account of Christian schooling and an informed analysis of a clear alternative to public education.
The most pervasive gods in ancient Rome had no traditional mythology attached to them, nor was their worship organized by elites. Throughout the Roman world, neighborhood street corners, farm boundaries, and household hearths featured small shrines to the beloved lares, a pair of cheerful little dancing gods. These shrines were maintained primarily by ordinary Romans, and often by slaves and freedmen, for whom the lares cult provided a unique public leadership role. In this comprehensive and richly illustrated book, the first to focus on the lares, Harriet Flower offers a strikingly original account of these gods and a new way of understanding the lived experience of everyday Roman religion. Weaving together a wide range of evidence, Flower sets forth a new interpretation of the much-disputed nature of the lares. She makes the case that they are not spirits of the dead, as many have argued, but rather benevolent protectors—gods of place, especially the household and the neighborhood, and of travel. She examines the rituals honoring the lares, their cult sites, and their iconography, as well as the meaning of the snakes often depicted alongside lares in paintings of gardens. She also looks at Compitalia, a popular midwinter neighborhood festival in honor of the lares, and describes how its politics played a key role in Rome’s increasing violence in the 60s and 50s BC, as well as in the efforts of Augustus to reach out to ordinary people living in the city’s local neighborhoods. A reconsideration of seemingly humble gods that were central to the religious world of the Romans, this is also the first major account of the full range of lares worship in the homes, neighborhoods, and temples of ancient Rome.
At last, a contemporary Pagan perspective on Western religious history! Discover the historical roots of Neo-Paganism and its relationship to other modern religions. Dancing Shadows traces Western religions back 3,000 years to show how the cross-fertilization of the Christian and Pagan belief systems is the source of conflicts that continue to this day.
If we are honest, most of us will admit that our understanding of God is vague, no matter how much we profess our love. No wonder Nietzsche famously asked for a better God than a blustering old man or a nameless nothing. How do you love an unseen some One or some Thing? A God Who Dances, a summary of the Bhagavad-gita and Bhagavat-Purana (including a poeticized version of the 10th Canto) introduces you to Krishna. Krishna means the all-attractive person. Knowing Krishna will bring you a windfall of spiritual understanding and realization about the nature of God."