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Fourth-grade best friends Raymond and Graham write Valentine poems, perform in a hoedown, and learn how to be men.
Title story plus three others featuring the peerless sleuth and his faithful sidekick: "The Adventure of the Dying Detective," "The Musgrave Ritual" and "The Adventure of the Bruce-Partington Plans."
For use in schools and libraries only. Fourth-grade best friends Raymond and Graham write Valentine poems, perform in a hoedown, and learn how to be men.
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Explores the feminization, sexualization, and racialization of dance in America since the 1960s.
Can Holmes decode the message of the dancing men? When Hilton Cubitt finds strange messages around his house, he is puzzled. When his wife sees them, she is terrified! Cubitt turns to Sherlock Holmes and Dr. Watson for answers. Will the duo be able to crack the case before disaster strikes?
Rumba music starts and a floor full of dancers alternate clinging to one another and turning away. Here, Julia Ericksen, a competitive ballroom dancer herself, takes the reader onto the competition floor exploring the allure of this hyper-competitive, difficult, and often expensive activity.
This is the first volume devoted to the topic of dance and quality of life. Thirty-one chapters illuminate dance in relation to singular and overlapping themes of nature, philosophy, spirituality, religion, life span, learning, love, family, teaching, creativity, ability, socio-cultural identity, politics and change, sex and gender, wellbeing, and more. With contributions from a multi-generational group of artists, community workers, educators, philosophers, researchers, students and health professionals, this volume presents a thoughtful, expansive-yet-focused, and nuanced discussion of dance’s contribution to human life. The volume will interest dance specialists, quality of life researchers, and anyone interested in exploring dance’s contribution to quality of living and being.
Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age.