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As the nomadic hunters and gatherers of the ancient Near East turned to agriculture for their livelihood and settled into villages, religious ceremonies involving dancing became their primary means for bonding individuals into communities and households into villages. So important was dance that scenes of dancing are among the oldest and most persistent themes in Near Eastern prehistoric art, and these depictions of dance accompanied the spread of agriculture into surrounding regions of Europe and Africa. In this pathfinding book, Yosef Garfinkel analyzes depictions of dancing found on archaeological objects from the Near East, southeastern Europe, and Egypt to offer the first comprehensive look at the role of dance in these Neolithic (7000-4000 BC) societies. In the first part of the book, Garfinkel examines the structure of dance, its functional roles in the community (with comparisons to dance in modern pre-state societies), and its cognitive, or symbolic, aspects. This analysis leads him to assert that scenes of dancing depict real community rituals linked to the agricultural cycle and that dance was essential for maintaining these calendrical rituals and passing them on to succeeding generations. In the concluding section of the book, Garfinkel presents and discusses the extensive archaeological data—some 400 depictions of dance—on which his study is based.
This excellent introductory textbook describes and explains the origins of modern culture– the dawn of agriculture in the Neolithic area. Written in an easy-to-read style, this lively and engaging book familiarises the reader with essential archaeological and genetic terms and concepts, explores the latest evidence from scientific analyses as varied as deep sea coring, pollen identification, radiometric dating and DNA research, condensing them into an up-to-date academic account, specifically written to be clear even the novice reader. Focusing primarily on sites in southwest Asia, Neolithic addresses questions such as: Which plants and animals were the first to be domesticated, and how? How did life change when people began farming? What were the first villages like? What do we know about the social, political and religious life of these newly founded societies? What happened to human health as a result of the Neolithic Revolution? Lavishly illustrated with almost a hundred images, this enjoyable book is an ideal introduction both for students of archaeology and for general readers interested in our past.
The accompanying DVD provides some glimpses of the practice of music in a variety of cultures and illustrates ways of listening to the human voice that reveal its intrinsic musicality. The DVD was edited by Pedro Espi-Sanchis, who recorded further material in South Africa.
This book focuses on how the the scientific discovery of "plant sex" unfolded due to cultural biases, beliefs, and perceptions about plant reproduction. "Flora Unveiled" is a deep history of perceptions about plant gender and sexuality, from the Paleolithic to the nineteenth century. The evidence suggests that a plants-as-female gender bias both prevented the discovery of two sexes in plants until the late 17th century, and delayed its acceptance for another 150 years.
Written by specialists in the field of Egyptology, this book is a readable introduction to ancient Egypt, covering all anticipated subjects and stressing the monuments and material culture of this remarkable ancient civilization. The rich natural resources of ancient Egypt provided a wealth of raw material for its structures, sculptures, and art, while its geographic isolation helped to ensure the survival of its rich culture for centuries. While other references focus on the people and battles central to Egyptian history, this reference explores the material culture and social institutions of ancient Egypt. The book focuses on pharaonic Egypt, covering the period from roughly 5000 BCE to the beginning of the Greco-Roman Period in 320 BCE. At the front of the work, a timeline provides a quick look at the major events in Egyptian history, and an introduction surveys ancient Egypt's physical geography and history. Alphabetically arranged reference entries written by expert contributors then provide fundamental information about the buildings, jewelry, social practices, and other topics related to the material culture and institutions that made up the Egyptian world. Excerpts from primary source historical documents provide evidence for what we know about ancient Egyptian culture, and suggestions for further reading direct users to additional sources of information.
Make small changes to your surroundings and create extraordinary happiness in your life with groundbreaking research from designer and TED star Ingrid Fetell Lee. Next Big Idea Club selection—chosen by Malcolm Gladwell, Susan Cain, Dan Pink, and Adam Grant as one of the "two most groundbreaking new nonfiction reads of the season!" "This book has the power to change everything! Writing with depth, wit, and insight, Ingrid Fetell Lee shares all you need to know in order to create external environments that give rise to inner joy." —Susan Cain, author of Quiet and founder of Quiet Revolution Have you ever wondered why we stop to watch the orange glow that arrives before sunset, or why we flock to see cherry blossoms bloom in spring? Is there a reason that people—regardless of gender, age, culture, or ethnicity—are mesmerized by baby animals, and can't help but smile when they see a burst of confetti or a cluster of colorful balloons? We are often made to feel that the physical world has little or no impact on our inner joy. Increasingly, experts urge us to find balance and calm by looking inward—through mindfulness or meditation—and muting the outside world. But what if the natural vibrancy of our surroundings is actually our most renewable and easily accessible source of joy? In Joyful, designer Ingrid Fetell Lee explores how the seemingly mundane spaces and objects we interact with every day have surprising and powerful effects on our mood. Drawing on insights from neuroscience and psychology, she explains why one setting makes us feel anxious or competitive, while another fosters acceptance and delight—and, most importantly, she reveals how we can harness the power of our surroundings to live fuller, healthier, and truly joyful lives.
Flannery and Marcus demonstrate that the rise of inequality was not simply the result of population increase, food surplus, or the accumulation of valuables but resulted from conscious manipulation of the unique social logic that lies at the core of every human group. Reversing the social logic can reverse inequality, they argue, without violence.
The pursuit of gender in the archaeological record is explored in this exciting new collection of essays by renowned archaeologists and gender theorists. These essays place gender in the context of the past, by approaching the data in light of the previous decades of gender research. Issues such as tool-making, hunting, and evolution take on new meaning as the contributors examine the impact of gender worldwide. They do so in terms of the theories, methods, and ways of teaching and learning amassed through archaeological data. These essays provide insight into the study of gender in archaeology and will prove valuable to the scholarship of gender-based theory.
Throughout human history, gender has served as one of the ways in which human beings form their identities and then make their way in the world. But it is not the only way: We also discover ourselves through race, age, class, and other categories. Increasingly, archaeologists are recovering evidence of the ways in which gender has been important in identity-formation in the past, especially in its interaction with other social factors. In Identity and Subsistence, a number of scholars look at how the idea of gender has worked with respect to the formation of the self, masculinity and femininity, human evolution, and the development of early agrarian and pastoralist societies.
This is a book about classical music – for people who say they love music “but don’t understand how it works”, as well as for performers and music students of all ages. Proposing that deeper enjoyment begins with an understanding of music’s basic structures, the book describes how the simple template of earlier dance-songs was adapted by composers writing music for instruments. The instrumental sonata became one of the great formal frameworks of western music: in symphonies, concertos, chamber music and solo sonatas, it dominated concert music for some 250 years – yet it is little understood by many music lovers. To simplify this vast field, Past Sounds singles out for study “sonatas” for piano trio – piano, violin and ’cello. These instruments have well-contrasted and easily identifiable sounds, and as the story unfolds the reader is introduced to many rarely heard but beautiful works for piano trio. This is a lively, clearly-written narrative as well as a handbook for subsequent listening. The book has two distinctive features. Firstly, technical terms are carefully explained, and for those not familiar with music notation, audio clips in an accompanying website reproduce the actual sound of the music described. Secondly, in a broad historical sweep from mid-18th to 20th centuries, the development of the sonata is followed in its context of contemporary arts and literature – demonstrating how the sonata idea of classical music well deserves to be understood and valued as a western cultural archetype alongside other great artistic and literary forms.