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In this challenging and lively book, Burt examines the representation of masculinity in twentieth century dance. The Male Dancer has proven to be essential reading for anyone interested in dance and the cultural construction of gender.
While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. A dancer and choreographer, as well as an historian, author Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists - including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach - Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.
The Edinburgh Companion to Charles Dickens and the Arts explores Dickens's rich and complex relationships with a myriad of art forms and the far-reaching resonance of his works across the arts overall. This volume reassesses Dickens's prescient philosophy of art, both through a historical and a present-day lens and in the context of debates about the cultural value of the arts. Across thirty-three original essays, it outlines the ways in which Dickens broke down oppositions between high and low art, money and the aesthetic, the extraordinary and the ordinary, and art for its own sake and the social good. In doing so, it considers how Dickens prefigured the arts of the future, including rap music, television, fanfiction and global cinema.
"Ambitious in its scope and interdisciplinary in its purview. . . . Without doubt future researchers will want to refer to Hanna's study, not simply for its rich bibliographical sources but also for suggestions as to how to proceed with their own work. Dance, Sex, and Gender will initiate a discussion that should propel a more methodologically informed study of dance and gender."—Randy Martin, Journal of the History of Sexuality
As one of the creators of ragtime, Joplin moved between black and white society, and his experience offers a window into the complex forces of class, race, and culture that shaped modern America.
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About 1875 the Crows abandoned their own Sun Dance, but they continued to carry out other traditional rites despite opposition from missionaries and the federal government. In 1941, Crow Indians from Montana sought out leaders of the Sun Dance among the Wind River Shoshonis in Wyoming and under the direction of John Truhujo, made the ceremony a part of their lives. In The Shoshoni-Crow Sun Dance, Fred W. Voget draws on forty years of fieldwork to describe the people and circumstances leading to this singular event, the nature of the ceremony, the reconciliation’s with Christianity and peyotism, the role of the Sun Dance as a catalyst for the reassertion of Crow cultural identity, and the place the Sun Dance now holds in Crow life and culture. Voget’s description includes photographs and diagrams of the Sun Dance.
What lurks in the dark is not always a monster. Sometimes it's your deepest desire. Trey Duncan's career as a Boston cop has taken an unearthly turn. He's become embroiled in an alien war being fought on his planet. Each battle they win is a short-lived reprieve. As he helps his new vampire-like friends save his own people, he can't help but become emotionally involved, especially when it comes to the disturbingly appealing Demi. A hybrid of human and alien, the boy is both older and younger than he seems. To Trey, he remains a temptation he must resist. Demi is a young man caught between two species and cultures. While his fathers have always kept a tight rein on him, he is starting to break away from their control. He knows what he wants, and from the moment he set eyes on Trey, he knew that the cop was the man for him. Since the last battle, he finally has hope that Trey feels the same way. Biology forces both their hands, but Trey and Demi are still worlds apart in what they see as their future together. When their enemy's legacy comes back to haunt them, it's up to them to lead the way.