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Spring has sprung in Cleveland and home stager (and lousy spiritual medium) Bailey Burke is facing all kinds of major life changes. Both her grandmother and her boyfriend Jake Marner have moved in with her, she is contemplating a career change, and Marner’s mother needs her help planning a thirtieth birthday party for him. Party plans include dance lessons for Bailey and Jake. Which would be fun, except their instructor appears to have tangoed with the wrong partner. She’s found dead on the dance floor, a butchered ballroom teacher with multiple stab wounds. It’s a classic case of overkill, but there are no suspects and no ghosts hanging around to offer any insight. It’s time to call on Bailey’s old friend, Ryan, who happens to be a dead detective with a rude sense of humor. Can Bailey and her two favorite guys solve the case of the killer Cha Cha?
Freshman year of university was supposed to mean freedom. It was supposed to be her escape from parents who didn't understand her -- who turned Patricia away every time she reached out for help. New city, new school, new friends, fresh start - Wasn't that how it's supposed to work? Instead, when Patricia moves from her small, isolating hometown to bustling, sprawling cityscape of Toronto, she finds herself more alone than ever. When she meets Derek -- and intriguing yet mysterious classmate -- she's instantly drawn in by his worldly knowledge and easy charm. For a while, things between them are perfect. For a while, it's thrilling being invited into a world, unlike anything Patricia's experienced before. But this isn't a love story, and not everyone is what they seem.
From the author of Three Souls comes a vividly imagined and haunting new novel set in early 20th century Shanghai—a story of friendship, heartbreak, and history that follows a young Eurasian orphan’s search for her long-lost mother. That night I dreamed that I had wandered out to Dragon Springs Road all on my own, when a dreadful knowledge seized me that my mother had gone away never to return . . . In 1908, Jialing is only seven years old when she is abandoned in the courtyard of a once-lavish estate near Shanghai. Jialing is zazhong—Eurasian—and faces a lifetime of contempt from both Chinese and Europeans. Without her mother’s protection, she can survive only if the estate’s new owners, the Yang family, agree to take her in. Jialing finds allies in Anjuin, the eldest Yang daughter, and Fox, an animal spirit who has lived in the haunted courtyard for centuries. But Jialing’s life as the Yangs’ bondservant changes unexpectedly when she befriends a young English girl who then mysteriously vanishes. Always hopeful of finding her long-lost mother, Jialing grows into womanhood during the tumultuous early years of the Chinese republic, guided by Fox and by her own strength of spirit, away from the shadows of her past. But she finds herself drawn into a murder at the periphery of political intrigue, a relationship that jeopardizes her friendship with Anjuin and a forbidden affair that brings danger to the man she loves.
First published a century ago, The Ghost Dance is a unique first-hand account of a messianic movement against white subjugation that arose among Native Americans of the West and the Plains in the latter part of the 19th-century.
Ghosts of Good Times: South Louisiana Dance Halls Past and Present examines a world of Cajun dance halls, Zydeco clubs, Chitlin' Circuit R&B night clubs, Swamp-Pop Honkytonks and other venues that at one time were prevalent throughout the region. Photographs by Philip Gould blend architectural imagery of buildings still standing with historic photographs of the clubs that he took in their heyday. Herman Fuselier and other writers provide a rich selection of historic accounts and essays about their personal experiences in the clubs. The book also examines the dance hall scene today and how the venues have changed. The music following remains strong and people still come to dance. The surviving old dance halls and newer venues are still in full swing. Old or new, they are icons, a proud south Louisiana legacy of Good Times.
A critical biography of novelist, poet, and former Stanford professor Arturo Islas (1938-1991).
A sweeping, multifaceted tale of a young Native American pulled between the cherished traditions of a heritage on the brink of extinction and an encroaching white culture, Gardens in the Dunes is the powerful story of one woman’s quest to reconcile two worlds that are diametrically opposed. At the center of this struggle is Indigo, who is ripped from her tribe, the Sand Lizard people, by white soldiers who destroy her home and family. Placed in a government school to learn the ways of a white child, Indigo is rescued by the kind-hearted Hattie and her worldly husband, Edward, who undertake to transform this complex, spirited girl into a “proper” young lady. Bit by bit, and through a wondrous journey that spans the European continent, traipses through the jungles of Brazil, and returns to the rich desert of Southwest America, Indigo bridges the gap between the two forces in her life and teaches her adoptive parents as much as, if not more than, she learns from them.
In this fascinating ethnohistorical case study of North American Indians, the Ghost Dance religion is the backbone for Kehoes exploration of significant aspects of American Indian life and her quest to learn why some theories become popular. In Part 1, she combines knowledge gained from her firsthand experiences living among and speaking with Indian elders with a careful analysis of historical accounts, providing a succinct yet insightful look at people, events, and institutions from the 1800s to the present. She clarifies unique and complex relationships among Indian peoples and dispels many of the false pretenses promoted by United States agencies over two centuries. In Part 2, Kehoe surveys some of the theories used to analyze the events described in Part 1, allowing readers to see how theories develop, to think critically about various perspectives, and to draw their own conclusions. Kehoes gripping presentation and analysis pave the way for just and constructive Indian-White relations.
"In these essays a distinguished historian analyzes how the Indian nations of the Southeast grappled with nationalism, slavery, and missionaries. Against the background of this "combined onslaught on their cultural identity," McLoughlin describes what the Indians did "to preserve what they considered most important." The fate of Native Americans was inextricably bound up with the most vital questions of national life"--Publisher's description.