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Manipuri, the classical dance from the easternmost end of India, is marked by a delicacy that is steeped in tradition. The book reflects the subtle nuances of the form of the supernatural to the mythological.
The Dances Of India Are Among The Oldest Dance Genres Still Widely Practiced Today. In Recent Years They Have Become Increasingly Known And Appreciated All Over The World. This Book Details The History Of The Several Styles Of Indian Dance And Gives An Account Of The Cultural, Religious, Social And Political Factors Which Influenced Their Growth And Development. There Are Fascinating Side-Lights On The Etiquette And Mores Of Indian Society. Many Of The Myths And Legends Which Form The Subject Matter Of The Dances Are Recounted And Theories Suggested To Explain Their Inspiration And Sources.This Is A Comprehensive Survey For Readers Who Want To Relate The Classical Dances To The Broader Background Of Indian Culture. For Students, Indian And Non- Indian, It Provides Valuable Historic And Technical Information; And For Dance Lovers It Serves As A Guide Telling Them What To Look For In A Performance. There Is, In Addition, An Overview Of India'S Many Folk Dances. The Glossary Of Terms Germane To The Different Styles Is A Useful Adjunct As Is The Bibliography.In The Latter Part Of This Book The Achievements Of Leading Delhi-Based Dancers Are Recorded And, At The Same Time, New Talent Is Readily Recognized.Written By An Acknowledged Authority, India'S Dances Is, Quite Simply, A Defmitive Volume On Some Of This Country'S Most. Enduring Contributions To World Culture.
Study of a classical dance form of Kerala, India.
Dance Matters Too: Markets, Memories, Identities is a rich intellectual contribution to the growing field of dance studies in India. It forges new avenues of scholarly inquiry and critical engagement and opens the field in innovative ways. This volume builds on Dance Matters (2009), which mapped the interdisciplinary breadth of the field. The chapters presented here continue to underline the uniqueness of a field that is a blend of critical scholarship on aesthetics and performance with the humanities and social sciences. Including diverse material, analytical approaches and perspectives from scholars and practitioners, this multidimensional volume explores debates on dance preservation and tradition in globalizing India, multimedia choreographies and the circulation of dance via electronic media, embodiment and memory, power, democracy and bourgeoning markets, classification and censorship, and corporatization and Bollywood. This tour de force will appeal to those in dance and performance studies, cultural studies, sociology as well as to readers interested in tradition, modernity, gender and globalization.
Covering eight classical dance forms of India Bharatanatyam, Kathak, Kuchipudi, Kathakali, Manipuri, Mohiniattam, Odissi and Sattriya Leela Venkataraman seamlessly weaves together a historical perspective with the contemporary scenario. Stripped of their association with the temple and the court, classical dance traditions in India went through a series of unprecedented change in the period marking the last few years of British rule and thereafter. From becoming part of the nationalist struggle when India was trying to rediscover its lost identity, to sharing the international stage today with dance forms from all over the world, the last sixty-six years have seen many changes in perspective and presentation of Indian Classical Dance some intentional, others involuntary. While looking at these years closely and their impact on dance forms, one realises that this is a phase in an ongoing process, with each new generation of dancers and musicians adding to an already rich tapestry of tradition."
Today, Indian dance in Australia is represented by professional dance artists, companies, schools, and amateur community groups. They have, over the years, performed both traditional classical works as well as Bollywood pieces, and participated in various dance and cultural festivals organised throughout Australia. Louise Lightfoot, an Australian architect turned ballet teacher, is credited with successfully promoting a range of Indian classical dance forms. Lightfoot as a dedicated impresario for Ananda Shivaram, Rajkumar Priyagopal Singh, and Ibetombi Devi, urged Australian audiences not to see Indian dance as just an ancient, mysterious, and spiritual art form, but try to truly understand the value of this complex art of Indian dance and culture in order to strengthen cultural bonds. This book brings together Lightfoot’s thirty-three essays, reflecting her broader worldview as a dancer, choreographer, and impresario. Louise’s essays segue into each other and echo her various encounters with India and its diverse cultural conditions, beliefs and philosophies.
India’s rich cultural legacy has been founded on the abiding faith of the Indians in the divine power, whose worship had found expression through dance. ‘Bhakti’ or devotion was the underlying essence of the various dance forms that developed in India. Indian Classical Dances is a unique presentation of the eight classical dance styles – Bharatanatyam, Kathak, Kathakali, Kuchipudi, Manipuri, Mohiniyattam, Odissi and Sattriya, through a concise portrayal of the background of each dance form, the salient features, format of presentation, music and costume. The simplistic approach of the narration coupled with the unique collection of photographs, will enable the lay reader to visualise, comprehend and appreciate the diverse dance forms of India.