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"In July 1518 a terrifying and mysterious plague struck the medieval city of Strasbourg. Hundreds of men and women danced wildly, day after day, in the punishing summer heat. Their feet blistered and bled, and their limbs ached with fatigue, but they simply could not stop. Throughout August and early September more and more were seized by the same terrible compulsion." "By the time the epidemic subsided, heat and exhaustion had claimed an untold number of lives, leaving thousands bewildered and bereaved, and an enduring enigma for future generations." "This book explains why Strasbourg's dancing plague took place. In doing so, it leads us into a largely vanished world, evoking the sights, sounds, aromas, diseases and hardships, the fervent supernaturalism and the desperate hedonism of the late-medieval world." "At the same time, it offers insights into how people behave when driven beyond the limits of endurance. Not only a historical detective story, A Time to Dance, A Time to Die is also an exploration of the strangest capabilities of the human mind and the extremes to which fear and irrationality can lead us."--BOOK JACKET.
A gripping tale of one of history's most bizarre events, and what it reveals about the strange possibilities of human nature In the searing July heat of 1518, Frau Troffea stepped into the streets of Strasbourg and began to dance. Bathed in sweat, she continued to dance. Overcome with exhaustion, she stopped, and then resumed her solitary jig a few hours later. Over the next two months, roughly four hundred people succumbed to the same agonizing compulsion. At its peak, the epidemic claimed the lives of fifteen men, women, and children a day. Possibly 100 people danced to their deaths in one of the most bizarre and terrifying plagues in history. John Waller compellingly evokes the sights, sounds, and aromas; the diseases and hardships; the fervent supernaturalism and the desperate hedonism of the late medieval world. Based on new evidence, he explains why the plague occurred and how it came to an end. In doing so, he sheds light on the strangest capabilities of the human mind and on our own susceptibility to mass hysteria.
In the summer of 1985, a woman named Teresa Moore disappeared from her job as a convenience store clerk in the middle of the night. Meanwhile, the register was untouched and nothing in the store was found to be missing. Also, the victim's purse was nearby and had nothing missing from it. In front of the store was a running hose that was used by the store to wash down the front area of debris. Apparently, Teresa was abducted inside the store by an unknown assailant whose identity would baffle detectives for the next ten years. This chilling dramatization of actual events sets the tone for an investigation into finding Teresa's merciless killer. The twists and turns of this dramatic cold-case file can easily be compared to the ranks of today's best-selling fiction. From a rookie detective who always regretted not solving his first big murder case to the latest technology worthy of an episode of CSI, Danced to Death carries with it the emotional weight and shocking details of the best true crime has to offer.
Hal's summer affair with Barry Goldman ends tragically when Hal discovers he is much more committed to the relationship than his friend.
In her first posthumous work, the revered poet crafts a personal history of Black dance and captures the careers of legendary dancers along with her own rhythmic beginnings. Many learned of Ntozake Shange’s ability to blend movement with words when her acclaimed choreopoem for colored girls who have considered suicide/when the rainbow is enuf made its way to Broadway in 1976, eventually winning an Obie Award the following year. But before she found fame as a writer, poet, performer, dancer, and storyteller, she was an untrained student who found her footing in others’ classrooms. Dance We Do is a tribute to those who taught her and her passion for rhythm, movement, and dance. After 20 years of research, writing, and devotion, Ntozake Shange tells her history of Black dance through a series of portraits of the dancers who trained her, moved with her, and inspired her to share the power of the Black body with her audience. Shange celebrates and honors the contributions of the often unrecognized pioneers who continued the path Katherine Dunham paved through the twentieth century. Dance We Do features a stunning photo insert along with personal interviews with Mickey Davidson, Halifu Osumare, Camille Brown, and Dianne McIntyre. In what is now one of her final works, Ntozake Shange welcomes the reader into the world she loved best.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”
About Marta Becket . . . "Tears came to my eyes. Marta represented to me the spirit of the individual. The spirit of the theater. The spirit of creativity." -Ray Bradbury, Author "Marta's paintings have a degree of humor and playfulness. The use of color is outstanding and tell of a generosity, talent and skill." -Red Skelton, Comedian/Artist "Long before anybody invented the term performance art, Marta Becket was doing it, in an abandoned opera house in Death Valley Junction. She restored it an
Holly and Heather share their story and help to walk the reader through the painful yet necessary healing process for when life deals us its harshest blows. Dancing on my ashes soothes and empathizes with the broken heart, while sharing the truth of scripture, and the hope that comes from the heart of God.
Lethal Beauty Kimberly Renee Poole, 21, led a double life. The Winston-Salem, North Carolina area housewife and mother was also a topless dancer at a strip club. She craved jewelry, designer clothing, and adulterous affairs with both men and women. Brent Poole, her hopelessly devoted spouse, could deny her nothing. But that wasn't enough for Renee. She wanted his money and his life. Infernal Triangle Murder moved from fantasy to reality after Renee Poole began an affair with John Boyd Frazier, a patron at the club where she worked. On the night of June 9, 1998, on the pretext of celebrating their third wedding anniversary, Poole lured her husband to an oceanfront hotel in Myrtle Beach, South Carolina. While their young daughter slept in the hotel room, Renee made love to Brent on the deserted beach--then delivered him to Frazier, who shot him dead. American Nightmare From the start, police knew Renee's story didn't add up, and the investigation that followed exposed the dark details of how Brent Poole's marriage to his dream woman ended in cold blood. Author Dale Hudson's gripping account of this high-profile case of greed, lust and murder includes extensive interviews with Renee Poole herself, whose dance of death landed her in prison for life. 16 Pages Of Exclusive Photos Dale Hudson is the co-author of two previous true crime books. He holds three earned masters degrees in Psychology, Education, and Religion. He lives in Myrtle Beach, South Carolina.