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Just before Buddha died somebody asked him: When a buddha dies where does he go? Does he survive or simply disappear into nothingness? This is not a new question, it is one of the oldest, many times repeated and asked. Buddha is reported to have said: Just like a white cloud disappearing.... This very morning there were white clouds in the sky. Now they are there no more. Where have they gone? From where do they come? How do they evolve, and how do they dissolve again? A white cloud is a mystery, the coming, the going, the very being of it. That’s the first reason why I call my way The Way of the White Clouds.
"The Ozark Conspiracy" was written in the time zone of the war of Afghanistan and the war of Libya. The War Department's General Olin Conway decided to create a new, stronger, deadlier soldier to take the place of the human soldiers. Lab Scientists set up secret Laboratories in the top of mountains in open caverns. Their main purpose was to give out fake flu shots child and adult they could find and they disguised themselves as doctors and medical helpers such as RN's and LPNS. As a result, some died and then came back from the dead as vampires and other victims became were-humans. The good people of Center Ridge discovered the ill-fated labs one by one. White Clouds, an Indian Seer, with the help of his tribe and a family of were-humans found the injured, experimented on victims and set them free.
The Whitecloud collection contains sculpture, textiles, basketry and embroidery items from various Northeastern Woodlands, Great Lakes, Southern Woodlands, Prairie and Plains tribes.
As the global vicissitudes of migration unfold so does ethnic difference in the classroom, and this book offers a timely examination of teaching about culturally different dances. At a time when the world of dance is, on the one hand, seemingly becoming more like fusion cookery there is another faction promoting isolation and preservation of tradition. How, if at all, may these two worlds co-exist in dance education? Understanding teaching about culturally different dances from postmodern, postcolonial, pluralist and critical perspectives creates an urgent demand to develop relevant pedagogy in dance education. What is required to support dance educators into the next phase of dance education, so as to avoid teaching from within a Eurocentric, creative dance model alone? An ethnographic investigation with teachers in New Zealand lays a foundation for the examination of issues, challenges and opportunities associated with teaching about culturally different dances. Concerns and issues surrounding notions of tradition, innovation, appropriation, interculturalism, social justice and critical pedagogy emerge. Engaging with both practice and theory is a priority in this book, and a nexus model, in which the theoretical fields of critical cultural theory, semiotics, ethnography and anthropology can be activated as teachers teach, is proposed as informing approaches to teaching about culturally different dances. Even though some practical suggestions for teaching are presented, the main concern is to motivate further thinking and research into teaching about dancing with cultural difference. Cover photo: Photo credit: lester de Vere photography ltd. Dancing with Difference (2009). Directed and co-choreographed for AUT University Bachelor of Dance by Linda Ashley with Jonelle Kawana, Yoon-jee Lee, Keneti Muaiava, Aya Nakamura, Siauala Nili, Valance Smith, Sakura Stirling and dancers. Won first prize in the 2009, Viva Eclectika, Aotearoa’s Intercultural Dance and Music Biennial Challenge run by NZ-Asia Association Inc NZ and the NZ Diversity Action Programme.
Following the Tides to Nourish Your Soul, will help you to remember that God will see you through any trial or tribulation that you might be faced with.
Celebrating the diversity of dance across the South Pacific, this volume studies the various experiences, motivations and aims for dance, emerging from the voices of dance professionals in the islands. In particular, it focuses on the interplay of cultures and pathways of migration as people move across the region discovering new routes and connections.
Death-defying and vulnerable fur-traders and Indians, demi-devils and almost-angels, and other complex personalities come fully to life in The Ancient Memory, which completes the collecting of John G. Neihardt's early short fiction begun with The End of the Dream and Other Stories. Originally published in popular magazines between 1905 and 1908, these stories about the American frontier illustrated Neihardt's artistry in the short form and foreshadow the themes, situations, and characterizations of his later, better-known work. Although two of the Indian stories, the ironic "Feather for Feather" and the satirical "A Political Coup at Little Omaha," were collected in The Lonesome Trail in 1907, none has been reprinted since early in the twentieth century. Other stories included here are "Like a Woman," featuring the plucky Pelagie, and "The Face in the Balcony," which is dedicated to "those who have gone through life misunderstood." "The Epic-Minded Scot," about a stranger who is stubbornly idealistic and scrupulous, is considered one of Neihardt's best tales. "The Brutal Fact" revolves around a William Tell type of contest between trapping partners that anticipates Neihardt's Song of Three Friends. "The Lure of Woman," a study of greed and revenge, was expanded into his novel Life's Lure. The ineffable "Ancient Memory" carries profound philosophical implications while presenting a strange doppelgänger of sorts. Finally, the memorable Waters—an alcoholic, one-legged, one-eyed frontier printer—is introduced in "The Discarded Fetish," which, with minor changes, became the first half of the novel The Dawn-Builder. In her foreword Neihardt's daughter Hilda Neihardt recalls intimate details incidental to the writing of these stories.
From Buenos Aires to Paris to New Orleans, Mike and Barbara Bivona have traveled and danced throughout the world. And in this memoir and travelogue, these two dance aficionados share their adventures and experiences. Ballroom dancers for more than twenty years, the Bivonas have traveled extensively while honing their dancing skills and meeting fellow dancers. Dancing Around the World with Mike and Barbara Bivona provides detailed accounts of their experiences in Argentina, Paris, Hawaii, Italy, the Catskill Mountains of New York, the Caribbean, and South Florida, as well as other destinations. This account not only includes dancing details, but also shares the history and flavor of the exciting locales they have visited. Augmented with photographs, Dancing Around the World with Mike and Barbara Bivona also includes background information on the art of ballroom dancing, a few dance lessons, biographies of select dancers who have performed on the television show Dancing with the Stars, current ballroom dancing philosophy, and information about the intellectual benefits gained from dancing.
A companion volume to Modern Asian Theatre and Performance 1900–2000, this anthology contains nine emblematic scripts from twentieth and twenty-first century Asian theatre. Opening with a history of modern Asian drama and a summary of the plays and their contexts, it features nine works written between 1912 and 2009 in Japan, China, Korea, India, Indonesia and Vietnam. Showcasing fresh contemporary writing alongside plays central to the established canon, the collection surveys each playwright's work, and includes: Father Returns by Kikuchi Kan Hot Pepper, Air Conditioner and the Farewell Speech by Okada Toshiki Sunrise by Cao Yu I Love XXX by Meng Jinghui, Huang Jingang, Wang Xiaoli, Shi Hang Bicycle by O Tae-sok The Post Office by Rabindranath Tagore Hayavadana by Girish Karnad The Struggle of the Naga Tribe by W. S. Rendra Truong Ba's Soul in the Butcher's Skin by Luu Quang Vu The chronological and geographical breadth of the anthology provides a unique insight into modern Asian theatre and is essential to any understanding of its relation to Western drama and indigenous performance.