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When Americans mamboed in the kitchen, waltzed in the living room, polkaed in the pavilion, and tangoed at the club; with glorious, full-color record cover art. In midcentury America, eager dancers mamboed in the kitchen, waltzed in the living room, Watusied at the nightclub, and polkaed in the pavilion, instructed (and inspired) by dance records. Glorious, full-color record covers encouraged them: Let’s Cha Cha Cha, Dance and Stay Young, Dancing in the Street!, Limbo Party, High Society Twist. In Designed for Dancing, vinyl record aficionados and collectors Janet Borgerson and Jonathan Schroeder examine dance records of the 1950s and 1960s as expressions of midcentury culture, identity, fantasy, and desire. Borgerson and Schroeder begin with the record covers—memorable and striking, but largely designed and created by now-forgotten photographers, scenographers, and illustrators—which were central to the way records were conceived, produced, and promoted. Dancing allowed people to sample aspirational lifestyles, whether at the Plaza or in a smoky Parisian café, and to affirm ancestral identities with Irish, Polish, or Greek folk dancing. Dance records featuring ethnic music of variable authenticity and appropriateness invited consumers to dance in the footsteps of the Other with “hot” Latin music, Afro-Caribbean rhythms, and Hawaiian hulas. Bought at a local supermarket, department store, or record shop, and listened to in the privacy of home, midcentury dance records offered instruction in how to dance, how to dress, how to date, and how to discover cool new music—lessons for harmonizing with the rest of postwar America.
"This volume contains the Dance Til Tomorrow installments from Pulp vol. 2, no. 7 through vol. 3, no. 4 (first chapter) in their entirety"--Title page verso
The true story of a woman who dared to live her dream. M, a successful Chartered Accountant, decides that there must be more to life than climbing the corporate ladder. It charts her journey to London and back to India to set up her dance school. The exciting world of tango, rumba, salsa, jazz, cha cha cha. Tantalizing glimpses of London and Bangalore...
• Reviews of more than 900 manga series • Ratings from 0 to 4 stars • Guidelines for age-appropriateness • Number of series volumes • Background info on series and artists THE ONE-STOP RESOURCE FOR CHOOSING BETWEEN THE BEST AND THE REST! Whether you’re new to the world of manga-style graphic novels or a longtime reader on the lookout for the next hot series, here’s a comprehensive guide to the wide, wonderful world of Japanese comics! • Incisive, full-length reviews of stories and artwork • Titles rated from zero to four stars–skip the clunkers, but don’t miss the hidden gems • Guidelines for age-appropriateness–from strictly mature to kid-friendly • Profiles of the biggest names in manga, including CLAMP, Osamu Tezuka, Rumiko Takahashi, and many others • The facts on the many kinds of manga–know your shôjo from your shônen • An overview of the manga industry and its history • A detailed bibliography and a glossary of manga terms LOOK NO FURTHER, YOU’VE FOUND YOUR IDEAL MANGA COMPANION!
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The story is set in a small town 'Kurouzu-cho' meaning 'black swirl town'. People around a high school girl, Goshima Kirie, become obsessed with swirl shapes and kill themselves in gruesome ways.
Moving to Africa in 1979, from rural, small town Mississippi was a leap of faith and a catalyst for great adventure. With graduation from college looming and looking for direction, a Peace Corps flier crosses Mary Duncans path. Mary volunteers to teach Cameroonians how to grow fish for food by building fish ponds in Cameroon. After four months of training, she is assigned to a very isolated post in Yoko. She must adapt to a French speaking, half Muslim world without electricity and plumbing. For the first year, the only other volunteers in the area are a 12 hour bush taxi ride away. Mary gains a unique view of what life is really like in Yoko, where the local tribe, the Bavut, speaks their own patois (language) and are happy to share their opinions on a wide range of topics including homosexuality, polygamy, nuclear bomb programs and whether or not pygmies are indeed human. The first year Mary is occupied with work and survival: learning how to live without modern conveniences, communicate with the locals, and with very little to eat. During the second year, as the locals begin to know and trust her, she gets to look under the surface and discovers not everything is as innocent as it seems. On this journey to the third world, Mary learns as much about herself as she does of the people around her. Marys cross-cultural experience attests the commonalities of human beings on higher levels than the boundaries we build between us, and that many challenges that we face are universal: the need for shelter, friendship, and fish. For those thinking to joining the Peace Corps or those looking to travel abroad on a road less traveled, this book can give you honest insight into what you can expect on your own journey.