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The essays in this dynamic compilation are a testament to dance as a healing art. Widely interdisciplinary in nature and written by women dancers from around the world, they illustrate a rich array of dance practices, cultures, and disciplines and show how this expressive therapy can be both empowering and exhilarating. The women’s narratives all share a deep appreciation for the connection between mental, spiritual, and physical dimensions, offering dance as a transformative power of renewing and rebuilding that bond. Both personal and professional, the stories weave a vivid tapestry of lived experiences and insights, balance, and a community healed by dance.
In a writing career spanning nearly three decades, Margaret Laurence became one of the most celebrated and widely read authors in the world. In this, her final work, Margaret Laurence reveals the story of her fascinating life, the process of her writing, and the people and emotional journeys which accompanied it. She relates her experiences living in different cultures; the issues and causes she so passionately upheld; her personal battle against censorship. She also pays tribute to the three women from whom she drew important spiritual strength. Including a selection of her articles, speeches, and letters - many never before published - and photographs selected by Margaret Laurence from her personal family albums, Dance on the Earth is a book of celebration and exploration in which Margaret Laurence speaks openly about her place in the world as a woman, a writer, and a concerned human being.
Readers are asked to picture themselves as the earth, turning in space, facing the light, feeling the green things growing and the oceans shifting.
"Earth Dance," the story of four generations of Balinese women, centers on conflicts that arise between the demands of caste and personal desires. Narrated by Ida Ayu Telaga, a Balinese woman in her thirties, the novel shows Balinese women-as depicted by her mother, grandmother and female peers-to be motivated by two factors: the yearning to be beautiful, and the desire for a high-caste husband. Headstrong Telaga defies her mother's wishes and marries the man of her dreams, who is a commoner. Thus, in a reversal of societal expectations, as shown in the novel by images of women who aspire to "liberation" through "marrying up," Telaga's emancipation is implicitly characterized as a move downwards, through transformation to the status of a commoner. "Earth Dance" also reveals that-like high-caste status-beauty, too, has a price. Behind the thick, glossy hair and golden complexion, lies a web of jealousy, derision and intrigue. Telaga, whose life is controlled by her mother's avarice, her mother-in-law's bitterness and the greed of her sister-in-law, has frequent cause to wonder: "Is this what it means to be a woman?"
Now available in paperback, Days on Earth--originally published in 1988 (Yale University Press)--traces the dance career and artistic development of one of the founders of American modern dance. In this biography of dance pioneer Doris Humphrey, Marcia B. Siegel follows Humphrey's career from her days with the Denishawn Company (among fellos students like Martha Graham) to her creative partnership with Charles Weidman to her tenure as artistic director of protégé José Limon's dance company. Siegel's reconsideration and description of Humphrey's dances, including many that are no longer performed, sheds important light on this pathbreaking dancer/choreographer.
The Last Great Dance on Earth is the triumphant final volume of Sandra Gulland's beloved trilogy based on the life of Josephine Bonaparte. When the novel opens, Josephine and Napoleon have been married for four tumultuous years. Napoleon is Josephine's great love, and she his. But their passionate union is troubled from within, as Josephine is unable to produce an heir, and from without, as England makes war against France and Napoleon's Corsican clan makes war against his wife. Through Josephine's heartfelt diary entries, we witness the personal betrayals and political intrigues that will finally drive them apart, culminating in Josephine's greatest tragedy: her divorce from Napoleon and his exile to Elba. The Last Great Dance on Earth is historical fiction on a grand scale and the stirring conclusion to an unforgettable love story.
The texts in this book are inspired by the teachings of Katsuyuki Shimamoto, 8th dan, who has been a Zen priest and aikido teacher for 50 years. the title is taken from a poem that frequently graces his calligraphies: Harmonize with others Harmonize with Heaven and Earth Dance with others Dance with Heaven and Earth Humble and congenial, Katsuyuki Shimamoto is a perpetrator of aikido as a martial art of peace that seeks to create harmony. Influenced strongly by Zen, he emphasizes good posture, calm breathing, universal acceptance, simplicity, and minimalist aesthetics. These short pieces of wisdom taken from aikido and Zen help us understand that living with others is what allows us to live at all. That the right form - including posture, field of vision, and breathing - can change not only our outlook but the outcome, too. That we can neutralize any attack once we learn to accept it. That true victory is to win against our weaknesses, and fighting only serves as a stepping stone towards harmony. That with the right approach, the very life we struggle with can turn into the greatest treasure. Photographer and designer Morteza Ariana has not only given the book a beautiful look but also contributed significantly to conveying its message by adding a visual component to its expression. His breathtaking original photographs resonate with Katsuyuki Shimamoto's sense for Zen aesthetics and clarity of communication. Every text is juxtaposed with one of these images, adding another dimension to its meaning, and often alluding to the contradictory nature of Zen teachings intended to help practitioners overcome the boundaries of reason. Get ready for a book that takes you straight to the heart of the matter. Dance with Heaven & Earth!
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Earth Dance Drum
Gaia's Dance is Earth's own enticing adventure story covering billions of years. Looking now through a telescope powerful enough to see Earth from a planet a few thousand light years away from us, we might see an ancient Greek storyteller relating the creation story of Gaia's Dance. Evolution biologist Elisabet Sahtouris takes us through the scientific story of evolution showing parallels with the ancient story while unfolding it scientifically to reveal how our own amazing bodies trace their roots to ancient bacterial cooperatives and how the essence of biological evolution is a repeating maturation process in which youthful competition gives way to mature cooperation. Learning how our own smart molecule proteins manage our cellular economies shows how we ourselves can navigate the perfect storm of crises we face and mature quickly into a healthy, cooperative human future.