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“Compelling . . . Nobody writes a chase better than [Thomas] Perry.”—The Washington Post Book World Jane Whitefield is the patron saint of the pursued, a Native American “guide” who specializes in making victims vanish. Calling on the ancient wisdom of the Seneca tribe and her own razor-sharp cunning, she conjures up new identities for people with nowhere left to run. She's as quick and quiet as freshly fallen show, and she covers a trail just as completely. But when a calculating killer stalks an innocent eight-year-old boy, Jane faces dangerous obstacles that will put her powers—and her life—to a terrifying test. . . . Praise for Dance for the Dead “Spellbinding . . . Terrific . . . Jane Whitefield may be the most arresting protagonist in the 90s thriller arena. . . . Thrillers need good villains, and this one has a formidable SOB who is cold-blooded enough to satisfy anybody's taste.”—Entertainment Weekly “A terse thriller . . . Perry starts the story with a bang.”—San Francisco Chronicle “One of the most engaging heroines in contemporary suspense.”—The Flint Journal
Trapped on island and surrounded by undead creatures, a dancer must call upon unlikely allies in order to save her soul Larissa Snowmane is a dancer aboard a magical riverboat. For years, the craft has traveled in Ravenloft, unopposed by the sinister beings that rule over the Dark Domains. When the boat arrives at the zombie-plagued island of Souragne, however, the crew finds itself dancing to chilling music indeed. After discovering the captain’s sinister secret, Larissa must rely upon the creatures of the swamp—and her mastery of the magical Dance of the Dead—to save her own soul.
Two boys suddenly disappear, and Lt. Joe Leaphorn sets out to locate them. Three things complicate the search: an archaeological dig, a steel hypodermic needle, and the strange laws of the Zuni Indians. A riveting mystery from the bestselling author of Talking God and Skinwalkers.
A contemporary novel that tracks the meandering exploits of malcontent Carl Wallington who finds himself in deep trouble with his domineering girlfriend Deborah McCaul, candidate for the U.S. House of Representatives. In the unforgiving public light of Deborah’s campaign, Carl’s seemingly poor judgment on the job creates a career-ending scandal he’d rather not deal with so he flees Philadelphia and the eventual consequences of his transgression. Carl’s journey and purpose become increasingly blurred by alcohol and drugs and he becomes convinced that Deborah and her mob are hunting him down and closing in for their revenge. He is haunted by memories of his fatherless childhood and determined to locate the only man he could ever call “Dad.” Leaving behind one undeniable clue as to his whereabouts, Carl hibernates on an Amtrak train and vanishes for twenty-four critical hours. As his friends and enemies converge on Savannah and await his arrival, Carl—a supposed fugitive—wakes up in Orlando and receives tragic but confusing news via a nomadic old clairvoyant named Helen. He races northward to verify the validity of her claim and ultimately discovers the sordid reality of life on the run and its brutal, deadly consequences.
Walter E. A. van Beek draws on over four decades of extensive fieldwork to offer an in-depth study of the religion of the Kapsiki/Higi, who live in the Mandara Mountains on the border between North Cameroon and Northeast Nigeria. Concentrating on ritual as the core of traditional religion, van Beek shows how Kapsiki/Higi practices have endured through the long and turbulent history of the region. Kapsiki rituals reveal a focus on two fundamental concepts: dwelling and belonging. Van Beek examines their sacrificial practices, through which the Kapsiki show a complex and pervasive connection with the Mandara Mountains, as well as the character of their relationships among themselves and with outsiders. Van Beek also explores their rituals of belonging, rites of passage which take place from birth through initiation and marriage - and even death, with the tradition of the ''dancing dead,'' when a fully decorated corpse on the shoulders of a smith ''dances'' with his mourning kinsmen. The Dancing Dead is the result of the author's lifelong study of the Kapsiki/Higi. It gives a unique description of the rituals in an African traditional religion based not upon ancestors, but on a completely relational thought system, where in the end all rituals are integrated into one major cycle.
A comprehensive career guide for young kids thinking about careers in the forensic sciences explores options ranging from archaeologists and morticians to coroners and taxidermists while outlining activity suggestions and references.