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The only book of its kind, this anthology of poems about dance puts forward several interrelated ideas: that poetry is itself a form that resembles dance, that the difficulties of writing about dance in prose are avoided in poetry, and that dance is a "language" that crosses cultures and centuries. Selections include Leonard Cohen's "Last Dance at the Four Penny," Babette Deutsche's "Ballet School," Li-Po's "Dancing Girl," Howard Nemerov's "The Dancer's Reply," Arthur Rimbaud's "Gibbet Dance," Anne Sexton's "How We Danced," and Yevgeny Yevtushenko's "Doing the Twist on Nails." Short profiles of the poets and sources for their poems are also included.
An irresistible book of poems about dancing that mimic the rhythms of social dances from cha-cha to two-step, by the acclaimed author of Mirror Mirror Marilyn Singer has crafted a vibrant collection of poems celebrating all forms of social dance from samba and salsa to tango and hip-hop. The rhythm of each poem mimics the beat of the dances’ steps. Together with Kristi Valiant’s dynamic illustrations, the poems create a window to all the ways dance enters our lives and exists throughout many cultures. This ingenious collection will inspire readers to get up and move! Included with the e-book is an audio recording of the author reading each poem accompanied by original music.
For both readers and writers of poetry, here is a concise and engaging introduction to sound, rhyme, meter, and scansion - and why they matter. "The dance, " in the case of this brief and luminous book, refers to the interwoven pleasures of sound and sense to be found in some of the most celebrated and beautiful poems in the English language, from Shakespeare to Edna St. Vincent Millay to Robert Frost. With a poet's ear and a poet's grace of expression, Mary Oliver helps us understand what makes a metrical poem work - and enables readers, as only she can, to "enter the thudding deeps and the rippling shallows of sound-pleasure and rhythm-pleasure."
In her first posthumous work, the revered poet crafts a personal history of Black dance and captures the careers of legendary dancers along with her own rhythmic beginnings. Many learned of Ntozake Shange’s ability to blend movement with words when her acclaimed choreopoem for colored girls who have considered suicide/when the rainbow is enuf made its way to Broadway in 1976, eventually winning an Obie Award the following year. But before she found fame as a writer, poet, performer, dancer, and storyteller, she was an untrained student who found her footing in others’ classrooms. Dance We Do is a tribute to those who taught her and her passion for rhythm, movement, and dance. After 20 years of research, writing, and devotion, Ntozake Shange tells her history of Black dance through a series of portraits of the dancers who trained her, moved with her, and inspired her to share the power of the Black body with her audience. Shange celebrates and honors the contributions of the often unrecognized pioneers who continued the path Katherine Dunham paved through the twentieth century. Dance We Do features a stunning photo insert along with personal interviews with Mickey Davidson, Halifu Osumare, Camille Brown, and Dianne McIntyre. In what is now one of her final works, Ntozake Shange welcomes the reader into the world she loved best.
Collects a variety of articles on dance by influential New York journalist and master critic Edwin Denby which he wrote for Dance Magazine, Modern Music journal, and the Herald Tribune
A collection of poems focusing on the author's identity as a Hopi Indian, and how she fits in with today's culture and society as well as the pull of her ancestry
Girls Are Coming Out of the Woods is Tishani Doshi's third collection, following two earlier, highly praised collections, Everything Belongs Elsewhere, published by Bloodaxe in 2012, and her debut, Countries of the Body, winner of the Forward Prize for best first collection. Poetry Book Society Recommendation shortlisted for the Ted Hughes Prize.
When Frank X Walker's compelling collection of personal poems was first released in 2004, it told the story of the infamous Lewis and Clark expedition from the point of view of York, who was enslaved to Clark and became the first African American man to traverse the continent. The fictionalized poems in Buffalo Dance form a narrative of York's inner journey before, during, and after the expedition—a journey from slavery to freedom, from the plantation to the great Northwest, from servant to soul yearning to be free. In this expanded edition, Walker utilizes extensive historical research, interviews, transcribed oral histories from the Nez Perce Reservation, art, and empathy to breathe new life into an important but overlooked historical figure. Featuring a new historical essay, preface, and sixteen additional poems, this powerful work speaks to such themes as racism, the power of literacy, the inhumanity of slavery, and the crimes against Native Americans, while reawakening and reclaiming the lost "voice" of York.
Adrienne Rich chose Cathy Park Hong's "audacious" (Los Angeles Times) second book as the winner of the 2006 Barnard Women Poets Prize. Named one of the Los Angeles Times's Best Science Fiction Books in 2007, Dance Dance Revolution is a genre-bending tour de force told from the perspective of the Guide, a former dissident and tour guide of an imagined desert city.
Krysada Panusith Phounsiri's debut book of original poetry, Dance Among Elephants, is at turns intimate and interrogative, interested in unpacking the many layers of his family's journey from Laos to the United States and around the world. Through the author's photography and poetry, Dance Among Elephants explores the elusive history of the Laotian Diaspora and the challenge of identity politics, ideology, and the music of relationships between families and communities rebuilding their lives. As the Lao mark 40 years in the United States since the end of the conflict in 1975, this energetic new collection dances into its future with profound introspection, elegance, honesty and hope.