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Ghosts of Good Times: South Louisiana Dance Halls Past and Present examines a world of Cajun dance halls, Zydeco clubs, Chitlin' Circuit R&B night clubs, Swamp-Pop Honkytonks and other venues that at one time were prevalent throughout the region. Photographs by Philip Gould blend architectural imagery of buildings still standing with historic photographs of the clubs that he took in their heyday. Herman Fuselier and other writers provide a rich selection of historic accounts and essays about their personal experiences in the clubs. The book also examines the dance hall scene today and how the venues have changed. The music following remains strong and people still come to dance. The surviving old dance halls and newer venues are still in full swing. Old or new, they are icons, a proud south Louisiana legacy of Good Times.
Photographs and text reveal the histories of ten dance halls across the state of Texas, which includes The Bandera Caberet, The Coupland Inn & Dancehall, Schroeder Hall, Gruene Hall, and others.
Small-town dance halls once overflowed with people flocking to see their favorite country bands and to dance. Dance Halls and Last Calls explores over one hundred of these vintage dance halls and their communities through the eyes of artists who played there.
Ballrooms were at the center of social life in the Midwest for over a century, with some dance halls dating back to the late 1800s. Throughout Nebraska, these iconic structures hosted a number of community events and musical performances, bringing together friends, families, and neighbors to socialize, celebrate, and, most importantly, dance. Nebraska's ballrooms and dance halls brought people together, and these facilities were long the heartbeats of their towns. Pla Mor Ballroom in Lincoln, King's Ballroom in Norfolk, States Ballroom in Bee, and Howells Ballroom are only some of the legendary dance halls featured among these historic photographs. Although many ballrooms have since burned down, been repurposed, or been demolished, some of the dance halls remain active today, a reminder of a more magical, musical, bygone era.
Texas dance halls are iconic structures that have played a prominent role in the states culture from its earliest stages. They became central institutions in the earliest European settlements and provided these immigrant communities with a common, central space in which to build new ways of life in a new land. The settlement patterns of the mostly German, Czech, Polish, and other central European migrants of this period gave East Central Texas the states greatest concentration of dance halls. Thousands of these halls were built throughout the 19th and early 20th centuries, but at present, their numbers have dwindled considerably, and many are at risk.
An engaging look at Boston's golden era of Irish traditional music
This is a revised edition of a work based on an investigation done in 1910 regarding the conditions of public dance halls in Chicago. Bowen's complaints included the late hours, too much liquor, and the general behavior of men noting, " ... men wear their hats; they all smoke and expectorate freely." She also suggests the waiters and other employees provide information on the location of "disreputable lodging houses," and she delivers condemnation against masquerade and fancy dress balls because many women were found "attending in male attire."
Satan in the Dance Hall explores the overwhelming popularity of social dancing and its close relationship to America's rapidly changing society in the 1920s. The book focuses on the fiercely contested debate over the morality of social dancing in New York City, led by moral reformers and religious leaders like Rev. John Roach Straton. Fed by the firm belief that dancing was the leading cause of immorality in New York, Straton and his followers succeeded in enacting municipal regulations on social dancing and moral conduct within the more than 750 public dance halls in New York City. Ralph G. Giordano conveys an easy to read and full picture of life in the Jazz Age, incorporating important events and personalities such as the Flu Epidemic, the Scopes Monkey Trial, Prohibition, Flappers, Gangsters, Texas Guinan, and Charles Lindbergh, while simultaneously describing how social dancing was a hugely prominent cultural phenomenon, one closely intertwined with nearly every aspect of American society fromthe Great War to the Great Depression. With a bibliography, an index, and over 35 photos, Satan in the Dance Hall presents an interdisciplinary study of social dancing in New York City throughout the decade.