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The 2019 Running Awards: Best BookA guide to running for the unathletic, told by a man who fell into the sport almost by accident. Progressing cautiously on a reluctant and unexpected journey to 100 Marathons (and beyond), he learned the hard way from years of getting it wrong. Unlikely to break any records or become a national figure for the standards he sets, he nonetheless has enhanced his life and fitness, taking his long-suffering family along with him. In this witty account, he writes about his unsteady progress while knocking the stuffing out of running pomposity.
A heart-warming story about self-esteem and determination. Follow a little duck from the Prairies who has a big dream: making it to New York City and doing his ducky dance on Broadway! It turns out to be an adventurous journey that appears bound for failure until he meets up with a truck driver named Big Betty. She points him in the right direction and gives him that little nudge he needs to tackle the Big Apple!
Soothing his boy is a pleasure in more ways than one... Isaac is worn out from the clubs, the scenes, the boys who say they want a Daddy then change their minds. When he’s given the responsibility of training the most obedient guy he’s ever met, Isaac is hooked. But does the guy even know what a boy is, despite acting like one? Henley knows what he wants from a relationship: to be taken care of by a Daddy. He knows he can be a handful. When he starts a new job, his gaze is taken to a prime specimen. Maybe Henley could persuade him to be his Daddy… Can their relationship survive in the workplace?
Because I Remember Terror, Father, I Remember You destroys our complacency about who among us can commit unspeakable atrocities, who is subjected to them, and who can stop them. From age four to eighteen, Sue William Silverman was repeatedly sexually abused by her father, an influential government official and successful banker. Through her eyes, we see an outwardly normal family built on a foundation of horrifying secrets that long went unreported, undetected, and unconfessed.
Throughout her history, the ballerina has been perceived as the embodiment of beauty and perfection--the feminine ideal. But the reality is another story. From the earliest ballerinas in the 17th century--who often led double lives as concubines--through the poverty of the corps de ballet dancers in the 1800's and the anorexic and bulimic ballerinas of George Balanchine, starvation and exploitation have plagued ballerinas throughout history. Using the stories of great dancers such as Anna Pavlova, Isadora Duncan, Suzanne Farrell, Gelsey Kirkland, Evelyn Hart, Marie Camargo, and Misty Copeland, Deirdre Kelly exposes the true rigors for women in ballet. She rounds her critique with examples of how the world of ballet is slowly evolving for the better. But to ensure that this most graceful of dance forms survives into the future, she says that the time has come to rethink ballet, to position the ballerina at its center and accord her the respect she deserves.
Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an American film, Walter C. Simon. It includes not only Hollywood professionals but also many composers of concert music--as well as popular music and other genres--whose cinematic work has never before been fully catalogued. The book also features an index that lets readers quickly find the composer for any American film through 1970. To recover this history, much of which was lost or never recorded, McCarty corresponded with or interviewed hundreds of composers, arrangers, orchestrators, musical directors, and music librarians. He also conducted extensive research in the archives of the seven largest film studios--Columbia, MGM, Paramount, RKO, 20th Century-Fox, Universal, and Warner Bros.--and wherever possible, he based his findings on the most reliable evidence, that of the manuscript scores and cue sheets (as opposed to less accurate screen credits). The result is the definitive guide to the composers and musical scores for the first 60 years of American film.
The way out of tragedy can be a long, intense journey, and in the end it may not be successful. The novel sets this journey against one of the most personal and powerful relationships in life, that of parent and child. Jessica is a heart-broken, middle-aged woman whose father was killed in World War II. She never she saw him. She sets out on a path to learn more about him by seeing the World War II battle sites where he fought. Her purpose is to understand him better by learning about his war record and to seek closure of her own lengthy loneliness by finding and walking on the grounds where he fought and to reconcile her thoughts and feelings at the end of her pathway, his gravesite.