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The dress sewn by seamstress Nathalia for the titular "The Snow Queen" is stunning. She really outdid herself for the performance. But the signature dress disappears overnight! The whole Dance Class is on edge and blames Carla for the mysterious disappearance. She will do anything to find that dress and prove her innocence. With many false leads, and without the help of her friends Julie, Alia, and Lucie who are busy rehearsing for the upcoming ballet recital, Carla must be the Snow Queen AND the Detective Queen to save the show.
Julie, Lucy, and Alia are best friends who share the same passion: dance! A new year of classes has begun and this year, in addition to their regular ballet and modern dance classes, the three girls are introduced to a new style of dance — African folk! Powered by deep percussion-based music, this style is unlike anything they've ever tried before. While the girls enjoy their new art form, problems at home and in the classroom threaten to cause them to have to stop taking their dance classes. Can the girls balance their studies and their extracurricular activities, or will they have to give up dancing for good?
Driven by exacting methods and hard data, this volume reveals gender dynamics within the dance world in the twenty-first century. It provides concrete evidence about how gender impacts the daily lives of dancers, choreographers, directors, educators, and students through surveys, interviews, analyses of data from institutional sources, and action research studies. Dancers, dance artists, and dance scholars from the United States, Australia, and Canada discuss equity in three areas: concert dance, the studio, and higher education. The chapters provide evidence of bias, stereotyping, and other behaviors that are often invisible to those involved, as well as to audiences. The contributors answer incisive questions about the role of gender in various aspects of the field, including physical expression and body image, classroom experiences and pedagogy, and performance and funding opportunities. The findings reveal how inequitable practices combined with societal pressures can create environments that hinder health, happiness, and success. At the same time, they highlight the individuals working to eliminate discrimination and open up new possibilities for expression and achievement in studios, choreography, performance venues, and institutions of higher education. The dance community can strive to eliminate discrimination, but first it must understand the status quo for gender in the dance world. Wendy Oliver, professor of dance at Providence College, is coeditor of Jazz Dance: A History of the Roots and Branches. Doug Risner, professor of dance at Wayne State University, is coeditor of Hybrid Lives of Teaching Artists in Dance and Theatre Arts: A Critical Reader. Contributors: Gareth Belling | Karen Bond | Carolyn Hebert | Eliza Larson | Pamela S. Musil | Wendy Oliver | Katherine Polasek | Doug Risner | Emily Roper | Karen Schupp | Jan Van Dyke
Julie, Lucy, and Alia are passionate for dance. But they are also at that age of becoming passionate for crushes on boys as well. When their dance class leads them on a trip to Spain to study flamenco, their passion for dance is about to become a lot more passionate. Step (two, three, four) into a new Dance Class adventure where the girls learn that it takes two to tango! Olé!
A new student, Maya, joins Lucy, Alia, and Julie in Dance Class, but it seems her true passion is on the basketball court. Maya must nimbly overcome her competitive spirit and use her tall stature to be a MVD, most valuable dancer. Things are also heating up between Alia and her boyfriend Evan, but will he miss a step when he forgets their anniversary? And all this and more takes place as all the Dance Class students prepare to put on a production set in the African Savannah. No matter how crazy life may get, Lucy, Alia, Julie, and the rest of the Dance Class have always managed to pull off the seemingly impossible—but what if what the girls are dealing with becomes so overwhelming, that this time the show can’t go on?
Harriet Cavalli, internationally recognized as one of the most talented and experienced specialists in the art of music for dancers and dance teachers, presents here the definitive book on accompaniment, as well as her personal - often humorous - look behind the scenes at the world of dance. The text is enhanced by diagrams and 83 complete musical examples, providing a wealth of repertoire choices.
Dip into your new obsession in this steamy gay ballroom romance! The beautifully-detailed, lithe bodies of the two "kings of the ballroom" fly across the dance floor as rivals build a volatile bond in this red-hot romance! IT TAKES TWO Shinya Sugiki, the dashing lord of Standard Ballroom, and Shinya Suzuki, passionate king of Latin Dance: The two share more than just a first name and a love of the sport. They each want to become champion of the 10-Dance Competition, which means they'll need to learn the other's specialty dances, and who better to learn from than the best? But old rivalries die hard, and things get complicated even further when they realize there might be more between them than an uneasy partnership...
"Thren Felhorn is the greatest assassin of his time. All the thieves' guilds of the city are under his unflinching control. If he has his way, death will soon spill out from the shadows and into the streets. Aaron is Thren's son, trained to be heir to his father's criminal empire. He's cold, ruthless--everything an assassin should be. But when Aaron risks his life to protect a priest's daughter from his own guild, he glimpses a world beyond piston, daggers, and the iron rule of his father"--Page 4 of cover.
“Ah, you’ve come to uphold your promise, Leonis.” The Queen of Shadows’ plan has been thwarted, but that hardly means the end of the Void threat or the mysteries surrounding it. While Riselia and the others head for the capital of the Rognas Kingdom, ancient enemies prowl its ruins, and the return of the eighth Dark Lord looms. What awaits in the remains from a thousand years ago, and what are the Voids and their masters truly after?