Download Free Dance And The Creative Couple Book in PDF and EPUB Free Download. You can read online Dance And The Creative Couple and write the review.

AN INSTANT #1 NEW YORK TIMES BESTSELLER "A charming, wholehearted love story that's sure to make readers swoon."—Entertainment Weekly "Nicola Yoon writes from the heart in this beautiful love story."—Good Morning America “It’s like an emotional gut punch—so beautiful and also heart-wrenching."—US Weekly In this romantic page-turner from the author of Everything, Everything and The Sun is Also a Star, Evie has the power to see other people’s romantic fates—what will happen when she finally sees her own? Evie Thomas doesn't believe in love anymore. Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually. As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything--including entering a ballroom dance competition with a girl he's only just met. Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it's that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?
In a career that has spanned four decades, choreographer Twyla Tharp has collaborated with great musicians, designers, thousands of dancers, and almost a hundred companies. She's experienced the thrill of shared achievement and has seen what happens when group efforts fizzle. Her professional life has been -- and continues to be -- one collaboration after another. In this practical sequel to her national bestseller The Creative Habit, Tharp explains why collaboration is important to her -- and can be for you. She shows how to recognize good candidates for partnership and how to build one successfully, and analyzes dysfunctional collaborations. And although this isn't a book that promises to help you deepen your romantic life, she suggests that the lessons you learn by working together professionally can help you in your personal relationships. These lessons about planning, listening, organizing, troubleshooting, and using your talents and those of your coworkers to the fullest are not limited to the arts; they are the building blocks of working with others, like if you're stuck in a 9-to-5 job and have an unhelpful boss. Tharp sees collaboration as a daily practice, and her book is rich in examples from her career. Starting as a twelve-year-old teaching dance to her brothers in a small town in California and moving through her work as a fledgling choreographer in New York, she learns lessons that have enriched her collaborations with Billy Joel, Jerome Robbins, Mikhail Baryshnikov, Bob Dylan, Elvis Costello, David Byrne, Richard Avedon, Milos Forman, Norma Kamali, and Frank Sinatra. Among the surprising and inspiring points Tharp makes in The Collaborative Habit: -Nothing forces change more dramatically than a new partnership. -In a good collaboration, differences between partners mean that one plus one will always equal more than two. A good collaborator is easier to find than a good friend. If you've got a true friendship, you want to protect that. To work together is to risk it. -Everyone who uses e-mail is a virtual collaborator. -Getting involved with your collaborator's problems may distract you from your own, but it usually leads to disaster. -When you have history, you have ghosts. If you're returning to an old collaboration, begin at the beginning. No evocation of old problems and old solutions. -Tharp's conclusion: What we can learn about working creatively and in harmony can trans- form our lives, and our world.
Martin's lines are a brief as breath, and cloister us at home, in winter, where the tiny everyday ministrations of love and parenthood are magnified and abundant with meaning. I wanted to tell you something About the shipwreck Of fatherhood, of motherhood, the coarse Sugar leaving us Shook. Soft wreck of the baby Greeting each kiss With an open And drooling mouth, reflex We don't understand Heart-blip stuck Tipping my finger On the keys, speeding Memory of yesterday out The window I'm Pushing barely open Chris Martin is the author of American Music (Copper Canyon, 2007) and Becoming Weather (Coffee House Press, 2011).
Discovering Dance, Second Edition, is the premier introductory dance text for high school students. Whether they are new to dance or already have some experience, students will be able to grasp the foundational concepts of dance as they consider where dance movement comes from and why humans are compelled to move, and they will explore movement activities from the perspectives of a dancer, a choreographer, and an observer. The result is a well-rounded educational experience for students to build on, whether they want to further explore performance or choreography or otherwise factor dance into their college or career goals. Specifically designed to meet national and state dance education standards, Discovering Dance offers a ready-to-implement dance curriculum that is foundational and flexible. It fosters students’ discovery of dance through creating, performing, analyzing, understanding, responding to, connecting to, and evaluating dance and dance forms. The book is divided into four parts and 17 chapters. Part I focuses on the foundational concepts of dance and art processes, wellness, safety, dance elements, and composition. Part II delves into dance in society, including historical, social, traditional, and cultural dances. In part III, students explore dance on stage—including ballet, modern dance, jazz dance, tap, and hip-hop—and examine aspects of performance and production. Part IV rounds out the content by preparing students for dance in college or as a career and throughout life. The chapter content helps students discover dance genres; explore each genre through its history, artists, vocabulary, and significant works; apply dance concepts through movement and through written, oral, visual, technology, and multimedia assignments, thus deepening their knowledge and abilities; enhance learning by completing a portfolio assignment and review quiz for each chapter; and gain insight into dance artists, companies, and events through the Did You Know? and Spotlight elements. Learning objectives, vocabulary terms, and an essential question open each chapter. Throughout the chapters are four types of activities: Discover, Explore, Journal, and Research. The activities and assignments meet the needs of visual, auditory, and kinesthetic learners and help students explore dance through vocabulary, history, culture, creation, performance, and choreography. A comprehensive glossary further facilitates learning. The personal discovery process is greatly aided by technology—including video clips that demonstrate dance genres, forms, styles, and techniques as well as learning experiences that require taking photos and creating time lines, graphs, drawings, diagrams, or soundscapes.
Following the critically acclaimed Couples on the Couch, this volume offers further compelling ideas about couple psychotherapy from a psychoanalytic perspective. The book well represents the foundational basis of the Tavistock model and draws deeply from the work of Freud, Klein, Bion, Meltzer and the contemporary Kleinians, while expanding the theoretical model by featuring ideas about couple relationships written from a variety of psychoanalytic frameworks. These additional frameworks include Winnicottian Theory, Fairbairn’s Object Relations Theory, Link Theory, Self Psychology, Attachment Theory, Mentalization Theory, and Contemporary Relational Theory. This rich array of theoretical models, presented with exemplifying clinical material, results in a diverse assembly of papers that offer the reader an in-depth and complex view of a psychoanalytic approach to understanding and working with the dynamics of couple relationships. With clear clinical guidance, this book will be invaluable for all psychoanalysts and psychotherapists working with couples.
Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. Individual chapters serve as case studies that are further organized into three categories of significant dance activity: performance and reconstruction, pedagogy and choreographic process, and notational and other written forms that analyze and document dance. The breadth of the content reflects the richness and vibrancy of the dance field; each deeply informed examination serves as a window opening onto the larger world of dance. Conceptually, each chapter also raises concerns and questions that point to broadly inclusive methodological applications. Engaging and insightful, Dance on its Own Terms represents a major contribution to research on dance.
Welcome to the revised version of Nakshatras. The journey from Ashwini to Revati is the journey of liberation, as we will try to find out through this series of books. The first two nakshatras Ashwini and Bharani deal more with the early stages of evolution. On the other hand, the last two nakshatras Uttarabhadrapada and Revati deal more with the final stages of evolution. Between the beginning and completion of this journey, each soul crosses many levels and stages of evolution; represented by different nakshatras. Through this series of books, we will try to understand the role of different nakshatras in shaping our personalities as well as in indicating our stages of evolution at the beginning of various lives that we assume. This book features the first 14 nakshatras from Ashwini to Chitra.
In writing and lecturing over the past two decades on the relationship between psychoanalysis and art, Danielle Knafo has demonstrated the many ways in which these two disciplines inform and illuminate each other. This book continues that discussion, emphasizing how the creative process in psychoanalysis and art utilizes the unconscious in a quest for transformation and healing. Part one of the book presents case studies to show how free association, transference, dream work, regression, altered states of consciousness, trauma, and solitude function as creative tools for analyst, patient, and artist. Knafo uses the metaphor of dance to describe therapeutic action, the back-and-forth movement between therapist and patient, past and present, containment and release, and conscious and unconscious thought. The analytic couple is both artist and medium, and the dance they do together is a dynamic representation of the boundless creativity of the unconscious mind. Part two of the book offers in-depth studies of several artists to illustrate how they employ various media for self-expression and self-creation. Knafo shows how artists, though mostly creating in solitude, are frequently engaged in significant relational proceses that attempt rapprochement with internalized objects and repair of psychic injury. Dancing with the Unconscious expands the theoretical dimension of psychoanalysis while offering the clinician ways to realize greater creativity in work with patients.
This book provides a contemporary exploration of psychoanalytic theory and its application to therapy with lesbian, gay, bisexual, trans and queer relationships, challenging heteronormative practice and introducing new perspectives on working with gender and sexual diversity. In this wide-ranging collection, international contributors draw on key aspects of couple psychoanalytic theory and practice, whilst also expanding hetero and mono-normative frames of reference to explore the nature of relating in open, closed and poly relationships. Developments in regard to gender and sexuality within the contexts of family and culture and an examination of same-sex parenting are also included, as are psychosexual considerations and the process of aging. A major focus of the book is the importance of the therapist’s own gender and sexuality in the clinical encounter and how to manage adjustments in approach to counter the dominance of heteronormative thinking in practice. The first book of its kind to incorporate an in-depth examination of same sex, queer, bi-sex, trans and queer relationships in regard to psychoanalytic thinking and practice, Same-Sex Couples and Other Identities is a vital resource for psychoanalytically informed psychotherapists, counsellors and practitioners working with a diverse range of clients.