Download Free Dan Turner Hollywood Detective 11 Book in PDF and EPUB Free Download. You can read online Dan Turner Hollywood Detective 11 and write the review.

Another bookful of Dan Turner stories from 1936, 1937, 1940, 1942, and 1943 issues of Spicy Detective Stories, Speed Detective, and Dan Turner Hollywood Detective. Included in this book are: Dead Man's Head, Falling Star, Silverscreen Spectre, Veiled Lady, Death's Passport, Drunk, Disorderly, and Dead, Star Chamber, Riddle in the Rain, Sleeping Dogs, and Sing a Song of Murder.
A FICTION HOUSE PRESS REPRINT: Another bookful of Dan Turner Hollywood Detective stories from 1942 issues of Dan Turner Hollywood Detective. Included in this book are: Beyond Justice, Death on Location, Gas-House Still, Murder Done Twice, Murderer's Error, Murder for Fame, Star Chamber, Broken Melody, The Color of Murder, Daughter of Murder, Killer's Union, and Malibu Mess. Illustrated.
Another bookful of Dan Turner Hollywood Detective stories from 1944 and 1945 issues of Speed Detective. Included in this book are: Coffin Frame, Gun From Gotham, Stock Shot, Stars Die at Night, Trump for the Ace, Morgue Case, Snatch Buster, Suicide Stunt, Dolly Shot, Funeral Fade-Out.
A bibliography of various mystery novels published between November 1976 and Fall 1992.
Daisy Bacon, the opinionated, autocratic and complex editor of Love Story Magazine from 1928 to 1947, chose the stories that would be read by hundreds of thousands of readers each week. The first weekly periodical devoted to romance fiction and the biggest-selling pulp fiction magazine in the early days of the Great Depression, Love Story sparked a wave of imitators that dominated newsstands for more than twenty years. Disparaged as a "love pulp," the magazine actually championed the "modern girl," bringing its heroines out of the shadows of Victorian poverty and into the 20th century. With Love Story's success, Bacon became a national spokesperson, declaring that the modern woman could have it all--in love, in marriage and in the business world. Yet Bacon herself struggled to achieve that ideal, especially in her own romantic life, built around a long-term affair with a married man. Drawing on exclusive access to her personal papers, this first-ever biography tells the story behind the woman who influenced millions of others to pursue independence in their careers and in their relationships.
In the first half of the twentieth century, modernist works appeared not only in obscure little magazines and books published by tiny exclusive presses but also in literary reprint magazines of the 1920s, tawdry pulp magazines of the 1930s, and lurid paperbacks of the 1940s. In his nuanced exploration of the publishing and marketing of modernist works, David M. Earle questions how and why modernist literature came to be viewed as the exclusive purview of a cultural elite given its availability in such popular forums. As he examines sensational and popular manifestations of modernism, as well as their reception by critics and readers, Earle provides a methodology for reconciling formerly separate or contradictory materialist, cultural, visual, and modernist approaches to avant-garde literature. Central to Earle's innovative approach is his consideration of the physical aspects of the books and magazines - covers, dust wrappers, illustrations, cost - which become texts in their own right. Richly illustrated and accessibly written, Earle's study shows that modernism emerged in a publishing ecosystem that was both richer and more complex than has been previously documented.
When inventor and movie studio pioneer Thomas Edison wanted to capture western magic on film in 1904, where did he send his crew? To Oklahoma's 101 Ranch near Ponca City. And when Francis Ford Coppola readied young actors Tom Cruise and Matt Dillon to portray teen class strife in the 1983 movie The Outsiders, he took cast and crew to Tulsa, the setting of S. E. Hinton's acclaimed novel. From Edison to Coppola and beyond, Oklahoma has served as both backdrop and home base for cinematic productions. The only book to chronicle the history of made-in-Oklahoma films, John Wooley's Shot in Oklahoma explores the variety, spunk, and ingenuity of moviemaking in the Sooner State over more than a century. Wooley's trek through cinematic history, buttressed by meticulous research and interviews, hits the big films readers have heard of—but maybe didn't realize were shot in the state—along with lesser-known offerings. We also get the films' intriguing backstories. For instance, President Theodore Roosevelt's fascination with a man purportedly able to catch a wolf in his hands led to The Wolf Hunt, shot in the Wichita Mountains and screened in the White House in 1909. Over time, homegrown movies such as Where the Red Fern Grows (1974, 2003) have given way to feature films including The Outsiders and Rain Man (1988). Throughout this tale, Wooley draws attention to unsung aspects of state and cinematic history, including early all-black movies lensed in Oklahoma's African American towns and films starring American Indian leads. With a nod to more recent Hollywood productions such as Twister (1996) and Elizabethtown (2005), Wooley ultimately explores how a low-budget slasher movie created in Oklahoma in the 1980s transformed the movie business worldwide. Punctuated with photographs and including a filmography of more than one hundred productions filmed in the state, Shot in Oklahoma offers movie lovers and historians alike an engaging ride through untold cinematic history.
Did you know that detective Adrian Mont (Monk) is afraid of milk? That Pinky's real first name on The Roaring '20s is Delaware? That on Charlie's Angels, Sabrina was the only Angel who was never seen in a bikini or swimsuit? These are only a few of the more than 9,800 facts readers will find in this work, which presents detailed information on 134 syndicated and cable series broadcast from 1948 to 2003, plus six experimental programs broadcast from 1937 to 1946 and 204 unsold pilots broadcast from 1948 to 1996, that featured the work of television's law enforcers who risk their lives to solve crimes and bring criminals to justice. The entries are arranged alphabetically and provide such details as character names, addresses, names of pets, telephone numbers, and license plate numbers--in short, anything and everything that adds interest to a program and its characters. Many of the entries contain information about related projects, including TV movies and pilots that were broadcast as part of a series (for example, Sharon Stone's appearance as detective Dani Starr on the "Hollywood Starr" episode of T.J. Hooker).
The Mystery Fancier, Volume 8 Number 2, March-April 1984, contains: "The Morals of Parker," by Frank D. McSherry, Jr., "Violence and Gunplay in Crime Fiction," by Robert E. Skinner and "A Report from Scandinavia," by K. Arne Blom.