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The first collection from the multi-award-winning American poet and playwright Dan O’Brien, including the award-winning The Body of an American. The Body of an American (2M) Two actors embody more than thirty roles in an exhilarating new form of documentary theatre, against a backdrop of some of the world’s most iconic images of war. The House in Hydesville (5F/2M) At once an exploration of familial abuse and the need for spiritual transcendence, a compelling “true ghost story”. The Cherry Sisters Revisited (5F/1M) The five Cherry sisters’ love of the vaudeville carries them to the bright lights of Broadway. A provocative comedy with music. The Voyage of the Carcass (1F/2M) Trapped in the ice at the North Pole, only three members of the doomed Carcass crew survive. The Dear Boy (1F/3M) James Flanagan is not a kind teacher. Is he a good teacher? He likes to think so. An intimate and stirring character study of a man forced to face his past, his present, and the life he may still yet live.
Drawing on O’Brien’s experience of cancer and of childhood abuse, and on his ongoing collaboration with a war reporter, the four essays in A Story that Happens—first written as craft lectures for the Sewanee Writers’ Conference and the US Air Force Academy—offer hard-won insights into what stories are for and the reasons why, "afraid and hopeful," we begin to tell them.
Mogadishu, 1993. Paul is a Canadian photojournalist who is about to take a picture that will win him the Pulitzer Prize. Princeton, the present day, Dan is an American writer who is struggling to finish his play about ghosts. Both men live worlds apart but a chance encounter over the airwaves sparks an extraordinary friendship that sees them journey from some of the most dangerous places on earth to the depths of the human soul.Flying from Kabul to the Canadian High Arctic, The Body of an American sees two actors jump between more than thirty roles in an exhilarating new form of documentary drama. It urgently places these two men’s battles – both public and private –against a backdrop of some of the world’s most iconic images of war. The Body of an American is the recipient of the 2013 Edward M. Kennedy Prize for Drama Inspired by American History. It also received the PEN Center USA Award for Drama and the L. Arnold Weissberger Award, and premiered at Portland Center Stage in 2012, directed by Bill Rauch. The play was the recipient of the McKnight National Residency & Commission from the Playwrights’ Center, as well as a Sundance Institute Time Warner Storytelling Fellowship and a TCG Future Collaborations Grant. For further information and resources on this play, visit the Edward M Kennedy website: http://kennedyprize.columbia.edu/winners/2013/obrien/
"Amateur actors in Cork City, Ireland, convene at their local pub-theater for the first read-through of a new "Irish play." What no one knows yet is that the play has been written by an American, and that an African-American has been cast in the lead. Over the course of the evening the newly assembled cast debates (in typically Irish fashion) the play's deficiencies and merits, who will play which part, and whether or not to do the play at all. There's Ed, a patriot and single father, whose idea it was to do the play in the first place; Martha, the stage manager; Michael, playwright and all-around lady's man; Cynthia, an aging ingenue and self-proclaimed Celtic goddess; Willie, the theater's patriarch; Joachim, an African-American just recently married into the Irish culture; and acid-tongued Declan, a young man with ambition but no direction. Irish and American cultures come into conflict, old rivalries reignite, and secrets are revealed as the group struggles toward an understanding of this enigmatic Irish play. What begins as a comedic examination of Irish theatre and identity becomes by evening's end a character drama of strong emotional force." -- Publisher website
Make no mistake: Our founding fathers were more bandanas-and-muscles than powdered-wigs-and-tea. As a prisoner of war, Andrew Jackson walked several miles barefoot across state lines while suffering from smallpox and a serious head wound received when he refused to polish the boots of the soldiers who had taken him captive. He was thirteen years old. A few decades later, he became the first popularly elected president and served the nation, pausing briefly only to beat a would-be assassin with a cane to within an inch of his life. Theodore Roosevelt had asthma, was blind in one eye, survived multiple gunshot wounds, had only one regret (that there were no wars to fight under his presidency), and was the first U.S. president to win the Medal of Honor, which he did after he died. Faced with the choice, George Washington actually preferred the sound of bullets whizzing by his head in battle over the sound of silence. And now these men—these hallowed leaders of the free world—want to kick your ass. Plenty of historians can tell you which president had the most effective economic strategies, and which president helped shape our current political parties, but can any of them tell you what to do if you encounter Chester A. Arthur in a bare-knuckled boxing fight? This book will teach you how to be better, stronger, faster, and more deadly than the most powerful (and craziest) men in history. You’re welcome.
Winner of the 2018 PEN America Award in Drama As Tolstoy said, “All happy families are alike; each unhappy family is unhappy in its own way.” In The House in Scarsdale, playwright Dan O'Brien traces the roots of his family's particular unhappiness to learn why his parents and siblings cut him off years ago. The more Dan learns about his family, the more mysterious the circumstances surrounding their estrangement become, until his world is shaken when rumours surface that his real father might be another member of the family. Is his pathological pursuit of the truth worth the risk? Or should he follow the advice of a psychic and make his life a never-finished work of art?
Paul Watson won a Pulitzer Prize for his 1993 photograph of a dead American being dragged through the streets of Mogadishu; he has since reported from the Balkans, Iraq, Afghanistan. Deriving from correspondence between poet and war reporter, and their eventual meeting on the shore of the Arctic Ocean, these poems bear unsparing witness to both private trauma and the incalculable danger inflicted by contemporary warfare.
Playwriting with Purpose: A Guide and Workbook for New Playwrights provides a holistic approach to playwriting from an award-winning playwright and instructor. This book incorporates craft lessons by contemporary playwrights and provides concrete guidance for new and emerging playwrights. The author takes readers through the entire creative process, from creating characters and writing dialogue and silent moments to analyzing elements of well-made plays and creating an atmospheric environment. Each chapter is followed by writing prompts and pro tips that address unique facets of the conversation about the art and craft of playwriting. The book also includes information on the business of playwriting and a recommended reading list of published classic and contemporary plays, providing all the tools to successfully transform an idea into a script, and a script into a performance. Playwriting with Purpose gives writers and students of playwriting hands-on lessons, artistic concepts, and business savvy to succeed in today’s theater industry.
Since 1995 The 24 Hour Plays have been responding to theatre in the moment. As the 2020 Coronavirus pandemic brought an end to live theatre in the USA and Europe, the company sprang to work to keep the arts alive. Bringing together some of America's most prolific writers for the stage and screen, this unique and contemporary book of monologues collates the responses in dramatic fashion, making for an anthology of work that is timely, moving, irreverent and at its best, transcendent. Featuring original monologues by writers such as David Lindsay-Abaire, Clare Barron, Hansol Jung, Stephen Adly Guirgis, Christoper Oscar Peña, Jesse Eisenberg and Monique Moses this is a rich collection that can be enjoyed by actors, writers and those looking for creative responses to the global COVID-19 crisis. With over 50 monologues from the first three weeks of the project, edited by Howard Sherman, this is an important collection that documents an unprecedented moment in history whilst also offering practical resource for actors and performers.
McDermot, Nebraska, is a pleasant, scenic western cattle town situated in the Pawnee River valley-just the place for people seeking refuge from their hectic city lives. It is also just the place for those who have made their homes on this haunting prairie since the late nineteenth century. Ideal for both, McDermot means everything to those native inhabitants and something very different to those who are looking for a new life.