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_______________ 'A triumph of scholarship and sympathy... one of the great post-war biographies' - Independent 'A landmark in scholarly criticism... Knowlson is the world's largest Beckett scholar. His life is right up there with George Painter's Proust and Richard Ellmann's Joyce in sensitivity and fascination' - Daily Telegraph 'It is hard to imagine a fuller portrait of the man who gave our age some of the myths by which it lives' - Evening Standard _______________ SHORTLISTED FOR THE WHITBREAD PRIZE _______________ Samuel Beckett's long-standing friend, James Knowlson, recreates Beckett's youth in Ireland, his studies at Trinity College, Dublin in the early 1920s and from there to the Continent, where he plunged into the multicultural literary society of late-1920s Paris. The biography throws new light on Beckett's stormy relationship with his mother, the psychotherapy he received after the death of his father and his crucial relationship with James Joyce. There is also material on Beckett's six-month visit to Germany as the Nazi's tightened their grip. The book includes unpublished material on Beckett's personal life after he chose to live in France, including his own account of his work for a Resistance cell during the war, his escape from the Gestapo and his retreat into hiding. Obsessively private, Beckett was wholly committed to the work which eventually brought his public fame, beginning with the controversial success of "Waiting for Godot" in 1953, and culminating in the award of the Nobel Prize for Literature in 1969.
Damned to Fame is the brilliant and insightful portrait of Nobel Prize-winning author Samuel Beckett, mysterious and reclusive master of twentieth-century literature. Professor James Knowlson, Beckett's chosen biographer and a leading authority on Beckett, vividly re-creates Beckett's life from his birth in a rural suburb of Dublin in 1906 to his death in Paris in 1989, revealing the real man behind the literary giant. Scrupulously researched and filled with previously unknown information garnered from interviews with the author and his friends, family, and contemporaries, Knowlson's unparalleled work is the definitive Beckett biography of our time.
Samuel Beckett's long-standing friend, James Knowlson, recreates Beckett's youth in Ireland, his studies at Trinity College, Dublin in the early 1920s and from there to the Continent, where he plunged into the multicultural literary society of late-1920s Paris. The biography throws new light on Beckett's stormy relationship with his mother, the psychotherapy he received after the death of his father and his crucial relationship with James Joyce. There is also material on Beckett's six-month visit to Germany as the Nazi's tightened their grip. The book includes unpublished material on Beckett's personal life after he chose to live in France, including his own account of his work for a Resistance cell during the war, his escape from the Gestapo and his retreat into hiding. Obsessively private, Beckett was wholly committed to the work which eventually brought his public fame, beginning with the controversial success of Waiting for Godot in 1953, and culminating in the award of the Nobel Prize for Literature in 1969. James Knowlson is the general editor of The Theatrical Notebooks of Samuel Beckett.
Samuel Beckett has become the standard work on the enigmatic, controversial, and Nobel Prize-winning creator of such contributions to 20th-century theater as Waiting for Godot and Endgame. 16 pages of black-and-white photographs.
Essays by Beckett's biographer and friend and hitherto unknown photographs by one of the leading theatre photographers in the field.
"In the first part of this book, Beckett, a notably reclusive man, talks candidly with his official biographer, James Knowlson, about his family, his youth, his school years in Dublin, his early life in Paris as lecteur at the famed Ecole Normale Superieure, his friendship with James Joyce, his work in the French resistance movement during the Nazi occupation, his precipitous flight from Paris when his involvement was discovered by the Gestapo, his clandestine years in the Vaucluse region of southern France, his postwar volunteer work with the Irish Red Cross Hospital in Saint-Lo, and his return to Paris in the late 1940s to resume his literary life." "In the second part, friends and colleagues share their memories of Beckett as a schoolboy, a teacher, a struggling young writer, and a sudden success in 1953 with the appearance of Waiting for Godot, which propelled him from virtual unknown to world-renowned. Actors with whom he worked, including Hume Cronyn, Jean Martin, Jessica Tandy, and Billie Whitelaw, relate their experiences; fellow playwrights and authors Edward Albee, Paul Auster, E. M. Cioran, J. M. Coetzee, Eugene Ionesco, Edna O'Brien, and Tom Stoppard speak of his work and its influence on theirs. One entire chapter is devoted to Beckett as director, for as time went on Beckett, first modestly, then authoritatively, oversaw the direction of many of his plays in France, Germany, and England."--BOOK JACKET.
From the bestselling author of Longbourn comes a story of survival and determination, of spies and artists, passion and danger—a portrait of Samuel Beckett’s wartime experiences in Paris. “Exquisitely crafted.” —O, The Oprah Magazine In 1939 Paris, the ground rumbles with the footfall of Nazi soldiers marching along the Champs-Élysées, and a young, unknown writer, recently arrived from Ireland to make his mark, smokes one last cigarette with his lover before the city they know is torn apart. Soon he will put them both in mortal danger by joining the Resistance. Through the years that follow, we are witness to the workings of a uniquely brilliant mind struggling to create a language to express a shattered world. A Country Road, A Tree is a portrait of the extremes of human experience alchemized into one man’s timeless art.
Samuel Beckett was one of the towering figures of twentieth-century literature; he was also famously reclusive. Here, in these intimate interviews conducted by his biographer, James Knowlson, Beckett and his family, friends and contemporaries reveal more of the human side of the writer than we have ever seen before. In the first part of the book Beckett talks about his family, his early youth, his friendship with James Joyce and his Resistance work in Paris during the war, when he was forced to flee from the Gestapo and live out the remaining war years in the Vaucluse region of Southern France. In the second part, some of Beckett's closest friends remember him as a schoolboy, as a struggling writer, and then as an international success in the 1950s with his novels and plays, including the world-famous Waiting For Godot. Among the contributors are actors he worked with, including Billie Whitelaw, Brenda Bruce and Jean Martin, and writers who felt the impact of his achievement, including Edward Albee, Paul Auster, J. M. Coetzee and Aiden Higgins. Beautifully designed and illustrated throughout, the book contains wonderful insights into Beckett's world.
Beckett's Happy Days: A Manuscript Study by S. E. Gontarski traces the development of Samuel Beckett's final two-act play, composed in English between October 1960 and May 1961, through annotated and bedoodled manuscript notebooks, holographs, and typescript drafts to the final published and performed text. The analysis details Beckett's most salient alterations and revisions, including his development of the work's tapestry of fragmented, half-remembered literary allusions. The current reissue of Beckett's Happy Days comes at a timely moment not only in Beckett studies but also in the general growth in programs of book history and digital humanities. Gontarski's study is not just a look back to origins. It traces an arc of research that developed over forty years as the Samuel Beckett archive at the University of Reading matured, as the fields of genetic and textual research grew, and as book history reemerged on a grand, international scale. In this timeframe, the Beckett Digital Manuscript and Library Projects responded to interest in Beckett studies and archival studies, taking textual production, genetic study, and book history into the twenty-first century with their emphasis on electronic access and digital collation. At The Ohio State University, the Rare Books and Manuscripts archive held papers central to Gontarski's study. Beckett's Happy Days is thus a fundamental, even seminal, part of that forty-year scholarly trajectory, and in its current edition, is readily accessible to individual students and scholars alike.