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The Encyclopaedic Dictionary Of Marathi Literature Has Been Developed With A Specific Planning To Include Not Only Men Of Letters But Also All Aspects Characterising The Growth Of Marathi Literature. It Also Presents A Clear Picture Of Development Of Marathi Literature From Early Period To The Present Day. The Contributions Of Many Poets, Writers, Playwriters, Essayist And Critics Are Given Along With Their Biographical Accounts Supported By Bibliography. It Has Successfully Converted A Long Journey Of Marathi Since Saint Dnyaneshwar To Today S New Little Magazine Movement .The Encyclopaedic Dictionary Serves The Purpose Of Research And Survey Of Marathi Literature Very Well, Bringing In Full Contributions Of Progressive Poets And Writers. It Is Bound To Be Gita For Researchers As Well As Every Common Marathi Individual As It Has Rich Reference Value.
In Gender and Genre in the Folklore of Middle India, Joyce Burkhalter Flueckiger analyzes six representative Indian folklore genres from a single regional repertoire to show the influence of their intertextual relations on the composition and interpretation of artistic performance. Placing special emphasis on women’s rituals, she looks at the relationship between the framework and organization of indigenous genres and the reception of folklore performance. The regional repertoire under examination presents a strikingly female-centered world. Female performers and characters are active, articulate, and frequently challenge or defy expectations of gender. Men also confound traditional gender roles. Flueckiger includes the translations of two full performance texts of narratives sung by female and male storytellers respectively.
Because of his prolific body of literary-work ranging from criticisms to poems to essays, biographies to an autobiography, translations, compiling a dictionary to an encyclopaedia and children's literature to spiritual writings Dr. Chandrakant Sheth is considered one of the most esteemed and celebrated litterateurs of the contemporary Gujarati literature. His extensive body of work offers a nuanced understanding and thorough analysis of literature, making it an invaluable resource for scholars, students, and enthusiasts alike.Books like Saarth Jodnikosh have proved him a lexicographer par excellence. His widely read book Baal Vishwakosh, a children's encyclopaedia in Gujarati, stands as a beacon of reliable and engaging knowledge. His work also transcends religious boundaries and encompasses various aspects of spirituality which ranges from different topics of Hinduism to translating the Song of Songs from the Bible.Various awards have also expressed gratitude towards his resplendent writing-art. In 1986, Dhoolmani Paglio was awarded the coveted Sahitya Akademi Award. His work in children's literature-from poetry and storiestoan encyclopaedia-was conferred the Sahitya Akademi Balsahitya Award in 2018.
A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.
“Let there be unprecedented floods in Vraj!” roared Indra. “Deluge them! I want every single person of this foolish little village to drown and die! Let them pay for offending Purandar, the mighty Indra – the king of Devlok!” The world considers Indra to be the name of the king of the Devas. However, not many people know that Indra is not a name. It is a title, an appellation accorded to one who rules over Devlok, the realm of the Devas. In each Manvantar (the 14th fraction of a Kalpa), a new king is appointed to the throne of Devlok, who is then called “Indra”. The “Indra” of the current Manvantar is “Purandar”. Purandar―the son of Kashyap and Aditi―ascended the throne of Devlok because of certain remarkable traits he had and some grand accomplishments he achieved. However, his appalling misdeeds diminish his glory and consequently, he could never garner the respect and obeisance that a king of Gods would otherwise command! Unfortunately, Indra himself seemed oblivious to the many blots on his character and appeared concerned only about keeping his throne. To maintain his claim over it, he repeatedly abused his power and supremacy, and remained totally unrepentant of his incessant misdemeanours. Several interesting but lesser-known events and anecdotes have been interwoven into this compelling tale to bring out the capricious yet imposing personality of Indra, presenting a completely fresh facet of Puranic mythology. It is a pleasant experience to read the brilliant analysis of Puranic tales through Ashutosh’s charismatic writing! ―Ashok Chakradhar, Padma Shri awardee author, litterateur and poet
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