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Bouthaina Shaaban worked closely with Syria's President Hafez al-Assad from 1990 until the time of his death, serving as both official interpreter and adviser. Her book, part memoir and part historical account, takes the reader behind the closed doors of the Syrian Presidential Palace to provide uniquely Syrian perceptions of the failed Arab-Israel peace talks.
The story of Elaine Imady's "... journey from life as a college student in New York to that of a respected matriarch in today's Syria".--p. [4] cover.
Finalist for the 2022 ITW Thriller Award for Best First Novel "Damascus Station is simply marvelous storytelling.…[A] stand-out thriller and essential reading for fans of the genre." —Financial Times A CIA officer and his recruit arrive in war-ravaged Damascus to hunt for a killer in this page-turner that offers the "most authentic depiction of modern-day tradecraft in print." (Navy SEAL sniper and New York Times bestselling author Jack Carr). CIA case officer Sam Joseph is dispatched to Paris to recruit Syrian Palace official Mariam Haddad. The two fall into a forbidden relationship, which supercharges Haddad’s recruitment and creates unspeakable danger when they enter Damascus to find the man responsible for the disappearance of an American spy. But the cat and mouse chase for the killer soon leads to a trail of high-profile assassinations and the discovery of a dark secret at the heart of the Syrian regime, bringing the pair under the all-seeing eyes of Assad’s spy catcher, Ali Hassan, and his brother Rustum, the head of the feared Republican Guard. Set against the backdrop of a Syria pulsing with fear and rebellion, Damascus Station is a gripping thriller that offers a textured portrayal of espionage, love, loyalty, and betrayal in one of the most difficult CIA assignments on the planet.
A Jewish delegation led by Sir Moses Montefiore and Adolphe Cremieux was sent to the Middle East in the hope of discovering the real murderers.
In Damascus Life 1480-1500: A Report of a Local Notary, Boaz Shoshan writes the microhistory of Ibn Ṭawq, a lower middle class clerk who worked in the city ́s legal system on the eve of the Ottoman conquest, based on his unique diary.
This book presents a personal account of a Syrian woman's youth in the Suq Saruja (old city) of Damascus in the first half of this century. Author Tergeman wrote the original memoir, Ya Mal al-Sham, in Arabic to preserve the details of a genuine Arab past for Syrian young people and to help them appreciate the architecture of the old quarter with its reminders of earlier values.
This book is about a barber, Shihab al-Din Ahmad Ibn Budayr, who shaved and coiffed, and probably circumcised and healed, in Damascus in the 18th century. The barber may have been a "nobody," but he wrote a history book, a record of the events that took place in his city during his lifetime. Dana Sajdi investigates the significance of this book, and in examining the life and work of Ibn Budayr, uncovers the emergence of a larger trend of history writing by unusual authors—people outside the learned establishment—and a new phenomenon: nouveau literacy. The Barber of Damascus offers the first full-length microhistory of an individual commoner in Ottoman and Islamic history. Contributing to Ottoman popular history, Arabic historiography, and the little-studied cultural history of the 18th century Levant, the volume also examines the reception of the barber's book a century later to explore connections between the 18th and the late 19th centuries and illuminates new paths leading to the Nahda, the Arab Renaissance.
Amid the turmoil of modern Damascus, one teenage boy finds his political voice in a message of rebellion that echoes throughout Syria and as far away as Western Europe. Inspired by his dearest friend, old Uncle Salim, he begins a journal to record his thoughts and impressions of family, friends, life at school, and his growing feelings for his girlfriend, Nadia. Soon the hidden diary becomes more than just a way to remember his daily adventures; on its pages he explores his frustration with the government injustices he witnesses. His courage and ingenuity finally find an outlet when he and his friends begin a subversive underground newspaper. Warmed by a fine sense of humor, this novel is at once a moving love story and a passionate testimony to the difficult and committed actions being taken by young people around the world.
"Damascus 2008: three people suddenly disappear. Zaat al-Abed, a presumed secret agent, Leena Kilkka, curator of the Damascus Biennial, an event that never happens, and a flâneur, whose diary is accidentally lost and found. "Damascus : tourists, artists, secret agents" is a pseudo-fictitious encounter of artists, dancers, secret agents, speculative writers, lovers, film-makers and photographers who come together to unravel the rumors, questions and traces of the mysterious disappearances that happen in the subconscious urban setting of one of the world's oldest cities. The idiosyncratic novel is the outcome of a Reloading Images collaboration ... involving more than thirty international artists and writers."--P. [4] of cover.
The remarkable story of a small, makeshift library in the town of Daraya, and the people who found hope and humanity in its books during a four-year siege. Daraya lies on the fringe of Damascus, just southwest of the Syrian capital. Yet for four years it lived in another world. Besieged by government forces early in the Syrian Civil War, its people were deprived of food, bombarded by heavy artillery, and under the constant fire of snipers. But deep beneath this scene of frightening devastation lay a hidden library. While the streets above echoed with shelling and rifle fire, the secret world below was a haven of books. Long rows of well-thumbed volumes lined almost every wall: bloated editions with grand leather covers, pocket-sized guides to Syrian poetry, and no-nonsense reference books, all arranged in well-ordered lines. But this precious horde was not bought from publishers or loaned by other libraries--they were the books salvaged and scavenged at great personal risk from the doomed city above. The story of this extraordinary place and the people who found purpose and refuge in it is one of hope, human resilience, and above all, the timeless, universal love of literature and the compassion and wisdom it fosters.