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Rural communities depend on the health of the agrarian cultures that compose them. These cultures grow out of the symbiotic relationship between a particular landscape and the human community that lives on and uses the land. Agrarian cultures had their origin in the development of agriculture and gave birth to the civilizations and empires of history. Based on the exercise of hierarchical power characteristic of their nature, empires and civilizations are always a threat to the welfare of their agrarian cultures, that by nature tend to be local, relational, reciprocal, and ecological. This is the story of the three Anabaptist agrarian cultures--Swiss German, Low German, and Hutterian--of the Freeman, South Dakota, rural community, and their sojourn within the empires of civilization through the centuries. More specifically, this is the story of their birth, growth, maturation, and death (or rebirth?) in the particular landscape of the Great Plains to which they came from Russia in the 1870s. Here we see the agrarian cultures' struggle to adapt to the new environment of the Great Plains and to maintain their unique identity while living within American society. This is the drama of a rural community's life cycle!
"In 1861, Congress created Dakota Territory. It was a vast area embracing the present states of North and South Dakota, most of Montana, much of Wyoming, and a small portion of Nebraska north of the Niobrara River."--Foreword to 4th ed. This history concentrates on South Dakota.
Chronicles Deadwood, South Dakota, a typical American frontier and gold rush town, especially the volatile years 1875-1925.
The panorama is primarily a visual medium, but a variety of print matter mediated its viewing; adverts, reviews, handbills and a descriptive programme accompanied by an annotated key to the canvas. The short accounts, programs, reviews, articles and lectures collected here are the primary historical sources left to us.
Get an inside perspective on life as a disabled gay man! Queer Crips: Disabled Gay Men and Their Stories reverberates with the sound of “cripgay” voices rising to be heard above the din of indifference and bias, oppression and ignorance. This unique collection of compelling first-person narratives is at once assertive, bold, and groundbreaking, filled with characters—and character. Through the intimacy of one-on-one storytelling, gay men with mobility and neuromuscular disorders, spinal cord injury, deafness, blindness, and AIDS, fight isolation from society—and each other—to establish a public identity and a common culture. Queer Crips features more than 30 first-hand accounts from a variety of perspectives, illuminating the reality of the everyday struggle disabled gay men face in a culture obsessed with conformist good looks. Themes include rejection, love, sex, dating rituals, gaycrip married life, and the profound difference between growing up queer and disabled, and suffering a life-altering injury or illness in adulthood. Co-edited by Bob Guter, creator and editor of the webzine BENT: A Journal of Cripgay Voices, the book includes: two performance pieces from acclaimed author and actor Greg Walloch poetry from Chris Hewitt, Joel S. Riche, Raymond Luczak, Mark Moody, and co-editor John Killacky essays from BENT contributors Blaine Waterman, Raymond J. Aguilera, Danny Kodmur, Thomas Metz, Max Verga, and Eli Clare interviews with community activist Gordon Elkins and Alan Sable, one of the first self-identified gay psychotherapists in the United States and much more! Queer Crips is a forum for neglected cripgay voices speaking words that are candid, edgy, bold, dreamy, challenging, and sexy. The book is essential reading for academics and students working in lesbian and gay studies, and disability studies, and for anyone who's ever visited the place where queerness and disability meet.