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Prairie Public's beloved Dakota Datebook radio series is now in book form! The students of the University of North Dakota's Writing, Editing, and Publishing program combed the archives and selected 365 of their favorites for this endearing, compelling, and humorous collection. North Dakota's history includes many strange stories of eccentric towns, unforgettable animals, war heroes, crafty criminals, and various colorful characters. Read all about them with this Dakota Datebook.
Profiles of 76 regional entrepreneurs in 65 chapters, covering the Dalrymple Bonanza farm of the 1870s to today's technology innovators.
Conditions in Hell's Kitchen are worsening daily while Matt Murdoch sits in prison awaiting his trial for Daredevil's crimes. But, if Matt's in prison and Matt is Daredevil, who's the guy in red who's beating up crooks in Hell's Kitchen?
The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he lives in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, SHOUT AT THE DEVIL, Motley Crue's seminal paean to hair-band excess. And so Klosterman's twisted odyssey begins, a journey spent worshipping at the heavy metal altar of Poison, Lita Ford and Guns N' Roses. In the hilarious, young-man-growing-up-with-a-soundtrack-tradition, FARGO ROCK CITY chronicles Klosterman's formative years through the lens of heavy metal, the irony-deficient genre that, for better or worse, dominated the pop charts throughout the 1980s. For readers of Dave Eggers, Lester Bangs, and Nick Hornby, Klosterman delivers all the goods: from his first dance (with a girl) and his eye-opening trip to Mandan with the debate team; to his list of 'essential' albums; and his thoughtful analysis of the similarities between Guns 'n' Roses' 'Lies' and the gospels of the New Testament.
The demanding frontier life of My Ántonia or Little House on the Prairie may be long gone, but the idyllic small town still exists as a cherished icon of American community life. Yet sprawl and urban density, rather than small towns and farms, are the predominant features of our modern society, agribusiness and other commercial forces have rapidly taken over family farms and ranches, and even the open spaces we think of as natural retreats only retain the barest façade of their former frontier austerity. The fading communities, social upheaval, and enduring heritage of the Northern Plains are the subject of Jim Dow's Marking the Land, a stirring photographic tribute to the complex and unyielding landscape of North Dakota. Jim Dow began making pilgrimages to this remote territory in 1981 and, with a commission from the North Dakota Museum of Art, he took photographs of the passing human presence on the land. The simple, stolid pieces of architecture carved out against the Dakota skies--whether the local schoolhouse, car wash, prison, homes, hunting lodge, or churches--evoke in their spare lines and weather-battered frames the stoic and toughened spirit of the people within their walls. Folk art is also an integral part of the landscape in Dow's visual study, and he examines the subtle evolution of local craftsmanship from homemade sculptures, murals, and carvings to carefully crafted pieces aimed at tourists. Anchoring all of these explorations is the raw and striking landscape of the North Dakota plains. Marking the Land is a moving reflection by a leading American photographer on the state of the Northern Plains today, forcing us all to rethink our conceptions of America's forgotten frontier.
For many people outside the state, North Dakota conjures visions of a remote, sparse, and seemingly inhospitable landscape, replete with ghost towns, scattered farmsteads, and settings reminiscent of the movie Fargo. Yet beyond this facile image lies a spectacular array of high-style, vernacular, ethnic, and modern buildings, a pragmatic architecture that reflects the setting and settlers of the Great Plains. A distinct "prairie mosaic" of houses, homesteads, and rural churches draws on the cultures of Germans from Russia, Norwegians, and Icelanders, and varied Native American groups such as the Mandan, Hidatsa, and Arikara. North Dakota's architectural heritage is complemented by more contemporary work dating from Progressive-era boom times and the New Deal to the present. This volume, with more than 400 entries illustrated by 250 photographs and 17 maps, provides the first comprehensive overview of the state, from Pembina and Walhalla to the Badlands. This richly diverse legacy includes earthlodges and Eastern Orthodox churches, powwow grounds and campmeeting grounds, and varied settings from the Ronald Reagan Minuteman Missile State Historic Site to the International Peace Garden. The cast of characters is equally compelling, among them Sakakawea, Lewis and Clark, the Marquis de Mores, Theodore Roosevelt, Lawrence Welk, Peggy Lee, and regional and international architects working in a range of styles and traditions, from Marcel Breuer to Surrounded-by-Enemy. A volume in the Buildings of the United States series of the Society of Architectural Historians