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This book seeks to transport the reader back to eighteenth-century Malta. Daily life in eighteenth century Malta has been reconstructed from a number of primary sources. Judicial records contain important data relating to the food which was eaten in eighteenth century Malta, the clothes which were worn in the streets of Valleta, the household effects of the inhabitants of the eighteenth century and the way of life of the persons who dwelled in Malta at the time of Pinto and Rohan. Travellers' accounts contain interesting descriptions of the curious island. Eighteenth-century laws contain important data relating to the price of foodstuffs and the morals of the eighteenth-century Maltese. Confessions to the Holy Inquisition contain the most intimate secrets of the eighteenth-century Maltese. Most of the illustrations contained in this book consist of photographs of authentic eighteenth-century artefacts from advanced private collections. In a way this book is a companion volume to the authors' Antique Collecting in Malta .
Houses and Domestic Space in Seventeenth and Eighteenth Century Hospitaller Malta is a study concerned with a wide spectrum of early modern dwellings in Malta, ranging from palazzi and affluent residences to peasant dwellings, troglodyte houses, and hovels. The multifaceted approach adopted in this book allows houses and domestic networks to be studied not only in terms of architecture and construction materials, but also as places of human habitation where house dwellers act, react and interact in different contexts and circumstances. Dwellings are places that permit different social and economic activities, whilst providing shelter and security to the household members. Through the available sources, the houses of Hospitaller Malta are analysed in terms of their spatial properties and how they generate privacy, interaction and communication, identity, accessibility, security, visibility, movement and encounters, and, equally important, how domestic space relates to gender roles, status, and class. This work, therefore, seeks to reach a deep and nuanced understanding of domestic space and how it relates to the islands’ history and the development of their society during the seventeenth and eighteenth centuries.
The most documented account of the French occupation of Malta between 10 June 1798 when Napoleon landed on the island with his Army of the East, and 5 September 1800 when the French commander General Vaubois capitulated to British officials who had come to the assistance of Maltese insurgents.
This publication is the first to delve in depth into the artistic and cultural achievements of different members of the Bellanti family. Michele Bellanti (1807-1883) was a major Maltese artist, active from the 1840s onwards and who has contributed most significantly to the post-Baroque Maltese artistic scene. While his paintings, sketches and lithographs have always been appreciated and greatly sought after for their artistic merits, no detailed study on the artist or on the significance of his work had as yet been undertaken. Michele's elder brother, Giuseppe (1787-1861), was also a cultured individual who was a keen collector of artistic works and of books. A significant part of Giuseppe's collection is now to be found in Malta's National Museum of Fine Arts. Between 1812 and 1838 Giuseppe was the librarian of the Biblioteca Pubblica. The National Library collection still comprises books previously owned by Giuseppe, notably a number of incunabula. Giuseppe was moreover the author of a manuscript work on Maltese orthography, which is the subject of a study featured in the present publication. As aptly described in Patricia Camilleri's contribution, Paul F. Bellanti (1852-1927) was a man of many talents. As an archaeologist, linguist and author, Paul Bellanti gave a significant contribution in all these fields during a time when the assertion of Maltese identity required individuals to do so. The studies contained in this publication not only constitute a detailed corpus describing the achievements of the Bellanti family, but should, moreover, serve to stimulate academic interest in other, as yet unstudied individuals and families, who gave a sterling contribution to various aspects of Maltese intellectual, cultural and artistic development during different periods.
"This book studies the iconography of saints and heroes of the Knights of Malta as depicted by the artist Mattia Preti between 1658 and 1698."- [preface].
The book outlines the history of the church. It also describes the chapels, the art and the treasures found within. Moreover it is the first book to be published after the completion of the restoration project of the main nave. This new edition retains most of the narrative of the 2010 edition however all photography has now been changed to reflect
Plants seldom figure in the grand narratives of war, peace, or even everyday life yet they are often at the center of high intrigue. In the eighteenth century, epic scientific voyages were sponsored by European imperial powers to explore the natural riches of the New World, and uncover the botanical secrets of its people. Bioprospectors brought back medicines, luxuries, and staples for their king and country. Risking their lives to discover exotic plants, these daredevil explorers joined with their sponsors to create a global culture of botany. But some secrets were unearthed only to be lost again. In this moving account of the abuses of indigenous Caribbean people and African slaves, Schiebinger describes how slave women brewed the "peacock flower" into an abortifacient, to ensure that they would bear no children into oppression. Yet, impeded by trade winds of prevailing opinion, knowledge of West Indian abortifacients never flowed into Europe. A rich history of discovery and loss, Plants and Empire explores the movement, triumph, and extinction of knowledge in the course of encounters between Europeans and the Caribbean populations.
A unique book which gives insights into aspects of European Baroque culture in the late seventeenth and early eighteenth centuries such as its interest in optics, theatre design and water engineering. The book is a manifestation of this engineers projects, whose architectural genius changed a fortified city in a modern baroque one.
Was the century of Voltaire also the century of women? In the eighteenth century changes in the nature of work, family life, sexuality, education, law, religion, politics and warfare radically altered the lives of women. Some of these developments caused immense confusion and suffering; others greatly expanded women’s opportunities and worldview – long before the various women’s suffrage movements were more than a glimmer on the horizon. This study pays attention to queens as well as commoners; respectable working women as well as prostitutes; women physicists and mathematicians as well as musicians and actresses; feminists as well as their critics. The result is a rich and morally complex tale of conflict and tragedy, but also of achievement. The book deals with many regions and topics often under-represented in general surveys of European women, including coverage of the Balkans and both European Turkey and Anatolia, of Eastern Europe, of European colonial expansion (particularly the slave trade) and of Muslim, Eastern Orthodox, and Jewish women's history. Bringing all of Europe into the narrative of early modern women's history challenges many received assumptions about Europe and women in past times, and provides essential background for dealing with issues of diversity in the Europe of today.