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The whaling bark Progress was a New Bedford ship transformed into a whaling museum for Chicago's 1893 world's fair. Traversing waterways across North America, the whaleship enthralled crowds from Montreal to Racine. Her ultimate fate, however, was to be a failed sideshow of marine curiosities and a metaphor for a dying industry out of step with Gilded Age America. This book uses the story of the Progress to detail the rise, fall, and eventual demise of the whaling industry in America. The legacy of this whaling bark can be found throughout New England and Chicago, and invites questions about what it means to transform a dying industry into a museum piece.
This is the first full-length biography of Kid Nichols (1869-1953), who won 30 or more games a record seven times and was the youngest pitcher to reach 300 career victories. Much new light is shed on Nichols' early life in Madison, Wisconsin, along with important influences and experiences as a teenager living in Kansas City. Nichols' professional career is documented by drawing heavily from publications of the era and his own words. The high regard in which he was held by fans, teammates and even opponents is contrasted with his contentious relationship with team owners. Nichols' period of restlessness, ambition and risk-taking following his long stint with Boston's National League team is detailed, as is the campaign to get him into the Hall of Fame. The book includes previously unpublished photos from his descendants' archives, many more than a century old.
Nebraska is not usually thought of as a focal point in the history of black baseball, yet the state has seen its share of contributions to the African American baseball experience. This book examines nine of the most significant, including the rise and fall of the Lincoln Giants, Satchel Paige's adventures in the Cornhusker State, a visit from Jackie Robinson, and the maturation of Bob Gibson both on and off the field. Also, recollections are featured from individuals who participated in or witnessed the African American baseball experience in the Omaha area.
As Ross Perot proved in 1992, even when funded by a bottomless bank account, American third parties have always struggled in their efforts to achieve recognition and political power. Yet even in defeat their contributions to national politics have been substantial. That, Peter Argersinger contends, was certainly true of the Populists a century earlier. Argersinger, one of our nation's foremost historians of the Populist era, brings together in this volume some of his best and most influential essays-ranging from a study of a single election campaign to complex analyses of political organizations, legislative behavior, and government institutions. Together they amply display his consistently sharp and wide-ranging insights on this important moment in American life. Argersinger examines, among other things, the Populists' evolution in electoral politics, from creating a party to running election campaigns; the enormous obstacles they overcame in the process of electing a U.S. Senator; specific laws and procedures that suppressed Populism's full political participation; hard-won successes in Western state legislatures in the face of powerful enemies and numerous internal disputes; and the Populists' long-standing struggles and frustrations with the U.S Congress. Throughout Argersinger illuminates the fundamental ways in which Populism challenged our political system and brings to life its volatile personalities, dramatic controversies, visionary programs, and enduring frustrations. (So frustrating that an Oklahoma Populist once pulled a gun on the Speaker of the House who kept refusing to recognize his request to speak to the assembly.) Of special interest to political, social, rural, Western, and Gilded Age historians, this book provides a timely reminder of the political constraints on third parties in America.
As baseball was becoming the national pastime, Kansas was settling into statehood, with hundreds of towns growing up with the game. The early history of baseball in Kansas, chronicled in this book, is the story of those towns and the ballparks they built, of the local fans and teams playing out the drama of the American dream in the heart of the country. Mark Eberle's history spans the years between the Civil War–era and the start of World War II, encapsulating a time when baseball was adopted by early settlers, then taken up by soldiers sent west, and finally by teams formed to express the identity of growing towns and the diverse communities of African Americans, Native Americans, and Hispanic Americans. As elsewhere in the country, these teams represented businesses, churches, schools, military units, and prisons. There were men's teams and women's, some segregated by race and others integrated, some for adults and others for youngsters. Among them we find famous barnstormers like the House of David, the soldiers of the Seventh Cavalry who played at Fort Wallace in the 1860s, and Babe Didrikson pitching the first inning of a 1934 game in Hays. Where some of these games took place, baseball is still played, and Kansas Baseball, 1858–1941 takes us to nine of them, some of the oldest in the country. These ballparks, still used for their original purpose, are living history, and in their stories Eberle captures a vibrant image of the state's past and a vision of many innings yet to be played—a storied history and promising future that readers will be tempted to visit with this book as an informative and congenial guide.
Despite efforts of contemporary reformers to curb the availability of dime novels, series books, and paperbacks, Pioneers, Passionate Ladies, and Private Eyes reveals how many readers used them as means of resistance and how fictional characters became models for self-empowerment. These literary genres, whose value has long been underestimated, provide fascinating insight into the formation of American popular culture and identity. Through these mass-produced, widely read books, Deadwood Dick, Old Sleuth, and Jessie James became popular heroes that fed the public’s imagination for the last western frontier, detective tales, and the myth of the outlaw. Women, particularly those who were poor and endured hard lives, used the literature as means of escape from the social, economic, and cultural suppression they experienced in the nineteenth century. In addition to the insight this book provides into texts such as “The Bride of the Tomb,” the Nick Carter Series, and Edward Stratemeyer’s rendition of the Lizzie Borden case, readers will find interesting information about: the roles of illustrations and covers in consumer culture Bowling Green’s endeavor to digitize paperback and pulp magazine covers bibliographical problems in collecting and controlling series books the effects of mass market fiction on young girls Louisa May Alcott’s pseudonym and authorship of three dime novels special collections competition among publishers A collection of work presented at a symposium held by the Library of Congress, Pioneers, Passionate Ladies, and Private Eyes makes an outstanding contribution to redefining the role of popular fiction in American life.
Samuel Porter Jones (1847–1906)—“or just plain Sam Jones,” as he preferred to be called—was the foremost southern evangelist of the nineteenth century. With his high-spirited, often coarse, humor and his hyperbolic style, he excited audiences around the country and became a key influence on Billy Sunday, “Gypsy” Smith, and scores of lesser known evangelists. A leading political activist, he played an important role in the selling of a new industrialized South and was thus a clerical counterpart to his friend Henry Grady. In Laughter in the Amen Corner, the first scholarly biography of Jones, Kathleen Minnix reveals a figure of fascinating contradictions. Jones was an alcoholic who became a pivotal supporter of the prohibition movement. He advocated women's rights when most men preferred to keep women on pedestals, yet he followed the South in its drift towards malignant racism. He praised Catholics in an age that feared the “Romish heresy,” and he embraced Jews as fellow children of God when many saw them as Christ-killers. Even so, he was shrill in his insistence that Americans worship a Protestant God, and like many nativists, he called for the deportation of the “trash” who had landed at Ellis Island. Progressive in some respects and reactionary in others, he was, in the words of one contemporary, “a sanctified circus in full swing.” Deftly written and exhaustively researched, Laughter in the Amen Corner offers the first in-depth assessment of Sam Jones's impact on revivalism, the progressive movement, and the history of the South.