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To play the flute with a clear and convincing sound depends on the understanding of the physical concepts required to make the instrument sound without using undue force and applying just the right amount of physical help where needed. Edmund Raas has explored and taught these fine-points for over 60 years. Born in Switzerland, he has been influenced by the teachings of Emil Niosi (pupil of the great Georges Barrre), Hugo Haldemann, Jean-Pierre Rampal and Aurle Nicolet. Besides teaching, he had the opportunity to play solo concerti and act in many chamber music groups including Renaissance and Baroque music on period instruments. From 1977 to 2005 he also acted as first flutist in the Municipal Symphony Orchestra of So Paulo, Brazil. Since his retirement from this orchestra he is pursuing a career as composer.
Designed to help people master all 24 major and minor scales. In this book, first, all the violin scales are re-organized to be more simple, practical, and easy to learn. Then all the fingerings of the single-stop scales are classified into only a few basic patterns. When practicing, violinists can study these fingering patterns first and then use them to play all 24 scales easily. Finally, all the fingerings of the double-stop scales are also re-edited to make them as simple as possible. With this approach, the process of learning violin scales is much easier than before.
Until comparatively recent times very little had been written for the viola as a solo instrument. Our contemporary composers have done a great deal to remedy this situation. Bax, Beresowsky, Bliss, Bloch, Delius, Hindemith, Honegger, Milhaud, Vaughan Williams, Walton and many others have contributed important sonatas, suites and concertos for the viola. Many new works are constantly being added. This new literature has placed new demands upon the violist, who in the past found a place only as an orchestra or chamber music player. Higher standards of technical perfection are required. It therefore occurred to me that the “Scalesystem” published by the eminent pedagogue and violinist Carl Flesch, regarded as a standard work by violinists the world over, would be equally valuable to violists if translated into their medium. I have undertaken this task with the encouragement of Professor Carl Flesch. The publishers and I hope that it will be found useful by performers and teachers of the viola. Charlotte Karman New York October 1941
Nearly a century after its initial publication, Carl Flesch's Scale System remains one of the foremost scale books for violin. This comprehensive collection of exercises features the 24 major and minor scales, with emphasis on both double-stops and arpeggios. With Flesch's exercises, the intermediate player will progressively master intonation, shifting, rhythm, string crossing, bow speed and pressure, and tone production. Initially published as a supplement to Book 1 of The Art of Violin Playing, Flesch's Scale System has become the principal scale study for serious violinists. Carl Flesch (1873-1944) was born in Hungary and began playing the violin at age seven. He was a famous chamber musician, instructor, and solo performer, who mastered repertoire ranging from Baroque to contemporary works.
Carl Flesch's "Urstudien für Violine" or "Basic Studies for Violin" is still used to day as a staple for students across the globe. This wonderful clean reprint of the original Ries & Erler plates from 1911, has text in German, English, and French. Reprinted here by Edition Fleury 2013. As with all Edition Fleury publications, blank staff paper and section for teacher notes are present in the back of the book.
Designed to help people master all 24 major and minor scales. In this book, first, all the violin scales are re-organized to be more simple, practical, and easy to learn. Then all the fingerings of the single-stop scales are classified into only a few basic patterns. When practicing, violinists can study these fingering patterns first and then use them to play all 24 scales easily. Finally, all the fingerings of the double-stop scales are also re-edited to make them as simple as possible. with this approach, the process of learning violin scales is much easier than before.