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A boy on the run from his parents. An old man on the run from his children. They meet on a train to Dublin and listen to each other's stories. They understand each other. What will be the result of this new friendship?
Spring, 1849 was a devastating time for Big Spring, Kentucky as a tornado nearly leveled it. For the families living in and around the area, lives were altered and nearly destroyed by the destructive winds. For the Gray family, the tornado wreaked havoc for them and their loved ones. Who miraculously survived the disaster that would completely change their family forever. What would the future hold for them now? The Conner family had been a part of the Big Spring community for several decades. The family was well known for what it was not. Patriarch of the family, Matthew Conner held several secrets that would surprise many if they only knew. Two secrets from his life leave a daughter and his life in the balance. One weighed at the hands of his own flesh and blood. As 1854 begins, there are many changes. Has time shown that, both the past and the present, have led the residents of the Big Spring area to many a heart broken?
Most of all, Pictures in the Air portrays the true, ongoing heritage of the National Theatre of the Deaf - the fine performers, directors, and playwrights that for the first time had a national stage of their own upon which to showcase their skills. This book shows that they have succeeded, in triumph after triumph, for the past quarter of a century.
A work of short fiction comprised of over thirty stories varying in subject from youth, humor, life, memory, loss, and what makes us all human beings.
In Change by Design, Tim Brown, CEO of IDEO, the celebrated innovation and design firm, shows how the techniques and strategies of design belong at every level of business. Change by Design is not a book by designers for designers; this is a book for creative leaders who seek to infuse design thinking into every level of an organization, product, or service to drive new alternatives for business and society.
IDEO founder and Stanford d.school creator David Kelley and his brother Tom Kelley, IDEO partner and the author of the bestselling The Art of Innovation, have written a powerful and compelling book on unleashing the creativity that lies within each and every one of us. Too often, companies and individuals assume that creativity and innovation are the domain of the "creative types." But two of the leading experts in innovation, design, and creativity on the planet show us that each and every one of us is creative. In an incredibly entertaining and inspiring narrative that draws on countless stories from their work at IDEO, the Stanford d.school, and with many of the world's top companies, David and Tom Kelley identify the principles and strategies that will allow us to tap into our creative potential in our work lives, and in our personal lives, and allow us to innovate in terms of how we approach and solve problems. It is a book that will help each of us be more productive and successful in our lives and in our careers.
He's an Irish political journalist in search of his past. She's an American genealogist trying to forget hers. But what's the real reason that keeps bringing them together? How far will a man go, to know his father? To become a father? All his life, Dillon Carroll has felt cut off from the past by his lack of parents. Half his life, he has felt cut off from the future by his lack of posterity. Lana Pedersen comes to Ireland with no desire to be involved with any man not six feet under. Then two very live Irishmen begin competing for her services Ð and for her heart. Lana becomes Dillon's last hope for reconnecting with his roots, and with the meaning of his life: to fulfill his dream of belonging somewhere, to someone, forever. Smouldering Irish Firebrands ignite in this controversial contemporary novel about an American Baby Boomer's unexpected adventures in the Emerald Isle. BONUS FEATURE: Illustrations drawn by the Author for reference while writing the novel.
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A Spanish-English, English-Spanish dictionary that contains thousands of terms including slang and provides guides to pronunciation, grammar, suffixes, and regular, irregular, and orthographic changing verbs. Covers International Spanish and American English.
NOW A MAJOR MOTION PICTURE, STARRING JASON SEGAL AND JESSE EISENBERG, DIRECTED BY JAMES PONSOLDT An indelible portrait of David Foster Wallace, by turns funny and inspiring, based on a five-day trip with award-winning writer David Lipsky during Wallace’s Infinite Jest tour In David Lipsky’s view, David Foster Wallace was the best young writer in America. Wallace’s pieces for Harper’s magazine in the ’90s were, according to Lipsky, “like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.” Then Rolling Stone sent Lipsky to join Wallace on the last leg of his book tour for Infinite Jest, the novel that made him internationally famous. They lose to each other at chess. They get iced-in at an airport. They dash to Chicago to catch a make-up flight. They endure a terrible reader’s escort in Minneapolis. Wallace does a reading, a signing, an NPR appearance. Wallace gives in and imbibes titanic amounts of hotel television (what he calls an “orgy of spectation”). They fly back to Illinois, drive home, walk Wallace’s dogs. Amid these everyday events, Wallace tells Lipsky remarkable things—everything he can about his life, how he feels, what he thinks, what terrifies and fascinates and confounds him—in the writing voice Lipsky had come to love. Lipsky took notes, stopped envying him, and came to feel about him—that grateful, awake feeling—the same way he felt about Infinite Jest. Then Lipsky heads to the airport, and Wallace goes to a dance at a Baptist church. A biography in five days, Although Of Course You End Up Becoming Yourself is David Foster Wallace as few experienced this great American writer. Told in his own words, here is Wallace’s own story, and his astonishing, humane, alert way of looking at the world; here are stories of being a young writer—of being young generally—trying to knit together your ideas of who you should be and who other people expect you to be, and of being young in March of 1996. And of what it was like to be with and—as he tells it—what it was like to become David Foster Wallace. "If you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do it. I know that sounds a little pious." —David Foster Wallace