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This new edition, published on the occasion of the fiftieth anniversary of the founding by Melville Herskovits of the Program of African Studies at Northwestern University, brings back into print one of the classics in scholarly analysis and translation, written by one of the cultural anthropology. When this book was first published in 1958, Melville luminaries of American Herskovits, with his wife and collaborator, Frances, had spent over Twenty years studying the social networks, language, and oral traditions of the peoples of West Africa and their descendants in the New World. Dahomey, the major site of their African work, is in the country now known as the Republic of Benin. This volume, had two goals: in its collection of 155 narratives, to provide basic texts of the analytical side, to provide a general theory of mythology using new oral narratives and looking at their tradition culminating in a survey of different prevailing Theories of myth. The result is a wide-ranging collection, culled from an entire narrative tradition, that remains unique among anthropological publications.
Collection of West African folktales drawn from prose narratives, proverbs, riddles, and songs.
This book, divided into two broad sections, examines the state in the Republic of Benin and the socio-political role of the Christian churches. The first looks at the remarkable pre-colonial kingdom of Danxomέ and its place in the imagining of the modern contrat social béninois. The second section looks at both the historical role of the mainline churches and the more recent development of a Christianisme béninois. The study concludes that the churches are above all a commentary upon the society in which they find themselves. Rather than an overt challenge to the state, they articulate social distress and the desire for a different future. In times of stress they may prove to be the only viable institutional buttress as well as the arbiter. This study seeks to make a contribution to the understanding of the public role of Christian churches in Africa.
Alan Dundes defines myth as a sacred narrative that explains how the world and humanity came to be in their present form. This new volume brings together classic statements on the theory of myth by the authors. The twenty-two essays by leading experts on myth represent comparative, functionalist, myth-ritual, Jungian, Freudian, and structuralist approaches to studying the genre.
Melville J. Herskovits and the Racial Politics of Knowledgeis the first full-scale biography of the trailblazing anthropologist of African and African American cultures. Born into a world of racial hierarchy, Melville J. Herskovits (1895?1963) employed physical anthropology and ethnography to undermine racist and hierarchical ways of thinking about humanity and to underscore the value of cultural diversity. His research in West Africa, the West Indies, and South America documented the far-reaching influence of African cultures in the Americas. He founded the first major interdisciplinary American program in African studies in 1948 at Northwestern University, and his controversial classicThe Myth of the Negro Pastdelineated African cultural influences on American blacks and showcased the vibrancy of African American culture. He also helped forge the concept of cultural relativism, particularly in his bookMan and His Works. While Herskovits promoted African and African American studies, he criticized some activist black scholars, most notably Carter G. Woodson and W. E. B. Du Bois, whom he considered propagandists because of their social reform orientation. ø After World War II, Herskovits became an outspoken public figure, advocating African independence and attacking American policymakers who treated Africa as an object of Cold War strategy. Drawing extensively on Herskovits?s private papers and published works, Jerry Gershenhorn?s biography recognizes Herskovits?s many contributions and discusses the complex consequences of his conclusions, methodologies, and relations with African American scholars.
Written by an international team of experts, this is the first work of its kind to offer comprehensive coverage of folklore throughout the African continent. Over 300 entries provide in-depth examinations of individual African countries, ethnic groups, religious practices, artistic genres, and numerous other concepts related to folklore. Featuring original field photographs, a comprehensive index, and thorough cross-references, African Folklore: An Encyclopedia is an indispensable resource for any library's folklore or African studies collection. Also includes seven maps.
Describes the characteristics of folk cultures and discusses the procedures used by social scientists to study folklife.
This book integrates into a single framework Dahomey's pre-colonial, colonial and post-colonial economic history.
Every individual has a story--painful or happy--and the story will only be complete and meaningful when shared with others willing to listen to it. These are the stories of several people who embarked on a journey toward healing from abortion, adoption, abuse (sexual and spousal), anger, bullying, cutting, infertility, divorce, grief, people pleasing, and fear, as well as people struggling to break the chains of psychological colonialism/neocolonialism and to survive as orphans. This book contains a wealth of knowledge on how transformation of life can take place using Narrative Counseling. Most of the stories shared in this book are personal to many of the authors. Some share their journey of struggling with hopeless situations to where they regained hope through counseling using the Narrative approach. Others, such as the orphaned children, found relief in just having someone sit with them to listen to their daily struggles of living an orphaned life. In this book you will find a place where these stories will somehow intersect with your own story. Take a chance, read, and you will find a glimmer of hope in these stories.
This book provides students, instructors, and lay-readers with a cross-cultural understanding of storytelling as an art form that has existed for centuries, from the first spoken and sung stories to those that are drawn and performed today. This book serves as an indispensable resource for students and scholars interested in storytelling and in multicultural approaches to the arts. By taking an evolutionary approach, this book begins with a discussion of origin stories and continues through history to stories of the 21st century. The text not only engages the stories themselves, it also explains how individuals from all disciplines, from doctors and lawyers to priests and journalists, use stories to focus their readers' and listeners' attention and influence them. This text addresses stories and storytelling across both time (thousands of years) and geography, including in-depth descriptions of storytelling practices occurring in more than 40 different cultures around the world. Part I consists of thematic essays, exploring such topics as the history of storytelling, common elements across cultures, different media, lessons stories teach us, and storytelling today. Part II looks at more than 40 different cultures, with entries following the same outline: Overview, Storytellers: Who Tell the Stories, and When, Creation Mythologies, Teaching Tales and Values, and Cultural Preservation. Several tales/tale excerpts accompany each entry.