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Lovely Danish porcelain figurines by the Dahl-Jensen company are showcased in this first and superb refence for collectors. All the known figurines made by the company are included, arranged in both numerical and subject matter order, for easy reference. Over 350 color photographs display the natural wildlife and charming people that occupy this high quality line of sculpture.
The best all-new, all-colour price guide to help you identify and value your collectables quickly and easily. Clear and easy-to-use, with over 5,000 collectables featured memorabilia this is the surest route to getting real value for money. A nice little earner Judith Miller knows Collectables The Telegraph
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, April 5-July 4, 2011.
This book identifies a need to move beyond discussions of ownership, power and control in favour of exploring new kinds of partnerships between museums and the peoples or countries of origin, partnerships based on equitability and reconciliation.
Explore hundreds of remarkable corkscrews from figurals and eclectics to knives: rare and novelty varieties are well represented. For easy reference, all corkscrews are classified by category with current values. A handy companion to The Ultimate Corkscew Book, this is an up-to-date reference that corkscrew addicts can not do without.
The complex nature of industrial design, which combines functional and aesthetic elements, allows different modes of protection: cumulative, separate or partially overlapping regimes are applicable according to different legal systems. The legal framework is rapidly changing, especially in Europe where the principle of cumulation of a special sui generis regime for protecting industrial design with copyright rules has been established. In the last decade, national courts of some Member States conferred to the “cumulative regime” a peculiar meaning, other courts enforced design rights in line with the interpretation given by the Court of Justice of the EU. The copyright/design interface is presented here to a wider, non-specialist audience, taking as a starting point the notion of industrial design derived from design studies, on the border between art and science.
The papers in this volume were presented at the CATS international technical art history conference Trading Paintings and Painters' Materials 1550-1800 which explored international markets for paintings and artists' materials in the early modern period and their implications for artistic production. Questions central to these papers include: did preferences exist for artists' materials and paintings from specific geographical areas in particular places and if so why? How did the import of painting materials and artworks impact local production, connoisseurship and art theory? In what conditions were these artists' materials and finished artworks produced and traded in early modern Europe and beyond? The lavishly illustrated contributions in this volume deal with the above questions and shed light on different trades, products, countries and timeframes by combining a large variety of methods and sources, including visual analyses, written sources, pigment analyses and archaeological excavations. This fourth CATS Proceedings will be of interest to scholars and students, museum professionals, curators, conservators, art historians and conservation scientists.