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This book provides both the first comprehensive description of the phonology and phonetics of Standard Mongolian and the first account in any language of the historical phonology of the Mongolian group of languages.
"Based on three slightly differently organised manuscripts"--P. [7]
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
Mongolian is the principal language spoken by some five million ethnic Mongols living in Outer and Inner Mongolia, as well as in adjacent parts of Russia and China. The spoken language is divided into a number of mutually intelligible dialects, while for writing two separate written languages are used: Cyrillic Khalkha in Outer Mongolia (the Republic of Mongolia) and Written Mongol in Inner Mongolia (P. R. China). In this grammatical description, the focus is on the standard varieties of the spoken language, as used in broadcasting, education, and everyday casual speech. The dialectology of the language, and its background as a member of the Mongolic language family, are also dicussed. Mongolian is an agglutinating language with a well-developed suffixal morphology. In the areal framework, the language is a typical member of the trans-Eurasian Ural-Altaic complex with features such as vowel harmony, verb-final sentence structure, and complex chains of non-finite verbal phrases.
Once the rulers of the largest land empire that has ever existed on earth, the historical Mongols of Chinggis Khan left a linguistic heritage which today survives in the form of more than a dozen different languages, collectively termed Mongolic. For general linguistic theory, the Mongolic languages offer interesting insights to problems of areal typology and structural change. An understanding of the Mongolic language family is also a prerequisite for the study of Mongolian and Central Eurasian history and culture. This volume is the first comprehensive treatment of the Mongolic languages in English, written by an international team of specialists.
This is a collection of papers in Turkic and Mongolic Studies, with a focus on the literacy, culture, and languages of the steppe civilizations.
First Published in 1999. The majority of the contributions to this volume have their origin in a symposium which was held in Stockholm on 27–29 September 1996 under the Swedish title of Nordisk Centralasienforskning: språk – kultur – samhälle, i.e. 'Nordic Central Asia Research: Language – Culture – Society'. The main purpose of this meeting was to obtain a general view of current research activities and study programmes in this field and to help establish contact between Central Asia researchers in the Nordic countries.
This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.