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It deals with artefacts from the Egypt Centre. This is a little known but important collection. It deals largely with themes rarely or not at all discussed in separate volumes. The theme of daemons is particularly current in academic Egyptology. It should appeal to both academic and non-academic readers.
Ten essays which give an account of many aspects of ancient Egyptian demonology. Topics include the multiple persona of the demonic or name vs.
The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore and ethnography, encompassing the restless dead, blood-drinking lamiae, exotic hybrid animals, the so-called dog-headed men, and many other unexpected creatures and peoples. The third part covers various interpretations of these creatures from multiple perspectives, including psychoanalysis, colonialism, and disability studies, with monster theory itself evident across the entire volume. The final part discusses reception of these ancient monsters across time and space--from the Middle Ages to the Renaissance to modern times, from Persia to Scandinavia, the Caribbean, and Latin America-and concludes with chapters considering the use and adaptation of ancient monsters in children's literature, science fiction, fantasy, and modern scientific disciplines. This Handbook is the first large-scale, inclusive guide to monsters in antiquity, their places in literature and art across the millennia, and their influence on later literature and thought.
For millennia, people have universally engaged in ecstatic experience as an essential element in ritual practice, spiritual belief and cultural identification. This volume offers the first systematic investigation of its myriad roles and manifestations in the ancient Mediterranean and Near East. The twenty-nine contributors represent a broad range of scholarly disciplines, seeking answers to fundamental questions regarding the patterns and commonalities of this vital aspect of the past. How was the experience construed and by what means was it achieved? Who was involved? Where and when were rites carried out? How was it reflected in pictorial arts and written records? What was its relation to other components of the sociocultural compact? In proposing responses, the authors draw upon a wealth of original research in many fields, generating new perspectives and thought-provoking, often surprising, conclusions. With their abundant cross-cultural and cross-temporal references, the chapters mutually enrich each other and collectively deepen our understanding of ecstatic phenomena thousands of years ago. Another noteworthy feature of the book is its illustrative content, including commissioned reconstructions of ecstatic scenarios and pairings of works of Bronze Age and modern psychedelic art. Scholars, students and other readers interested in antiquity, comparative religion and the social and cognitive sciences will find much to explore in the fascinating realm of ecstatic experience in the ancient world.
This book identifies a key figure in the family that reused the Saite tomb of Ankh-Hor (TT 414) in the Asasif: Kalutj/Nes-Khonsu. Examining the funerary assemblage revealed not only details of Late Dynastic and Ptolemaic burial customs in Thebes but also additional information on the priesthood of Khonsu and of the sacred baboons in this era.
In this study, Michael Hundley explores the diverse deities of ancient Near Eastern and biblical literature, from deified doors and diseases to the masters of the universe. Using data from Mesopotamia, Hittite Anatolia, Egypt, the Levant, and non-priestly Genesis and Exodus, Hundley explains their context-specific approach to deity, which produces complex and seemingly contradictory portraits. He suggests that ancient deities gained prominence primarily by co-opting the attributes of other deities, rather than by denying their existence or inventing new powers. He demonstrates that the primary difference between biblical and ancient Near Eastern presentations lies in their rhetorical goals, not their conceptions of gods. While others promote divine supremacy, Genesis and Exodus promote exclusive worship. Hundley argues that this monolatry redefined the biblical divine sphere and paved the way for the later development of monotheism and monotheistic explanations of evil.
In The Daimon in Hellenistic Astrology: Origins and Influence, Dorian Gieseler Greenbaum investigates for the first time the concept of the daimon (daemon, demon), normally confined to religion and philosophy, within the theory and practice of ancient western astrology (2nd century BCE – 7th century CE). This multi-disciplinary study covers the daimon within astrology proper as well as the daimon and astrology in wider cultural practices including divination, Gnosticism, Mithraism and Neo-Platonism. It explores relationships between the daimon and fate and Daimon and Tyche (fortune or chance), and the doctrine of lots as exemplified in Plato’s Myth of Er. In finding the impact of Egyptian and Mesopotamian ideas of fate on Hellenistic astrology, it critically examines astrology’s perception as propounding an unalterable destiny.
Everlasting Egypt: Kemetic Rituals for the Gods continues Richard Reidys groundbreaking work and collects more temple rituals from Egypt. The author presents rites for personal and group use, augmenting and updating those in his first volume, Eternal Egypt: Ancient Rituals for the Modern World. The guidebook: Presents over 37 rituals for Gods, Goddesses, and Annual and Lunar Festivals in a form designed to assist practitioners in restoring the ancient rites of Egypt; Provides for modern usage, with key ritual texts coming from authenticated ancient sources, as well as commentaries and background information; Includes a comprehensive Introduction with a model for organizing a modern Kemetic Temple or Group; Includes updated Egyptian vocalizations and a pronunciation key; Offers practical information for conducting these rituals in todays world. These ritual texts reveal once more the deeply spiritual understanding of humanitys relationship to divinity that characterized the ancient Egyptian sense of the sacred. Cover Image: Ritual scene from the Temple of Hathor at Deir el Medina. Ptolemaic Period. Matthew Whealton, 2018.
Tutu (Tithoes) was a popular god in the Ptolemaic and Roman periods of Egyptian history, with his origins in the earlier Egyptian religious tradition. The god provided protection against demons, and his appearance as a striding sphinx was often combined with symbols of his power and visual references to demons and other divinities. The god Tutu demonstrates the continuing vitality of the pharaonic religion under the pressure of foreign cultures and ideas. This monograph provides the first comprehensive study of the god Tutu. It is based upon a collection of attestations, largely unpublished, which derive from monuments in various parts of Egypt and from museum collections all over the world. Moreover, the results of recent archaeological field work in Shenhur and in the temple of Tutu in the Dakhla Oasis have been included in full. The catalogue of monuments is accompanied by an analysis of the god Tutu, his iconography and his place in the Egyptian religion.