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As seen on the Today Show: This true story of an unforgettable mother, her devoted daughter, and their life in the Detroit numbers of the 1960s and 1970s highlights "the outstanding humanity of black America" (James McBride). In 1958, the very same year that an unknown songwriter named Berry Gordy borrowed $800 to found Motown Records, a pretty young mother from Nashville, Tennessee, borrowed $100 from her brother to run a numbers racket out of her home. That woman was Fannie Davis, Bridgett M. Davis's mother. Part bookie, part banker, mother, wife, and granddaughter of slaves, Fannie ran her numbers business for thirty-four years, doing what it took to survive in a legitimate business that just happened to be illegal. She created a loving, joyful home, sent her children to the best schools, bought them the best clothes, mothered them to the highest standard, and when the tragedy of urban life struck, soldiered on with her stated belief: "Dying is easy. Living takes guts." A daughter's moving homage to an extraordinary parent, The World According to Fannie Davis is also the suspenseful, unforgettable story about the lengths to which a mother will go to "make a way out of no way" and provide a prosperous life for her family -- and how those sacrifices resonate over time.
This modern classic is “a tough, tender, bitter novel of a black girl struggling towards womanhood” in 1930s Harlem—with a foreword by James Baldwin (Publishers Weekly). Depression-era Harlem is home for twelve-year-old Francie Coffin and her family, and it’s both a place of refuge and the source of untold dangers for her and her poor, working class family. The beloved “daddy” of the title indeed becomes a number runner when he is unable to find legal work, and while one of Francie’s brothers dreams of becoming a chemist, the other is already in a gang. Francie is a dreamer, too, but there are risks in everything from going to the movies to walking down the block, and her pragmatism eventually outweighs her hope; “We was all poor and black and apt to stay that way, and that was that.” First published in 1970, Daddy Was a Number Runner is one of the seminal novels of the black experience in America. The New York Times Book Review proclaimed it “a most important novel.”
“A welcome read in American contemporary literature. Though I Get Home is an intimate and complex look into Malaysian culture and politics, and a reminder of the importance of art in the struggle for social justice.” —Ana Castillo, author of So Far from God and prize judge In these stories, characters navigate fate via deft sleights of hand: A grandfather gambles on the monsoon rains; a consort finds herself a new assignment; a religious man struggles to keep his demons at bay. Central to the book is Isabella Sin, a small-town girl—and frustrated writer—transformed into a prisoner of conscience in Malaysia’s most notorious detention camp. Winner of the Louise Meriwether First Book Prize, YZ Chin’s debut reexamines the relationship between the global and the intimate. Against a backdrop of globalization, individuals buck at what seems inevitable—seeking to stake out space for the inner motivations that shift, but still persist, in the face of changing and challenging circumstances. YZ Chin was born and raised in Taiping, Malaysia. She now lives in New York, working as a software engineer by day and a writer by night.
As Caribbean American Anna Sinclair, the head of a publishing imprint that focuses on ethnic writers, faces challenges at work, she struggles with her mother's cancer diagnosis and starts dating her mother's oncologist.
Native American guide Jane Whitefield returns from retirement to the world of the runner determined to hide a young pregnant girl who has been tracked across the country by a team of hired hunters.
Oliver Watson's world suddenly dissolves around him when Sarah, his wife of eighteen years, returns to Harvard to get her master's degree. Oliver is left on his own, with three children and a freedom he never wanted and doesn't completely understand. His family's needs and demands suddenly consume his life. When Oliver's mother is diagnosed as having Alzheimer's disease and dies soon thereafter, Oliver's father's life is changed as well. Braver than his son with less of a future before him, George Watson, at seventy-two, quickly embraces new relationships and, eventually, a new life. The sudden changes come as a shock to both father and son. Ben, Oliver's oldest son, rejects his father and reaches outward, under the illusion that he is grown-up and can make it on his own. Melissa, the middle child, blames Oliver for her mother's desertion. And Sam, the "baby," is too shaken to deal with it at all. Now the only parent, Daddy must somehow cope this, his troubled family and explore a world of new responsibilities, new women, and new experiences. Each of the three men must start a new life: Oliver in New York and then in Los Angeles with his children; once he faces the biggest change in his life; his widowed father with the woman next door; and seventeen-year-old Ben with his girlfriend and baby. Nothing is as it was before... nothing is as they once thought it would be. But in the end, different is better... different is more... for each of them—and especially for "Daddy."
Traces the unlikely friendship of a wealthy Afghan youth and a servant's son in a tale that spans the final days of Afghanistan's monarchy through the atrocities of the present day.
A powerful depiction of racial tensions arising over the death of a Cajun farmer at the hands of a black man--set on a Louisiana sugarcane plantation in the 1970s. The Village Voice called A Gathering of Old Men “the best-written novel on Southern race relations in over a decade.”
This beloved modern classic documents the lives and hardships of an African American family living in Depression-era Harlem. While 12-year-old Francie Coffin's world and family threaten to fall apart, this remarkable young heroine must call upon her own wit and endurance to survive amidst the treacheries of racism and sexism, poverty and violence.