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Accompanying CD-ROM contains ... "all of the texts and documents in the exhibition."--Page 5.
Through the author's restrained, precise style, combining personal memories and the researcher's scholarly detachment, the reader discovers the many facets of the camp: the hierarchical structure of the camp established and controlled by the SS, the categories of prisoners, their daily life, the arbitrary and escalating violence, the selections, the medical experiments and the role of the SS physicians, the intentional and programmed extermination, the camp's evacuation, the typhus epidemic, and liberation.
Auschwitz, Belsen, Dachau. These names still evoke the horrors of Nazi Germany around the world. This 2001 book takes one of these sites, Dachau, and traces its history from the beginning of the twentieth century, through its twelve years as Nazi Germany's premier concentration camp, to the camp's postwar uses as prison, residential neighborhood, and, finally, museum and memorial site. With superbly chosen examples and an eye for telling detail, Legacies of Dachau documents how Nazi perpetrators were quietly rehabilitated to become powerful elites, while survivors of the concentration camps were once again marginalized, criminalized and silenced. Combining meticulous archival research with an encyclopedic knowledge of the extensive literatures on Germany, the Holocaust, and historical memory, Marcuse unravels the intriguing relationship between historical events, individual memory, and political culture, to offer a unified interpretation of their interaction from the Nazi era to the twenty-first century.
The first comprehensive history of the Nazi concentration camps In a landmark work of history, Nikolaus Wachsmann offers an unprecedented, integrated account of the Nazi concentration camps from their inception in 1933 through their demise, seventy years ago, in the spring of 1945. The Third Reich has been studied in more depth than virtually any other period in history, and yet until now there has been no history of the camp system that tells the full story of its broad development and the everyday experiences of its inhabitants, both perpetrators and victims, and all those living in what Primo Levi called "the gray zone." In KL, Wachsmann fills this glaring gap in our understanding. He not only synthesizes a new generation of scholarly work, much of it untranslated and unknown outside of Germany, but also presents startling revelations, based on many years of archival research, about the functioning and scope of the camp system. Examining, close up, life and death inside the camps, and adopting a wider lens to show how the camp system was shaped by changing political, legal, social, economic, and military forces, Wachsmann produces a unified picture of the Nazi regime and its camps that we have never seen before. A boldly ambitious work of deep importance, KL is destined to be a classic in the history of the twentieth century.
Written by the staff of the U.S. 7th Army soon after its liberation, this report stands as evidence of some of the worst crimes of the Holocaust. The images contained within also document the inhuman suffering inflicted at Dachau. “DACHAU, 1933-1945, will stand for all time as one of history’s most gruesome symbols of inhumanity. There our troops found sights, sounds and stenches horrible beyond belief, cruelties so enormous as to be incomprehensible to the normal mind. DACHAU and death were synonymous. No words or pictures can carry the full impact of these unbelievable scenes but this report presents some of the outstanding facts and photographs in order to emphasize the type of crime which elements of the SS committed thousands of times a day, to remind us of the ghastly capabilities of certain classes of men, to strengthen our determination that they and their works shall vanish from the earth. The sections comprising this report were prepared by the agencies indicated. They remain substantially as they were originally submitted in the belief that to consolidate this material in a single literary style would seriously weaken its realism.”-Foreword.