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When D.J.'s sister is chosen to be queen at a debutante ball, D.J.'s grandfather gives him and his cousin lessons in etiquette so that they can be her pages.
Although he does not want to go at first, D.J. has a good time and learns a lot when he joins his mother and godmother at the annual jazz festival in New Orleans.
Black Authors and Illustrators of Books for Children and Young Adults is a biographical dictionary that provides comprehensive coverage of all major authors and illustrators – past and present. As the only reference volume of its kind available, this book is a valuable research tool that provides quick access for anyone studying black children’s literature – whether one is a student, a librarian charged with maintaining a children’s literature collection, or a scholar of children’s literature. The Fourth Edition of this renowned reference work illuminates African American contributions to children’s literature and books for young adults. The new edition contains updated and new information for existing author/illustrator entries, the addition of approximately 50 new profiles, and a new section listing online resources of interest to the authors and readers of black children’s literature.
In this captivating and hilarious illustrated poem, young readers will meet Robbie, who doesn't like to read. When a sorcerer removes the words from everything around Robbie, confusion results. The boy soon learns that life without reading is nothing to wish for!
"Old Jordan" tells how, when he was a boy, he used his drum to summon General Andrew Jackson's troops into action in the 1815 Battle of New Orleans.
The literary tradition of New Orleans spans centuries and touches every genre; its living heritage winds through storied neighborhoods and is celebrated at numerous festivals across the city. For booklovers, a visit to the Big Easy isn't complete without whiling away the hours in an antiquarian bookstore in the French Quarter or stepping out on a literary walking tour. Perhaps only among the oak-lined avenues, Creole town houses, and famed hotels of New Orleans can the lust of A Streetcar Named Desire, the zaniness of A Confederacy of Dunces, the chill of Interview with the Vampire, and the heartbreak of Walker Percy's Moviegoer begin to resonate. Susan Larson's revised and updated edition of The Booklover's Guide to New Orleans not only explores the legacy of Tennessee Williams and William Faulkner, but also visits the haunts of celebrated writers of today, including Anne Rice and James Lee Burke. This definitive guide provides a key to the books, authors, festivals, stores, and famed addresses that make the Crescent City a literary destination.
Dance has been instrumental to the development of New Orleans' jazz culture since the bourgeoning "jass" days and is a fundamental feature of the doll-masking and street-parading phenomena of the early twentieth century. Established in March 2005 by New Orleans native and choreographer Millisia White, the New Orleans Society of Dance Baby Doll Ladies provides girls and women between the ages of seventeen and sixty plus a fun, productive place to get physically active, enrich their lives, and make connections with their peers. In Krewe of New Orleans Baby Doll Ladies' Homecoming, White presents a collection of photographs and biographies painting a portrait of the Baby Doll Ladies for 2019. A brief introduction is followed by the biographies of twenty-four dancers that offer short histories of each dancer, along with a list of personal details, such as birthdate, year of induction, hobbies, favorite color, and favorite dish.
Young D.J. is going to be a page for the queen of Zulu, the oldest African-American parade in the New Orleans Mardi Gras.
When Americans mamboed in the kitchen, waltzed in the living room, polkaed in the pavilion, and tangoed at the club; with glorious, full-color record cover art. In midcentury America, eager dancers mamboed in the kitchen, waltzed in the living room, Watusied at the nightclub, and polkaed in the pavilion, instructed (and inspired) by dance records. Glorious, full-color record covers encouraged them: Let’s Cha Cha Cha, Dance and Stay Young, Dancing in the Street!, Limbo Party, High Society Twist. In Designed for Dancing, vinyl record aficionados and collectors Janet Borgerson and Jonathan Schroeder examine dance records of the 1950s and 1960s as expressions of midcentury culture, identity, fantasy, and desire. Borgerson and Schroeder begin with the record covers—memorable and striking, but largely designed and created by now-forgotten photographers, scenographers, and illustrators—which were central to the way records were conceived, produced, and promoted. Dancing allowed people to sample aspirational lifestyles, whether at the Plaza or in a smoky Parisian café, and to affirm ancestral identities with Irish, Polish, or Greek folk dancing. Dance records featuring ethnic music of variable authenticity and appropriateness invited consumers to dance in the footsteps of the Other with “hot” Latin music, Afro-Caribbean rhythms, and Hawaiian hulas. Bought at a local supermarket, department store, or record shop, and listened to in the privacy of home, midcentury dance records offered instruction in how to dance, how to dress, how to date, and how to discover cool new music—lessons for harmonizing with the rest of postwar America.
Through four decades at the pointy end of dance music and club culture, the Secret DJ has seen it all. In this hilarious, gripping, and at times extremely moving follow-up to the smash-hit first book, the mysterious insider pulls no punches, wryly lifting the lid on misbehaving stars, what really goes on backstage, how to survive in the DJ game, and where the real power lies in rave. Most of all, they chart how capitalism bought and sold the utopian dreams of the Acid House generation - and whether those dreams can still be saved. Essential reading for anyone who cares about the dancefloor; past, present and future.