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This is the first ecocritical book on the works of D. H. Lawrence and also the first to consider the links between nature and gender in the poetry and the novels. In his search for a balanced relationship between male and female characters, what role does nature play in the challenges Lawrence offers his readers? How far are the anxieties of his characters in negotiating relationships that might threaten their sense of self derived from the same source as their anxieties about engaging with the Other in nature? Indeed, might Lawrence’s metaphors drawn from nature actually be the causes of human actions in The Rainbow, for example? The originality of Lawrence’s poetic and narrative strategies for challenging social attitudes towards both nature and gender can be revealed by new approaches offered by ecocritical theory and ecofeminist readings of his books. This book explores ecocritical notions to frame its ecofeminist readings, from the difference between the ‘Other’ and ‘otherness’ in The White Peacock and Lady Chatterley’s Lover, ‘anotherness’ in the poetry of Birds, Beasts and Flowers, psychogeography in Sea and Sardinia, emergent ecofeminism in Sons and Lovers, land and gender in The Boy in the Bush, gender dialogics in Kangaroo, human animality in Women in Love, trees as tests in Aaron’s Rod, to ‘radical animism’ in The Plumed Serpent. Finally, three late tales provide a reassessment of ecofeminist insights into Lawrence’s work for readers in the present context of the Anthropocene.
Two of the most important political movements of the late twentieth century are those of environmentalism and feminism. In this book, Val Plumwood argues that feminist theory has an important opportunity to make a major contribution to the debates in political ecology and environmental philosophy. Feminism and the Mastery of Nature explains the relation between ecofeminism, or ecological feminism, and other feminist theories including radical green theories such as deep ecology. Val Plumwood provides a philosophically informed account of the relation of women and nature, and shows how relating male domination to the domination of nature is important and yet remains a dilemma for women.
Showcasing the most exciting contemporary scholarship on D. H. Lawrence, this comprehensive collection serves as both an overview of the field at present as well as an examination of new approaches and directions in D. H. Lawrence studies. Explicitly interdisciplinary in its focus and covering fields such as Bibliotherapy, sustainability and animal studies, this book: · Provides new insights into Lawrence as a transnational figure whose work responds to global cultures; · Considers Lawrence in light of broader developments within modernist studies; · Examines Lawrence's work in relation to material cultures and his engagements with print, publishing and literary networks. Contributors are comprised of established international experts in D. H. Lawrence studies as well as newer voices. This collection provides a comprehensive resource for literature students at all levels, from undergraduates and postgraduates to scholars and advanced readers interested in developing their knowledge of D. H. Lawrence.
The volume offers a wide horizon on D. H. Lawrence’s search for an ideal primitive society in a pristine natural environment. It lends itself to an interesting comparison with today’s reality, with a particular focus on Sardinia. It combines literature and photography in order to analyse Sicilian and Sardinian society. The volume investigates aspects which have hardly been considered in depth in previous publications on Lawrence’s Sea and Sardinia, such as the strongly stressed ecological approach that makes Lawrence an incredible writer of our time, the role of Sardinian women as opposed to that of men as seen by Lawrence, and the importance of food and traditional costumes as persistent symbols of local identity.
THE LIFE OF THE AUTHOR D. H. LAWRENCE Addresses the whole of D. H. Lawrence’s life and writing career—integrating biography, critical analysis, and recent scholarship in a single volume The Life of the Author: D. H. Lawrence is a focused exploration of the whole of the author’s life and writing career. Combining biographical detail and close readings of works in different genres, the book illuminates the complexities of Lawrence’s writing through a careful, questioning approach to biographical sources and recent scholarship. Andrew Harrison provides original insights into Lawrence’s relationship to working-class experience, his anti-suffragist feminist views, his reaction to the Great War, his responses to racial and cultural difference, his attitudes towards sex, sexuality, and sexual identity, and much more. Nine accessible chapters address important subjects in the author’s life and writing, including his treatment of taboo topics, his conflicted relationship with the literary marketplace, and the ways in which his writing challenged English middle-class values. Each chapter draws upon the biographical record to provide an interpretive context while highlighting aspects of Lawrence’s work that relate to present-day concerns, such as his critical responses to wartime propaganda and censorship, his critique of heteronormativity, and his lifelong concern with issues around mental health and wholeness of being. Designed to help readers develop a fresh understanding of Lawrence’s writing, The Life of the Author: D. H. Lawrence: Investigates Lawrence’s wartime experiences, tracing his transformation from an author who wished to change the attitudes of his readers into a radical anti-establishment figure Addresses Lawrence’s explorations of gender fluidity and non-normative sexual identities in his fiction Discusses Lawrence’s concern with post-war social reconstruction and his risk-taking exploration of revolutionary political and religious movements in his novels of the 1920s Engages with psychoanalytic criticism on the attachment issues that shaped Lawrence’s life and writing, showing how he attempted to confront the psychic wounds of his childhood Based on materials and approaches the author has developed teaching Lawrence for more than two decades, The Life of the Author: D. H. Lawrence is an excellent textbook for undergraduate students taking English and English Literature courses, as well as graduate students discussing Lawrence in the contexts of early twentieth-century literature, literary modernism, and sexualities in modern literature.
Laurence Coupe brings together a collection of extracts from a wide range of both historical and contemporary ecocritical texts.
This groundbreaking work remains as relevant today as when it was when first published. Two of Zed's best-known authors argue that ecological destruction and industrial catastrophes constitute a direct threat to everyday life, the maintenance of which has been made the particular responsibility of women. In both industrialized societies and the developing countries, the new wars the world is experiencing, violent ethnic chauvinisms and the malfunctioning of the economy also pose urgent questions for ecofeminists. Is there a relationship between patriarchal oppression and the destruction of nature in the name of profit and progress? How can women counter the violence inherent in these processes? Should they look to a link between the women's movement and other social movements? Maria Mies and Vandana Shiva offer a thought-provoking analysis of these and many other issues from a unique North-South perspective. They critique prevailing economic theories, conventional concepts of women's emancipation, the myth of 'catching up' development, the philosophical foundations of modern science and technology, and the omission of ethics when discussing so many questions, including advances in reproductive technology and biotechnology. In constructing their own ecofeminist epistemology and methodology, these two internationally respected feminist environmental activists look to the potential of movements advocating consumer liberation and subsistence production, sustainability and regeneration, and they argue for an acceptance of limits and reciprocity and a rejection of exploitation, the endless commoditization of needs, and violence.
Decolonial Animal Ethics in Linda Hogan’s Poetry and Prose is a plea for an urgent redefinition of human-animal relations on the basis of a nonanthropocentric animal ethic embraced by premodern Indigenous communities but depreciated by coloniality. Without decolonial revisions of animal subjectivity and personhood, the animal genocide can never truly stop. It is also a close reading of Linda Hogan’s poetry and prose in search of the coordinates of a decolonized animal ethic which would foster interspecies becoming. Having defined the recurring tropes, motifs, and attitudes that underpin Hogan’s treatment of nonhuman animals, the book moves on to trace the way she depicts the human-animal bond, especially in the face of the destructive anthropogenic impact. The major questions guiding the analysis of Hogan’s oevre are as follows: who are the animals we share our earthly lives with; what can they teach us about ourselves; how can animals guide us toward more sustainable futures; and what are the conditions of possibility of an interspecies, human-animal thriving. This book will be of interest to scholars and students of Indigenous Studies, Decolonial Studies, Animal Studies, Ecocriticism, Anthropocene Studies, as well as readers of Linda Hogan’s literary works.
The Routledge Handbook of Crime Fiction and Ecology is the first comprehensive examination of crime fiction and ecocriticism. Across 33 innovative chapters from leading international scholars, this Handbook considers an emergent field of contemporary crime narratives that are actively responding to a diverse assemblage of global environmental concerns, whilst also opening up ‘classic’ crime fictions and writers to new ecocritical perspectives. Rigorously engaged with cutting-edge critical trends, it places the familiar staples of crime fiction scholarship – from thematic to formal approaches – in conversation with a number of urgent ecological theories and ideas, covering subjects such as environmental security, environmental justice, slow violence, ecofeminism and animal studies. The Routledge Handbook of Crime Fiction and Ecology is an essential introduction to this new and dynamic research field for both students and scholars alike.
Religion, Narrative, and the Environmental Humanities provides a fresh look at rhetoric, religion, and environmental humanities through narratives of evangelical culture, analyses of evangelical writing, and their connection to environmental topics. This volume aims to present a cultural understanding between evangelical and non-evangelical communities, exploring how environmental priorities and differences fit within the thinking and felt experiences of American evangelicalism. Offering a variety of theological topics, chapters include discussion of key themes such as eschatology, scriptural authority, or stewardship, and their relationship to evangelical thinking and conceptualization within climate change rhetoric. To help readers better access evangelicalism and translate these ideas, each chapter utilizes individual narratives located within evangelicalism to set an affective or experiential base for readers. In addition, this volume includes textual analysis of key documents within each section to further explore the environmental issues, values, and elements within the subculture of American evangelicalism. This volume will be essential for all scholars interested in bridging the gap of cultural translation and exploring the deep rhetorical roots of evangelical attitudes toward environmental issues.