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As there are several hundred piano studies by Czerny, it might become confusing to attempt to pick out the most effective exercises. To overcome this problem, Heinrich Germer, the original editor, chose those he thought were best. Willard A. Palmer has made several changes to metronome markings, fingerings and pedal indications where he felt certain passages needed clarification.
Carl Czerny (1791 – 1857) was an Austrian composer whose books of studies are still widely used in piano teaching.
As there are several hundred piano studies by Czerny, it might become confusing to attempt to pick out the most effective exercises. To overcome this problem, Heinrich Germer, the original editor, chose those he thought were best. Willard A. Palmer has made several changes to metronome markings, fingerings and pedal indications where he felt certain passages needed clarification.
A brand new edition from Faber Music of Carl Czerny's famous piano studies. These 101 exercises cover a wide range of piano technique in a clear and concise manner, focusing on strengthening fingers, developing stylistic awareness and improving technical control. Edited by one the UK's leading piano pedagogues Christine Brown, there are also helpful practice notes included, making this an invaluable resource for every pianist, whether beginner or returning to piano study.
As there are several hundred piano studies by Czerny, it might become confusing to attempt to pick out the most effective exercises. To overcome this problem, Heinrich Germer, the original editor, chose those he thought were best. Willard A. Palmer has made several changes to metronome markings, fingerings and pedal indications where he felt certain passages needed clarification. This international edition is presented with text in Spanish, French, and Italian.
This anthology contains selected studies for the piano, Book 1. The book is a great introduction to the works of Carl Czerny and Louis Oesterle and serves as a foundation for learning the piano. The pieces are carefully chosen to cover a broad range of techniques for the beginner to intermediate pianist. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.