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In particular, Donna Haraway argued in her famous 1991 'Cyborg Manifesto' that people, since they are so often now detached and separated from nature, have themselves evolved into cyborgs. This striking idea has had considerable influence within critical theory, cultural studies and even science fiction (where it has surfaced, for example, in the Terminator films and in the Borg of the Star Trek franchise). But it is a notion that has had much less currency in theology. In his innovative new book, Scott Midson boldly argues that the deeper nuances of Haraway's and the cyborg idea can similarly rejuvenate theology, mythology and anthropology. Challenging the damaging anthropocentrism directed towards nature and the non-human in our society, the author reveals - through an imaginative reading of the myth of Eden - how it is now possible for humanity to be at one with the natural world even as it vigorously pursues novel, 'post-human', technologies.
Developed from a PhD thesis, this book ranges across history, philosophy, sociology and performance to examine the nature of identity in a world where machines are becoming more and more a part of our lives, and of ourselves.
Explores the relationship between authorship and technology in nineteenth-century America.
This book examines how pacemakers and defibrillators participate in transforming life and death in high-tech societies. In both popular and medical accounts, these internal devices are often portrayed as almost magical technologies. Once implanted in bodies, they do not require any ‘user’ agency. In this unique and timely book, Nelly Oudshoorn argues that any discourse or policy assuming a passive role for people living with these implants silences the fact that keeping cyborg bodies alive involves their active engagement. Pacemakers and defibrillators not only act as potentially life-saving technologies, but simultaneously transform the fragility of bodies by introducing new vulnerabilities. Oudshoorn offers a fascinating examination of what it takes to become a resilient cyborg, and in the process develops a valuable new sociology of creating ‘resilient’ cyborgs.
A concise introduction to cyborg theory that examines the way in which technology is situated, political, and embodied. This introduction to cyborg theory provides a critical vantage point for analyzing the claims around emerging technologies like automation, robots, and AI. Cyborg analyzes and reframes popular and scholarly conversations about cyborgs from the perspective of feminist cyborg theory. Drawing on their combined decades of training, teaching, and research in the social sciences, design, and engineering education, Laura Forlano and Danya Glabau introduce an approach called critical cyborg literacy. Critical cyborg literacy foregrounds power dynamics and pays attention to the ways that social and cultural factors such as gender, race, and disability shape how technology is imagined, developed, used, and resisted. Forlano and Glabau offer critical cyborg literacy as a way of thinking through questions about the relationship between humanity and technology in areas such as engineering and computing, art and design, and health care and medicine, as well as the social sciences and humanities. Cyborg examines whether modern technologies make us all cyborgs—if we consider, for instance, the fact that we use daily technologies at work, have technologies embedded into our bodies in health care applications, or use technology to critically explore possibilities as artists, designers, activists, and creators. Lastly, Cyborg offers perspectives from critical race, feminist, and disability thinkers to help chart a path forward for cyborg theory in the twenty-first century.
Considers how the cyborg has been used in cultural representation from reproductive technology to sci-fi, and questions the power of the cyborg as a symbol which disrupts categories (man / machine and male / female).
In an era when technology, biology & culture are becoming ever more closely connected, 'The Dada Cyborg' explains how the cyborg as we know it today developed between 1918 & 1933 as German artists gave visual form to their utopian hopes & fantasies in a fearful response to World War I.
In this book, Mick Howard uses a Saussurean framework to explore how bodies and technologies intermingle through a theory of cyborg semiotics. Howard argues that, like words, this combination follows rules of language and can be fruitfully analyzed through the lens of the cyborg. Just as spelling and grammar dictate which words may be formed and in which order they may be sequenced, cyborg semiotics unveils the underlying rules governing how technologies and bodies can be combined to make meaning and how these cyborgs are permitted to interact with each other. This intersectional theory, Howard posits, provides a unique perspective on power and the human condition.
Cyborg Babies tracks the process of reproducing children in symbiosis with pervasive technology and offers a range of perspectives, from resistance to ethnographic analysis to science fiction.
I need credits and I need them fast. That's why I'm responding to an obscure ad that offers a generous reward for what should be simple work. For the amount of credits offered, I would be willing to do just about anything. So, when a rich and powerful cyborg asks me to travel to an ice planet and convince his son to come back home, I immediately agree. It can't be that hard, can it? "Her Mountain Cyborg" contains a lot of snow, a few dangerous predators, and a possessive cyborg who will never let his curvy beloved out of his sight again. Our heroine thinks she still has a say in the matter. (Spoiler: She doesn't.)