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Cover -- Title -- Copyright -- Contents -- PREFACE AND ACKNOWLEDGMENTS -- INTRODUCTION: TWOMBLY'S BOOKS -- 1 MEDITERRANEAN PASSAGES: RETROSPECT -- 2 PSYCHOGRAM AND PARNASSUS: HOW (NOT) TO READ A TWOMBLY -- 3 TWOMBLY'S VAGUENESS: THE POETICS OF ABSTRACTION -- 4 ACHILLES' HORSES, TWOMBLY'S WAR -- 5 ROMANTIC TWOMBLY -- 6 THE PASTORAL STAIN -- 7 PSYCHE: THE DOUBLE DOOR -- 8 TWOMBLY'S LAPSE -- POSTSCRIPT: WRITING IN LIGHT -- NOTES -- BIBLIOGRAPHY -- INDEX
A visual celebration of one of the most renowned artists of our time, along with the extraordinary Gallery he helped to create to showcase his work American artist Cy Twombly (1928-2011) created paintings and sculptures that defied conventional classification. In his works, Twombly incorporated a wide variety of elements, from scrawls and calligraphic marks to text from poetry and mythology. Opening in 1995, the Cy Twombly Gallery at the Menil Collection was designed by Renzo Piano and has become a pilgrimage destination for the artist's avid admirers. The product of close collaboration between the Menil, Twombly, and the Dia Center for the Arts, the Gallery is one of the most extraordinary representations of any single 20th-century artist. Twombly chose the art that would be featured and worked closely with the builders to create the most appropriate venue for its presentation. This sumptuous volume showcases thirty-three paintings and eleven sculptures, including an immense 13 x 52-foot painting. Featuring large-scale, close-up details of many of the works, the book looks at paint, plaster, paintings, sculptures, and the "cues" that Twombly gave in his art about this special collection. Published in association with the Twombly Foundation and the Menil Collection
**A New York Times Editors Choice** "The most substantive biography of the artist to date...propulsive, positive and persuasive."—Holland Cotter, New York Times Book Review **PEN / Jacqueline Bograd Weld Award for Biography Finalist** **A Marfield Prize Finalist** Cy Twombly was a man obsessed with myth and history—including his own. Shuttling between stunning homes in Italy and the United States where he perfected his room-size canvases, he managed his public image carefully and rarely gave interviews. Upon first seeing Twombly’s remarkable paintings, writer Joshua Rivkin became obsessed himself with the mysterious artist, and began chasing every lead, big or small—anything that might illuminate those works, or who Twombly really was. Now, after unprecedented archival research and years of interviews, Rivkin has reconstructed Twombly’s life, from his time at the legendary Black Mountain College to his canonization in a 1994 MoMA retrospective; from his heady explorations of Rome in the 1950s with Robert Rauschenberg to the ongoing efforts to shape his legacy after his death. Including previously unpublished photographs, Chalk presents a more personal and searching type of biography than we’ve ever encountered, and brings to life a more complex Twombly than we’ve ever known.
Here, Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, W.G. Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, and sleep in their work.
"Cy Twombly's work realizes its most personal expression in his intimately sized drawings and paintings on paper. Finding inspiration as much in the forces of nature as in ancient epics and legend, and using the simplest of media - pencils, ballpoint pens, crayons, wall paint - he creates poetic and archaic worlds, usually in series and often as collages." "The eighty-four works in this retrospective, organized by the State Hermitage Museum, St. Petersburg, in 2003 to mark Twombly's seventy-fifth birthday, were collected from the artist's studio, and many have not been previously exhibited. Dating from between 1953 and 2002, the drawings embrace the entire career of one of the most important American artists alive today, from his early monotypes to the major mythological cycles of later years, revealing the many nuances of his aesthetic approach."--BOOK JACKET.
Focusing on the painting of the artists JMW Turner, Turner Monet Twombly, and Cy Twombly (1928-2011), this title highlights interests and themes they share, despite the differences in time and geography that separated them that include Romanticism, the sublime, memory and mourning.
Matthew Marks is pleased to announce his next exhibition will be Cy Twombly Photographs. The exhibition will consist of twenty-nine color photographs. This is the first time Twombly has exhibited work in this medium.Cy Twombly began experimenting with color photography in the early 1980s. About four years ago he started working with the master printers Michel and Jean-Francois Fresson at the Atelier Fresson in Savigny sur Orge, France. The Fresson technique is a unique photographic printing process carried on exclusively by the Fresson family since 1990. The photographs which result have an unusually rich surface and extraordinary, saturated colors over which the artist is able to maintain exceptional control. Fresson prints are the most permanent photographic color images made today.The subject matter of Twombly's photographs are flowers, trees and ancient Roman sculptures. The majority of the works in the exhibition have been put together by the artist into groups of five or six images. Theirs is similar to the way Twombly has presented his paintings and drawings in the past. While not as abstract as his work in other media, the photographs Twombly will show are close in feeling to his larger scale work and are important to an understanding of his subject matter and working methods.The last exhibition in New York consisting of entirely new work by Cy Twombly was held in 1982. -- Press Release (see link).