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In 1987, the Santiago de Compostela Declaration laid the foundations for the first Council of Europe Cultural Route, highlighting the importance of our rich, colourful and diverse European identities. Today, the Council of Europe Enlarged Partial Agreement (EPA) on Cultural Routes oversees 29 routes connecting culture and heritage across Europe. Cultural Routes are powerful tools for promoting and preserving these shared and diverse cultural identities. They are a model for grass-roots cultural co-operation, providing important lessons about identity and citizenship through a participative experience of culture. From the European Route of Megalithic Culture with its monuments built as long as 6 000 years ago, to the ATRIUM route of Architecture of Totalitarian Regimes, the routes contain elements of our past which help us to understand the present and to approach the future with confidence. The Cultural Routes also stimulate thematic cultural tourism in lesserknown parts of the continent, helping to develop economic and social stability in Europe. This first ever step-by-step guide to the design and management of Council of Europe Cultural Routes will be an essential reference for route managers, project developers, students and researchers in cultural tourism and related subjects. It addresses aspects ranging from the Council of Europe’s conventions to co-creation, fund-raising and governance, and it explores a Cultural Route model that has evolved into an exemplary system for sustainable, transnational co-operation and that has proved to be a successful road map for socio-economic development, cultural heritage promotion and intergenerational communication. The Council of Europe EPA on Cultural Routes is the result of our successful co-operation with the Luxembourg Ministry of Culture and the European Union. Increasingly, other organisations, such as the United Nations World Tourism Organization, are joining this project. This handbook was funded by the third European Commission/Council of Europe Joint Programme on Cultural Routes.
In 1987, the Santiago de Compostela Declaration laid the foundations for the first Council of Europe Cultural Route, highlighting the importance of our rich, colourful and diverse European identities. Today, the Council of Europe Enlarged Partial Agreement (EPA) on Cultural Routes oversees 29 routes connecting culture and heritage across Europe. Cultural Routes are powerful tools for promoting and preserving these shared and diverse cultural identities. They are a model for grass-roots cultural co-operation, providing important lessons about identity and citizenship through a participative experience of culture. From the European Route of Megalithic Culture with its monuments built as long as 6 000 years ago, to the ATRIUM route of Architecture of Totalitarian Regimes, the routes contain elements of our past which help us to understand the present and to approach the future with confidence. The Cultural Routes also stimulate thematic cultural tourism in lesserknown parts of the continent, helping to develop economic and social stability in Europe. This first ever step-by-step guide to the design and management of Council of Europe Cultural Routes will be an essential reference for route managers, project developers, students and researchers in cultural tourism and related subjects. It addresses aspects ranging from the Council of Europe’s conventions to co-creation, fund-raising and governance, and it explores a Cultural Route model that has evolved into an exemplary system for sustainable, transnational co-operation and that has proved to be a successful road map for socio-economic development, cultural heritage promotion and intergenerational communication. The Council of Europe EPA on Cultural Routes is the result of our successful co-operation with the Luxembourg Ministry of Culture and the European Union. Increasingly, other organisations, such as the United Nations World Tourism Organization, are joining this project. This handbook was funded by the third European Commission/Council of Europe Joint Programme on Cultural Routes.
In 1987, the Santiago de Compostela Declaration laid the foundations for the first Council of Europe Cultural Route, highlighting the importance of our rich, colourful and diverse European identities. Today, the Council of Europe Enlarged Partial Agreement (EPA) on Cultural Routes oversees 29 routes connecting culture and heritage across Europe. Cultural Routes are powerful tools for promoting and preserving these shared and diverse cultural identities. They are a model for grass-roots cultural co-operation, providing important lessons about identity and citizenship through a participative experience of culture. From the European Route of Megalithic Culture with its monuments built as long as 6 000 years ago, to the ATRIUM route of Architecture of Totalitarian Regimes, the routes contain elements of our past which help us to understand the present and to approach the future with confidence. The Cultural Routes also stimulate thematic cultural tourism in lesserknown parts of the continent, helping to develop economic and social stability in Europe. This first ever step-by-step guide to the design and management of Council of Europe Cultural Routes will be an essential reference for route managers, project developers, students and researchers in cultural tourism and related subjects. It addresses aspects ranging from the Council of Europe's conventions to co-creation, fund-raising and governance, and it explores a Cultural Route model that has evolved into an exemplary system for sustainable, transnational co-operation and that has proved to be a successful road map for socio-economic development, cultural heritage promotion and intergenerational communication. The Council of Europe EPA on Cultural Routes is the result of our successful co-operation with the Luxembourg Ministry of Culture and the European Union. Increasingly, other organisations, such as the United Nations World Tourism Organization, are joining this project. This handbook was funded by the third European Commission/Council of Europe Joint Programme on Cultural Routes.
En 1987, la Déclaration de Saint-Jacques-de-Compostelle a jeté les fondations du premier itinéraire culturel du Conseil de l’Europe, en soulignant l’importance de nos identités européennes riches, diverses et colorées. Aujourd’hui, l’Accord partiel élargi du Conseil de l’Europe sur les itinéraires culturels (APE) couvre 29 itinéraires qui réunissent la culture et le patrimoine à travers l’Europe. Les Itinéraires culturels sont autant d’outils puissants servant à promouvoir et à préserver ces identités culturelles partagées et diverses. Ce sont des modèles de coopération culturelle sur le terrain, et une source importante d’enseignement sur l’identité et la citoyenneté à travers une expérience participative de la culture. De La route européenne de la culture mégalithique et ses monuments construits il y a 6 000 ans, à l’itinéraire Atrium de l’architecture des régimes totalitaires, chaque itinéraire culturel renferme des éléments de notre passé qui aident à comprendre le présent et à envisager l’avenir en toute confiance. Les Itinéraires culturels sont également un moteur de tourisme culturel thématique dans les régions moins connues du continent, contribuant au développement économique et à la stabilité sociale en Europe. Ce tout premier guide à la conception et à la gestion des itinéraires culturels du Conseil de l’Europe constitue une référence essentielle pour les opérateurs d’itinéraires, les développeurs de projets, les étudiants et chercheurs en tourisme culturel et dans les domaines connexes. Le guide aborde de manière exhaustive les conventions pertinentes du Conseil de l’Europe, la cocréation, le financement et la gouvernance. Il explore tous les aspects d’un modèle d’Itinéraire culturel qui a évolué vers un système exemplaire de coopération transnationale durable ayant fait ses preuves en tant que feuille de route du développement socioéconomique, de promotion du patrimoine culturel et de communication intergénérationnelle. L’Accord partiel du Conseil de l’Europe sur les Itinéraires culturels est le fruit de notre coopération avec le ministère de la Culture du Grand-Duché de Luxembourg et l’Union européenne. De plus en plus, d’autres organisations, telles que l’Organisation mondiale du tourisme des Nations Unies, rejoignent le projet.
A key tool in creating a destination experience is the experience economy. This is even more true for cultural tourism experiences since culture's intrinsic values are inherently linked to experiences.The book Creating and Managing Experiences in Cultural Tourism aims to provide theoretical and practical background on the experience economy applied in sustainable cultural tourism. This entails a wide range of subjects addressing cultural heritage, creative industries and contemporary culture. Theoretical approaches to experience creation are presented to offer the 'rules' of designing the cultural tourism experiences. With inspirational and innovative examples, it provides an insight into the field of cultural tourism from prominent editors, authors and contributors in their respective fields.
Today, tourism is an important component of development, not only in economic terms but also for knowledge and human welfare. Tourism today is an activity accessible to a growing number of people. The phenomenon has many more advantages than disadvantages. New forms of economic development and increasing wealth of human societies depend on tourism. Our knowledge of the world now includes a strong component due to tourism. Human welfare has physiological and psychological elements, which tourism promotes, both because of the enjoyment of knowing new territories and increasing contacts with near or far away societies and cultures. The tourism industry has nevertheless given rise to some serious concerns, including social costs and ecological impacts. Many ancient local cultures have practically lost their identity. Their societies have orientated their economy only to this industry. Both the natural and cultural – rural or urban – landscapes have also paid a high price for certain forms of tourism. These problems will persist if the economic benefit is the only target, leading to economic gains that eventually become ruinous. It is also important to consider that visitors nowadays are increasingly demanding in cultural and environmental terms. Never before have transport and communication links been so important as today. Natural ecosystems are now a rarity on the planet and ecologists talk today about ‘socio-ecosystems’. Given this, tourism and environmental education are facing a major challenge. Tourism also plays an important role in the natural environmental changes that are strongly affected by technological and social developments. Natural changes are inherent in the Earth’s ecosystem (the ‘ecosphere’). Also, technological and social changes are inherent to mankind (the ‘noosphere’) and are now becoming widespread. Cities are growing rapidly and industry requires increasingly larger areas. Many traditional rural areas are being abandoned. However, many historic agricultural districts have maintained, or even recovered, their local population numbers through intelligent strategies of tourism focused on nature and rural culture. Natural landscapes and biodiversity are becoming increasingly appreciated. The tourism industry must be able to respond to these aspirations. The 9th International Conference on Sustainable Tourism had the aim of finding ways to protect the natural and cultural landscape through the development of new solutions which minimise the adverse effects of tourism. A selection of the papers presented at the meeting form this volume.
The process of globalization based on major forms of entertainment consumption has promoted the interest of enlarged social actors toward cultural experiencing. Disseminated by social media, new forms of information and knowledge about exotic tourism destinations have endorsed an increasing interest in forms of cultural tourism. This cultural tourism turnout results from a significant change in the traveler’s demands and behaviors and has led to a new and renovated interest in cultural heritage that must be studied further. The Handbook of Research on Cultural Tourism and Sustainability explores theoretical concepts related to cultural tourism and cultural routes and provides original viewpoints and empirical research with case studies and best practices for the future of cultural tourism. Covering a range of topics such as creative tourism and sustainable tourism, this major reference work is ideal for academicians, practitioners, professionals, policymakers, government officials, instructors, and students.
Advancing Heritage Jnnovaıions in lndia" explores !he intersection of heriıage preservation and urban innovation withiıı the Indian coııtext. This insigbtful volume brings together diverse perspectives and case studies, h.igbJightiog lıow traditi.onal practices can coexist with cootemporary urban oeeds. Tbrougb detaile-d aııalyses, the book delves into the dyııaınic relationship between urban development aııd cultural identity, offering innovative approaches to urban resilience and cult:ural conservaıion. It serves as a vital resource for scholars, practitioııers, and policymakers involved in heritage manageınent and urban development. The book is divided into two conıprehensive sections. PART J: Urbaıı lııııovations aud Resilience exaoıines historical and conternporary notions of urbaoization, tlıe role of blue-green infrastructure in clinıate resiJience, and tlıe architectural rehabil.itation of urban voids. PART il: Cultural Heritage and Conservation addresses the complexities of heritage managemenı, the regulatory frameworks surrOltnding protected monuments, ıhe visual aııd spatial significance of teınple cities, and sustainable heritage practices through circular ecoııoıny models. This sectioo also explores techııological advancenıenıs in heritage preservation and the spatial maııifestation of religious pathways. Collectively, tlıese contributioııs aim to inspire further researcb and action towards creatiııg sustainable, resilient, aod culturally eoriched urban environments in lndia and beyond.