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The author of "Crowns" returns with an unforgettable collection of narratives, quotes, and photographs from the most sacred of spacesQthe black barber shop.
Reveals how the new technologies of mass culture--the phonograph, radio, and film--played a key role in accelerating the diffusion of jazz as a modernist art form across the nation's racial divide. Focuses on four cities--New Orleans, New York, Chicago, and Los Angeles--to show how each city produced a distinctive style of jazz.
This volume investigates the cut-up as a contemporary mode of creativity and important global model of cultural production. The term cut-up thereby serves as an open container for a long list of terms and actions that describe the combination and reassembly of existing motifs, fragments, images and ideas from diverse and disconnected origins into newly synthesized entities. Refusing any disciplinary coherence, this book assembles texts from multifarious eras and origins. At the same time, the contributors share an urgency to question the dichotomy of original creation and derivative appropriation. In this way, the book itself is a cut-up of previously published essays and articles that in their proximity allow for multiple readings to arise. It aims to translate the topic into a wider societal discourse to serve as both a source of inspiration and a platform for critical reflection. Contributors Thom Bettridge, Marcus Boon, Nicolas Bourriaud, Lars Eckstein, Rachel Falconer, Lukas Feireiss, Joerg Koch, Jonathan Lethem, Lucas Mascatello, Paul D. Miller, Eduardo Navas, Tamar Shafrir, Robert Shore, Stacey Waite, and Jan Verwoert Copublished with Sandberg Instituut, Amsterdam
The emergence of jazz out of New Orleans is part of the American story, but the creation of this music was more than a regional phenomenon: it also crossed geographical, cultural, and technological lines. Court Carney takes a new look at the spread and acceptance of jazz in America, going beyond the familiar accounts of music historians and documentarians to show how jazz paralleled and propelled the broader changes taking place in America's economy, society, politics, and culture. Cuttin' Up takes readers back to the 1920s and early 1930s to describe how jazz musicians navigated the rocky racial terrain of the music business-and how new media like the phonograph, radio, and film accelerated its diffusion and contributed to variations in its styles. The first history of jazz to emphasize the connections between these disseminating technologies and specific locales, it describes the distinctive styles that developed in four cities and tells how the opportunities of each influenced both musicians' choices and the marketing of their music. Carney begins his journey in New Orleans, where pioneers like Jelly Roll Morton and Buddy Bolden set the tone for the new music, then takes readers up the river to Chicago, where Joe Oliver's Creole Jazz Band, featuring a young Louis Armstrong, first put jazz on record. The genre received a major boost in New York through radio's live broadcasts from venues like the Cotton Club, then came to a national audience when Los Angeles put it in the movies, starting with the appearance of Duke Ellington's orchestra in Check and Double Check. As Carney shows, the journey of jazz had its racial component as well, ranging from New Orleans' melting pot to Chicago's segregated music culture, from Harlem clubs catering to white clienteles to Hollywood's reinforcement of stereotypes. And by pinpointing specific cultural turns in the process of bringing jazz to a national audience, he shows how jazz opens a window on the creation of a modernist spirit in America. A 1930 tune called "Cuttin' Up" captured the freewheeling spirit of this new music-an expression that also reflects the impact jazz and its diffusion had on the nation as it crossed geographic and social boundaries and integrated an array of styles into an exciting new hybrid. Deftly blending music history, urban history, and race studies, Cuttin' Up recaptures the essence of jazz in its earliest days.
The appeal of paper cutting is that anyone can do it, the equipment is readily available, and the results are stunning. This totally fun and interactive book features inspirational ideas for crafters of all skill levels. In an easy-to-follow, fully illustrated format, Cut Up This Book! shows readers how to create exquisite works of art. It provides all essential information from basic techniques to creative step-by-step projects. The package includes fifty one-of-a-kind, ready-to-cut papercraft projects designed by artist Emily Hogarth. Filled with ideas such as card-making and transposing images onto fabric, readers will make crafts that have a variety of practical applications in everyday life. Illuminating text offers profiles of contemporary artists and detail on papercutting forms throughout the world, basic tools, materials, and techniques. Projects include: • Greeting cards • Bird Mobiles • Tree ornaments • Window displays • Shadow puppets And much more!
Cut-Up Couture is a cutting-edge design book that teaches how to use the copious fabric in men's clothing items to make 34 innovative garments and accessories. The simple sewing techniques showcase how to turn men's shirts, t-shirts, and sweatshirts into beautiful dresses, ruffled blouses, draping tops, and gorgeous jackets for women. You'll learn how to cut, re-sew, and re-shape clothing into cherished garments that resemble trendy, urban boutique findings with lessons in creative "upcycling" and stylish yet simple sewing. Plus, several of the garments in Cut-Up Couture are reversible or can be worn in several ways, such as a dolman-style top that transforms into a skirt, or a skirt/cape variation. Explore a wealth of innovative advice and inspiration for making each project inexpensive, and still very chic. The stylish projects featured are for beginner and advanced sewists or for those simply interested in fashion design.
Backed by the latest cutting-edge nutrition science, and featuring celebrity fitness ​instructor Obi Obadike​'s trademark fat-burning exercise program, The Cut is designed to help readers drop pounds quickly—up to 10 pounds in 10 days and 40 pounds in 12 weeks—without stalling on the scale! Transform Your Body in Just 12 Weeks! Hollywood leading man Morris Chestnut may be known for his washboard abs and ripped arms, but not too long ago he was in the worst shape of his life: 30 pounds overweight, avoiding the gym, and frequenting drive-through. Morris turned to celebrity fitness and nutrition expert Obi Obadike to help get back in shape—and the results were astounding. Morris went from 220 pounds to 187 pounds in just 12 weeks, and audiences haven't stopped raving about his new look since. Now Morris and Obi are joining forces to share their life-changing program with fans nationwide. Featuring Morris's personal diet and exercise plan, plus dozens of success stories from everyday people who've lost weight and kept it off, The Cut will help readers reclaim their health and discover the lean and toned body they've always wanted. Join the revolution and get ready to get cut!
Introducing techniques for making pop-ups from one sheet of card, the third title in this series on paper engineering takes folding techniques into the third dimension. Each chapter introduces a new technical idea and shows how that technique can be adapted in many different ways, or combined with techniques from earlier chapters. These 3-D techniques can be incorporated into any design where typography and/or illustration are used, including mail-shots, personal publicity, invitations, business cards and greetings cards. With their emphasis on surface design over complex cutting, the pop-ups have an instant appeal for designers. Following the elegant, easy-to-follow style of Paul Jackson’s other titles for Laurence King, Cut and Fold Techniques for Pop-Up Designs is an essential resource for marketing professionals and design students.
Shift Linguals traces a history of the cut-up method, the experimental writing practice discovered by Brion Gysin and made famous by Beat author William S. Burroughs. From the groundbreaking works of Dada and Surrealism that paved the way for Burroughs’ breakthrough, through the countercultural explosion of the 1960s, Shift Linguals explores the evolution of the cut-ups within the theoretical frameworks of postmodernism and the avant-garde to arrive at the present and the digital age. Some 50 years on from the first ‘discovery’ of the cut-ups in 1959, it is only now that we are truly able to observe the method’s impact, not only on literature, but on music and culture in a broader sense. The result of over nine years of research, this study represents the first sustained and detailed analysis of the cut-ups as a narrative form. With explorations of the works of Burroughs, Gysin, Kathy Acker, and John Giorno, it also contains the first critical writing on the works of Claude Pélieu and Carl Weissner in English, as well as the first in-depth discussion of the writing of Stewart Home to date.