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The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Postmodern Pirates offers a comprehensive analysis of Disney’s Pirates of the Caribbean series and the pirate motif through the lens of postmodern theories. Susanne Zhanial shows how the postmodern elements determine the movies’ aesthetics, narratives, and character portrayals, but also places the movies within Hollywood’s contemporary blockbuster machinery. The book then offers a diachronic analysis of the pirate motif in British literature and Hollywood movies. It aims to explain our ongoing fascination with the maritime outlaw, focuses on how a text’s cultural background influences the pirate’s portrayal, and pays special attention to the aspect of gender. Through the intertextual references in Pirates of the Caribbean, the motif’s development is always tied to Disney’s postmodern movie series.
A longtime industry insider and acclaimed Hollywood historian goes behind the scenes to tell the stories of 15 of the most spectacular movie megaflops of the past 50 years, such as Cleopatra, The Cotton Club, and Waterworld. He recounts, in every gory detail, how enormous hubris, unbridled ambition, artistic hauteur, and bad business sense on the parts of Tinsel Town wheeler-dealers and superstars such as Elizabeth Taylor, Clint Eastwood, and Francis Ford Coppola, conspired to engender some of the worst films ever.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The A-Z includes: 250 key action movies rated and reviewed with detailed credit lists and behind-the-scenes information; a no-holds-barred guide to the greatest one-liners, comebacks and monologues in action movie history; top tens, a tough-as-nails trivia quiz and more.
"No CGI can match what Vic can accomplish" - Steven Spielberg "Vic is The Man" - Pierce Brosnan "Vic Armstrong is, of course, a legend" - Martin Scorsese "This is the best and most original behind-the-scenes book I have read in years, gripping and revealing. Vic Armstrong is modest, humorous and wry - altogether brilliant company." - Roger Lewis, Daily Mail "[A] page-turner... I couldn't put it down! I had a great time reading this book and give it my highest recommendation." - Leonard Maltin "[Vic has] been this unheralded savior of movie magic for decades, and hearing how he makes the incredible credible is a must for any film fan." - Hollywood.com "Armstrong's a fascinating guy and a straight shooter. His book is fantastic." - Ain't It Cool News "The man is a legend in the industry... [A] mind-blowing, must-read biography." - Movies.com "The movie memoir of the year!" - SciFi Mafia "[Vic] talks to you like he’s your cool uncle, or the uncle you wished you had, really down to earth, but at the same time you can tell he’s got a twinkle in his eye as he’s talking..." - Geek Six “A hell of a read.” – Film School Rejects "The key to an entertaining autobiography is a combination of good stories to tell and a distinctive life; Armstrong has them both." - Library Journal "Armstrong has done it all." - Empire "A spills’n’thrills ride through a fast-forward life in pictures." - The Times "Armstrong takes us on the spectacular journey of his life that left me wondering who would be brave enough to play him in a movie. What a legacy! What a life! What a book!" - Geeks of Doom -- Think you don’t know Vic Armstrong? Wrong! You’ve seen his work in countless films... He’s been a stunt double for James Bond, Indiana Jones and Superman, and he’s directed action scenes for three Bond movies, Mission Impossible 3, Thor, and the upcoming The Amazing Spider-Man to name but a few. Counting Harrison Ford, Steven Spielberg and Arnold Schwarzenegger among his friends, and officially credited in the Guinness Book of World Records as the World's Most Prolific Stuntman, Vic’s got a lot of amazing stories to tell, and they’re all here in this - the movie memoir of the year!