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A TOP 10 RAINBOW LIST BOOK William C. Morris YA Debut Award nominee Carrie Mesrobian delivers a “raw, sympathetic coming-of-age story [that] uncovers the messy, painful, yet vitally important process of self-discovery” (Booklist, starred review) when a high school senior comes to terms with his attraction to both his girlfriend and his male best friend. It took Will Caynes seventeen years to have his first kiss. He should be ecstatic…except that it was with his best friend, Angus, while they were both drunk and stoned. Will’s not gay, but he did sort of enjoy whatever it was he felt with Angus. Unsettled by his growing interest in Angus, Will avoids his friend and even starts dating a sophomore, Brandy. When he’s hooking up with her, he’s totally into it, so he must be straight, right? Then why does he secretly keep going back to Angus? Confusing as Will’s feelings are, they’re a welcome distraction from his complicated home life. His father has started drinking earlier each day when he should be working on never-ending house renovations. And his mom—divorced and living in a McMansion with her new husband—isn’t much help, unless she’s buying Will a bunch of stuff he doesn’t need. Between the two of them, neither feels like much of a parent—which leaves Will on his own in figuring things out with his girlfriend and best friend. He loves them both, but deciding who to be with will ultimately hurt someone. Himself, probably the most.
"A collection of ten short stories that all take place in the same day about kids walking home from school"--
'Funny and heart-warming ... Brathwaite tackles big themes with a deft touch' Stylist 'A sharp look at the realities of growing up Black in Britain ... warm and insightful' Observer 'You don't want to put it down until you've read it cover to cover' Independent 'Tackles big issues with humour and heart' i newspaper Love is never just black and white... A sharp and authentic love story about 16-year-old Cynthia, who finds herself caught between two brothers: one who is Black and the other who is white. Tackling the complexities of growing up Black and British, Cuts Both Ways is the first fiction title from the Sunday Times best-selling Candice Brathwaite, author of I Am Not Your Baby Mother. London is everything to Cynthia, so when her parents move her to a place where there is only one bus an hour and the faint smell of horse manure continuously permeates the air, it's a culture shock, to say the least. As is transitioning to a private school. At her new school, Cynthia immediately finds herself caught between two brothers - head boy Thomas, who is white, and his adopted Black brother, Isaac. There is something about Isaac she cannot quite get enough of ... but her father wants her to partner up with someone like Thomas, someone who will be 'better for her future prospects'. When it turns out the brothers have been keeping secrets from her, secrets that link back to the life Cynthia thought she had left behind in London, she realises that not everything is as it seems. How can Cynthia follow her heart when it's being torn in two? An exploration of race, class, love and the complexities of growing up as a Black British teen, from bestselling author Candice Brathwaite.
“A path-breaking must-read for government leaders, strategists, and all concerned Americans.”—General Wesley K. Clark In Preemption one of our nation’s foremost legal scholars puts forward a controversial new theory on crime and punishment in the postmodern world. Using the American government’s 2003 invasion of Iraq as a starting point, Alan M. Dershowitz tracks our society’s increasing reliance on preemptive action. In Preemption, which Judge Richard Posner of the U.S. Court of Appeals calls “lucid, sober, courageous, and historically informed,” Dershowitz has brought together all of his diverse and considerable talents and experiences to confront the idea of preemptive action as it applies to some of our most urgent political and moral dilemmas.
Підручник призначений для тренування та контролю знань з практики усного та писемного англійського мовлення студентів старших курсів філологічних факультетів педагогічних та мовних вищих навчальних закладів III—IV рівнів акредитації. У підручнику містяться коротки анотації щодо лексичних особливостей вживання найбільш поширених фразових дієслів та синонімів сучасної англійської мови, які супроводжуються низкою вправ і тестів для закріплення вивченого матеріалу. У підручнику реалізовано комплексний підхід до пояснення словникових та контекстуальних значень синонімів, систематизовано найновіші граматичні сполучення фразових дієслів, використано інноваційні практики засвоєння мовного матеріалу. Методика викладу матеріалу, запропоновані вправи та тести відповідають вимогам, що передбачені програмою вивчення іноземної мови на рівнях Upper-Intermediate та Advanced (бакалавр та магістр). Подаються також індивідуальні навчально-дослідні та практичні завдання, спрямовані на формування вмінь у студентів моделювати та відтворювати різні комунікативні ситуації. Адресований студентам-філологам, корисним буде вчителям англійської мови, учням старших класів, усім, хто прагне оволодіти сучасною англійською мовою.
Identifies the benefits and consequences of the nation's paradigm shift toward more preventive and proactive approaches to conflict, arguing that the seeds of such a shift were planted prior to the events of September 11.
A guide for parents whose adult children have cut off contact that reveals the hidden logic of estrangement, explores its cultural causes, and offers practical advice for parents trying to reestablish contact with their adult children. “Finally, here’s a hopeful, comprehensive, and compassionate guide to navigating one of the most painful experiences for parents and their adult children alike.”—Lori Gottlieb, psychotherapist and New York Times bestselling author of Maybe You Should Talk to Someone Labeled a silent epidemic by a growing number of therapists and researchers, estrangement is one of the most disorienting and painful experiences of a parent's life. Popular opinion typically tells a one-sided story of parents who got what they deserved or overly entitled adult children who wrongly blame their parents. However, the reasons for estrangement are far more complex and varied. As a result of rising rates of individualism, an increasing cultural emphasis on happiness, growing economic insecurity, and a historically recent perception that parents are obstacles to personal growth, many parents find themselves forever shut out of the lives of their adult children and grandchildren. As a trusted psychologist whose own daughter cut off contact for several years and eventually reconciled, Dr. Joshua Coleman is uniquely qualified to guide parents in navigating these fraught interactions. He helps to alleviate the ongoing feelings of shame, hurt, guilt, and sorrow that commonly attend these dynamics. By placing estrangement into a cultural context, Dr. Coleman helps parents better understand the mindset of their adult children and teaches them how to implement the strategies for reconciliation and healing that he has seen work in his forty years of practice. Rules of Estrangement gives parents the language and the emotional tools to engage in meaningful conversation with their child, the framework to cultivate a healthy relationship moving forward, and the ability to move on if reconciliation is no longer possible. While estrangement is a complex and tender topic, Dr. Coleman's insightful approach is based on empathy and understanding for both the parent and the adult child.
Documenting the Documentary features essays by 27 film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation-but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we increasingly perceive and comprehend the world through visual media, understanding the textual strategies by which individual documentaries are organized has become critically important. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balance between theory and criticism, abstract conceptualization and concrete analysis.
Some know Oklahoma's Black towns as historic communities that thrived during the Jim Crow era—this is only part of the story. In this book, Karla Slocum shows that the appeal of these towns is more than their past. Drawing on interviews and observations of town life spanning several years, Slocum reveals that people from diverse backgrounds are still attracted to the communities because of the towns' remarkable history as well as their racial identity and rurality. But that attraction cuts both ways. Tourists visit to see living examples of Black success in America, while informal predatory lenders flock to exploit the rural Black economies. In Black towns, there are developers, return migrants, rodeo spectators, and gentrifiers, too. Giving us a complex window into Black town and rural life, Slocum ultimately makes the case that these communities are places for affirming, building, and dreaming of Black community success even as they contend with the sometimes marginality of Black and rural America.