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"In this detailed narrative of the business Tuthill founded, the patterns he created, the techniques he used, and the other artisans and consumers he knew, Maurice Crofford has written the story of an earlier, more elegant and leisurely era. For those knowledgeable about cut glass, the development of the forms will be instructive; for others, who simply appreciate the beauty of the glass, the numerous black and white photographs will appeal. Beyond both of those dimensions, however, Crofford provides a fascinating insight into the ways industrialization and mass production and, more especially, the automobile, changed forever the ways upper-class Americans lived, entertained, and displayed their good fortune. In Tuthill's career, moreover, Crofford finds an example of American ingenuity and creative genius in responding to changing times."--BOOK JACKET.
Superb, edited reproduction of rare original sales catalog from the workshop of one of America's premier glassmakers. Excellent photographs of exquisitely etched stemware, vases, pitchers, decanters, steins, etc. Price lists, biography of Locke, more. Invaluable aid for identifying, authenticating collectible Locke glass.
This book illustrates and discusses 300 prime objects displayed in the 1970 exhibition of American decorative arts displayed during the Centennial exhibition at the Metropolitan Museum of Art in 1970. Presented as a series of lavish room settings and galleries, the exhibit included pieces in the 19th century’s principal styles of furniture and decorative arts--Federal, Empire, Gothic, rococo, Renaissance, art nouveau, and reform. Objects featured in this book include various pieces of furniture, silver, glass, ceramics, and metalwork from the Museum’s American wing.
Art Glass Nouveau is an exploration of the magnificent beauty of colored glass art. This art book contains many unique pieces that were produced extensively in the United States, Great Britain, and other European countries during the late 19th and early 20th centuries, when this fine art was at its height. All of the illustrations are in full color. The book contains 424 plates, 50 of which are full page. The complete description of each piece indicates its size, the type of glass used, its identification marks, the names of the designer and/or producer, when known, and its present owner. While every significant type of art glass produced during this period is covered in the succinct text, the exciting galaxy of 424 plates, interspersed throughout the book, were selected not only because of their rare beauty and authenticity, but also to show representative pieces, similar to those that are still obtainable. Most important of all in identifying a piece and determining its value, according to the authors, are its color, its shape, and the texture of its surface, to which they constantly give particular attention.
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.