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Massacres, mayhem, and mischief fill the pages of Outlaw Tales of Wyoming 2, with compelling legends of the Cowboy State's most despicable desperadoes. Ride with horse thieves and cattle rustlers, duck the bullets of murderers, plot strategies with con artists, and hiss at lawmen turned outlaws.
Massacres, mayhem, and mischief fill the pages of Outlaw Tales of Wyoming 2, with compelling legends of the Cowboy State's most despicable desperadoes. Ride with horse thieves and cattle rustlers, duck the bullets of murderers, plot strategies with con artists, and hiss at lawmen turned outlaws.
Frontier Justice highlights eighteen crimes and subsequent punishments of the most interesting, controversial, and unusual executions from an era when hangings and shootings were a legal means of capital punishment. Chapters include: the bungled hanging of Tom Ketchum who was beheaded by the noose; the unique trigger for the trapdoor used to hang Tom Horn; "Big Nose" George Parrott who was skinned, pickled, and made into a pair of shoes; the double trials of Jack McCall, assassin of Wild Bill Hickok; the hanging of a woman-Elizabeth Potts; the shooting of John D. Lee of Mountain Meadows Massacre infamy; and the only use of a double "twitch-up" gallows; etc. Each action-packed chapter includes biographical information, the pursuit, the investigation, legal maneuvers, trial information, and rarely-seen photographs.
Beginning with the 1760s, when lynching and vigilantism came into existence in what is now the United States, this bibliography fills a void in the history of American collective violence. It covers over 4,200 works dealing with vigilante movements and lynchings, including books, articles, government documents, and unpublished theses and dissertations. Following a chapter listing general works, the book is arranged into four chronological chapters, a chapter on the frontier West, a chapter on anti-lynching, and chapters on literature and art. The book opens with a chapter devoted to general works. It then includes chapters on the period from the Colonial era to the Civil War, the Civil War through 1881, and the periods from 1882 to 1916 and 1917 to 1996. The work then turns to the frontier West and to anti-lynching bills, laws, organizations, and leaders. Finally, the book includes chapters on vigilantism in literature and art.
In the 1870s, Deadwood was a thriving—and largely lawless—boomtown. And as any fan of western history and films knows, stagecoach robberies were a regular feature of life in this fabled region of Dakota Territory. Now, for the first time, Robert K. DeArment tells the story of the "good guys and bad guys" behind these violent crimes: the road agents who wreaked havoc on Deadwood's roadways and the shotgun messengers who battled to protect stagecoach passengers and their valuable cargo. DeArment shows in dramatic detail how for two years gangs of robbers ruled the road, perpetrating holdups and killings, until lawmen and stage-company and railroad agents finally brought an end to the mayhem. The characters populating this violent tale include such legendary figures as Wild Bill Hickok and the famous railroad detective James L. "Whispering" Smith, a formidable opponent of bandits. We also get to know the men who operated the stages, the lawmen and company men who ran and defended the coaches, and the outlaws who fought against them. DeArment tells where these men came from and what became of them after the outlawry ended. He ends his account in the 1880s with Buffalo Bill's Wild West show and its spectacular rendition of a shotgun robbery, featuring an actual Deadwood stagecoach. After nearly a century and a half, the Deadwood stage continues to command our attention.
Pulitzer Prize-winning author John McPhee continues his Annals of the Former World series about the geology of North America along the fortieth parallel with Rising from the Plains. This third volume presents another exciting geological excursion with an engaging account of life—past and present—in the high plains of Wyoming. Sometimes it is said of geologists that they reflect in their professional styles the sort of country in which they grew up. Nowhere could that be more true than in the life of a geologist born in the center of Wyoming and raised on an isolated ranch. This is the story of that ranch, soon after the turn of the twentieth century, and of David Love, the geologist who grew up there, at home with the composition of the high country in the way that someone growing up in a coastal harbor would be at home with the vagaries of the sea.
The lives of two different couples--wealthy Los Angeles liberals Delaney and Kyra Mossbacher, and Candido and America Rincon, a pair of Mexican illegals--suddenly collide, in a story that unfolds from the shifting viewpoints of the various characters.
The daughter of Irish immigrants and the son of an African slave forge their own destiny in Boston, in this compelling sequel to Shanty Gold. Boston, 1870. Nellie’s mom and Neo’s father met on a coffin ship sailing from Ireland to America, a journey they barely survived. Having heard this tale since childhood, the two teenagers now crave an adventure of their own. When an unfounded rumor gets Nellie suspended from school and puts her future in jeopardy, the lifelong friends flee to New York City to join a circus. And though their escapade is short-lived, it teaches both of them about courage, kindness, and acceptance. Rising above her scandalous background, Nellie inches toward her dream of becoming a teacher, while Neo battles against prejudice and hatred to marry the woman he loves. As they struggle with the hopes and expectations laid upon them by their parents, they’ll navigate through tragedy and betrayal on a journey towards their hearts’ true desires. Praise for Shanty Gold “Charters interweaves many important topics—immigration, civil rights, women’s rights—into her exciting novel . . . Gripping.” —Kirkus Reviews “The story of a young Irish girl’s struggles told with an authentic, historically accurate voice.” —Sallie Bissell, author of the Mary Crow series “To read Shanty Gold is to immerse oneself in a wild ride of discovery, romance, and the search for a new way of life. . . . A tale that will grab your heart and senses, with twists and turns along the way.” —Susan Blexrud, author of the Fang series