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Son of the famous Thomas Mann, homosexual, drug-addicted, and forced to flee from his fatherland, the gifted writer Klaus Mann’s comparatively short life was as artistically productive as it was devastatingly dislocated. Best-known today as the author of Mephisto, the literary enfant terrible of the Weimar era produced seven novels, a dozen plays, four biographies, and three autobiographies—among them the first works in Germany to tackle gay issues—amidst a prodigious artistic output. He was among the first to take up his pen against the Nazis, as a reward for which he was blacklisted and denounced as a dangerous half-Jew, his books burnt in public squares around Germany, and his citizenship revoked. Having served with the U.S. military in Italy, he was nevertheless undone by anti-Communist fanatics in Cold War-era America and Germany, dying in France (though not, as all other books contend, by his own hand) at age forty-two. Powerful, revealing, and compulsively readable, this first English-language biography of Klaus Mann charts the effects of reactionary politics on art and literature and tells the moving story of a supreme talent destroyed by personal circumstance and the seismic events of the twentieth century.
On the heels of his widely acclaimed debut novel Cursed Plantation, D. E. Grant strikes again with the highly anticipated second installment of his Dark Succubus trilogy. In Cursed Legacy, the reader is taken for a journey filled with twists, turns, and more than a few skeletons. Follow along with New Orleans homicide detective Terry Hawkins as he is called to a prestigious hotel, the scene of a particularly grisly murder of a young adult male. The detective’s probe leads Terry to not only an affluent family but also several similarly brutal deaths. Armed with only a strange picture of an alluring woman and a word from an ancient language, Terry’s digging will take him from the present day to uncovering secrets best left hidden in the past.
Fate Always Finds a Way... No matter where I go, the tattered red threads of the Moirai follow me. If they have their way, it’s only a matter of time and I'll be joining the early grave of so many Blackwoods before me. What’s worse, the curse is expanding and threatening to take more lives. Expelled from his birthright for loving me, Wade is now a completely mortal, and vulnerable human. If he dies, there’s no coming back as an angel because not even a necromancer can save him when fate and death conspire. I need to put an end to this, but how do I do it when everything about who I am and whom I'm becoming is built on a lie? One that's torn my family apart at its seams for centuries. And now, this burden my family has carried—this curse—has become my birthright. *PLEASE BE ADVISED: This is a YA+ academy / witches series. It’s labeled YA(+) for stronger language and some mature situations. As the heroine ages and grows, so does the content of the stories.* Fans of KF Breene, Shannon Mayer, and Kel Carpenter will love this supernatural page-turner. Scroll up to one-click and start reading the final installment now! REVIEWS FROM ADVANCE READERS FOR THE WINDHAVEN WITCHES ★★★★★ “Secret Legacy kept me spellbound from page one to the very last word! The tension and relationships are beautifully written and will keep readers coming back for more. I got chills up my spine more than once. I can't wait to see what happens next.” ~JJ King, USAT Bestselling Author ★★★★★ “A whimsical tale that will transport you from the first page.” ~ Carlyle Labuschagne, USAT Bestselling Author ★★★★★ I cannot stop reading. This book is keeping me on the edge. ~Nikki M. ★★★★★ What an addicting read! You never know what’s going to happen next! ~Jenny B. ★★★★☆ I was at the edge of my seat and burning with curiosity right from the beginning of the book. ~Elizabeth E. Books in the Windhaven Witches Series: Secret Legacy Soul Legacy Haunted Legacy
My family is dead and gone. But they left their grimoire behind. Now it's my job to free the powerful magical beings trapped in the pages. I might just find a whole new family…if they don't kill me first. I was just a kid when my family was executed for starting a magical war, forcing me to live my life in the human world, far away from the judgment and scorn of the magical world—and far away from the weirdos who want me to tell them all my dangerous Lovell family secrets. But when a cursed grimoire containing enslaved magical beings falls into my lap, I can't continue to avoid my family's craptastic legacy of pain and suffering. Now, thanks to the nagging of an annoyingly moral ghost, I'm off to free the powerful (and pissed-off) creatures in the bestiary. I'm nothing like my horrible family. But my newfound attraction to dangerous magical beings who could murder me without a thought… yeah, that might indicate otherwise. Author's Note This story is part of my serial, The Bestiary, on Kindle Vella. It is part of an ongoing series, and I will continue to release new books as the story progresses. A Cursed Legacy is 141,000 words long. The major plot arc is resolved, however since this is a series, a new complication is introduced at the end of the book, so expect a little twist/cliffy. If you are interested in reading book 2 as I write it, you can find it on Vella. Season 2/Book 2 starts on episode 43. You can also read along on my Patreon page. Content Warnings *poly romance, contains MF, MM, FF, NB/intersex romantic interactions, as well as multiples *swearing and explicit sexual content *some characters have suffered trauma in their past, most of which is off page/mentioned in passing *there is one scene where a character with PTSD loses control during a BDSM session. The MC is not actually harmed, but this may be triggering to some readers *stupid humor and a sarcastic main character who is just done with the world's bullshit, but also has a moral compass no matter how much she wants to wish otherwise
Living an ordinary life, one day Suan comes to know that his life has got much more significance than he had ever imagined. He is meant to be a 'savior' of a kingdom known as Zemer. He will have to save Zemer from a repeating curse which its legacy holds. Will he be able to save the kingdom? Is there any way to break it or it is absolute?
To Kill the King sketches post-traditional consciousness in terms of three rejuvenating concepts - thinking as play, justice as seeking, and practice as art. In a series of critical essays on each of these concepts, the book describes a post-traditional consciousness of governance that can yield enormous improvement in the quality of life for each individual. To Kill the King will appeal to any professor (whether in the post-modern camp or not) who wants to expose students to fresh challenges and insights.
The Encyclopaedia of Australian Metal presents pictures, biographies and discographical information on more than 2000 metal and heavy rock bands from all parts of Australia - from the early 70s pioneers like AC/DC, Buffalo and Rose Tattoo to the current breed: Psycroptic, Parkway Drive, Ne Obliviscaris and more.
The first major biography in more than twenty years of one of America’s greatest writers, based on newly available letters and journals V. S. Pritchett called her “a genius.” Gore Vidal described her as a “beloved novelist of singular brilliance . . . Of all the Southern writers, she is the most apt to endure . . .” And Tennessee Williams said, “The only real writer the South ever turned out, was Carson.” She was born Lula Carson Smith in Columbus, Georgia. Her dream was to become a concert pianist, though she’d been writing since she was sixteen and the influence of music was evident throughout her work. As a child, she said she’d been “born a man.” At twenty, she married Reeves McCullers, a fellow southerner, ex-soldier, and aspiring writer (“He was the best-looking man I had ever seen”). They had a fraught, tumultuous marriage lasting twelve years and ending with his suicide in 1953. Reeves was devoted to her and to her writing, and he envied her talent; she yearned for attention, mostly from women who admired her but rebuffed her sexually. Her first novel—The Heart Is a Lonely Hunter—was published in 1940, when she was twenty-three, and overnight, Carson McCullers became the most widely talked about writer of the time. While McCullers’s literary stature continues to endure, her private life has remained enigmatic and largely unexamined. Now, with unprecedented access to the cache of materials that has surfaced in the past decade, Mary Dearborn gives us the first full picture of this brilliant, complex artist who was decades ahead of her time, a writer who understood—and captured—the heart and longing of the outcast.