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A stolen gem with a tragic history, a curse and a million dollar ransom is McKenzie's latest case.
"Local editors Schaper and Horwitz have assembled a noteworthy collection of noir-infused stories mixed with laughter...The Akashic noir short-story anthologies are avidly sought and make ideal samplers for regional mystery collecting." --Library Journal "Crime fans who missed the first round will find this expanded version worthwhile." --Publishers Weekly "The best pieces in the collection turn the clich s of the genre on their head . . . and despite the unseemly subject matter, the stories are often surprisingly funny." --City Pages (Minneapolis) "If you've never read an Akashic Noir book, Twin Cities Noir is a fine place to start." --San Francisco Book Review/Sacramento Book Review "A fun...read...particularly ripe for picking by locals who'll delight in recognizing their stomping grounds in the stories, but with enough unexpected turns to make it worthwhile for those outside the Midwest, too." --KnightsArts Brand-new stories from John Jodzio, Tom Kaczynski, and Peter Schilling, Jr., in addition to the original volume's stories by David Housewright, Steve Thayer, Judith Guest, Mary Logue, Bruce Rubenstein, K.J. Erickson, William Kent Krueger, Ellen Hart, Brad Zellar, Mary Sharratt, Pete Hautman, Larry Millett, Quinton Skinner, Gary Bush, and Chris Everheart. "St. Paul was originally called Pig's Eye's Landing and was named after Pig's Eye Parrant--trapper, moonshiner, and proprietor of the most popular drinking establishment on the Mississippi. Traders, river rats, missionaries, soldiers, land speculators, fur trappers, and Indian agents congregated in his establishment and made their deals. When Minnesota became a territory in 1849, the town leaders, realizing that a place called Pig's Eye might not inspire civic confidence, changed the name to St. Paul, after the largest church in the city . . . Across the river, Minneapolis has its own sordid story. By the turn of the twentieth century it was considered one of the most crooked cities in the nation. Mayor Albert Alonzo Ames, with the assistance of the chief of police, his brother Fred, ran a city so corrupt that according to Lincoln Steffans its 'deliberateness, invention, and avarice has never been equaled.' As recently as the mid-'90s, Minneapolis was called 'Murderopolis' due to a rash of killings that occurred over a long hot summer . . . Every city has its share of crime, but what makes the Twin Cities unique may be that we have more than our share of good writers to chronicle it. They are homegrown and they know the territory--how the cities look from the inside, out . . ."
In David Housewright's next hardboiled mystery Something Wicked, Rushmore McKenzie, who promised to retire after his last nearly-fatal case, gets talked into doing an old friend a favor involving a castle, a family fighting over an inheritance, and at least one mysterious death. Rushmore McKenzie was a detective with the St. Paul, Minnesota PD until unlikely events made him first a millionaire and then a retiree. Since then, he's been an occasional unofficial private investigator - looking into things for friends and friends of friends - until his most recent case put him into a coma and nearly into a coffin. Now, at the insistence of his better half Nina Truhler, he is again retired. That is, until a friend of Nina finds herself in dire straights and in desperate need of a favor. Jenness Crawford's grandmother owned the family castle - a nineteenth century castle that has been operating as a hotel and resort for over a hundred years. Since her grandmother's death, the heirs have been squabbling over what to do with it. Some want to keep it in the family and running as a hotel. Some want to sell it and reap the millions a developer will pay for it. And Jenness is convinced that someone - probably in the latter group - killed her grandmother. A conclusion with which the police do not agree. Now McKenzie finds himself back in action, trapped in a castle filled with feuding relatives with conflicting agendas, long serving retainers, and a possible murderer. And if McKenzie makes one wrong move, it could be lights out.
A seemingly simple investigation, done as a favor for a friend, takes McKenzie down a dark and twisted path in Like to Die, the next mystery in David Housewright’s award-winning series. Once a police detective in St. Paul, Minnesota, Rushmore McKenzie has become an unlikely millionaire and an occasional unlicensed private investigator, doing favors for friends. The favor, this time, is for a friend of a friend—Erin Peterson, a local business person and owner of a growing food company called Salsa Girl. Someone seems to have a beef with her: the outside locks on her factory having been systematically filled with superglue. But for some reason, Erin doesn’t want to report this harassment to the police. As a favor to his poker buddy and hockey teammate Ian, McKenzie agrees to stop by and chat with Erin. At first Erin denies there's anything going on and then, when the harassment escalates and threatens her business, she also asks for McKenzie's help. The further McKenzie digs into the situation, the more complicated—and deadly—it becomes. And somewhere, in the middle of it all, is Erin, playing all sides against the middle, leading McKenzie to wonder if you ever really know who your friends are.
When the doyenne of a socially prominent family of great wealth is arrested for the murder of her son's fiancé, private investigator Holland Taylor, who had discovered that the victim's identity had been fabricated, struggles to uncover the truth amid false testimonies.
In David Housewright's next novel featuring the beloved Rushmore McKenzie What Doesn't Kill Us—McKenzie has been shot and lies in a coma while the police and his friends desperately try to find out what he was doing and who tried to kill him. Rushmore McKenzie, former St. Paul police detective and unexpected millionaire, does the occasional, unofficial private detective work—mostly favors for friends. He's faced kidnappers, domestic terrorists, art thieves, among others, and had a hand in solving some of the most perplexing mysteries of the Twin Cities. But this time, his prodigious luck and intuition may have finally failed him: He was shot in the back by an unknown assailant and lies in a coma. His childhood friend, Lt. Bobby Dunston of the St. Paul Police Department, assigns his best detective to the case while other figures—on both sides of the law—pursue the truth. What was McKenzie investigating, what did he learn that so threatened someone that they tried to kill him? What do a sketchy bar in the wrong part of town, the area's prominent tech millionaire family, drug dealers, investment bankers, and a mysterious woman who left an unknown package for McKenzie all have in common? As time slowly begins to run out, the answer to those questions might be what stands between life and death.
P.I. Holland Taylor returns in David Housewright’s Edgar Award-winning series with First, Kill the Lawyers, where Taylor is hired to recover stolen files before they are leaked, ruining more than just the careers of five local lawyers. Five prominent attorneys in Minneapolis have had their computer systems hacked and very sensitive case files stolen. Those attorneys are then contacted by an association of local whistleblowers known as NIMN and are quietly alerted that they have received those documents from an anonymous source. If those files are released, then not only will those lawyers be ruined, but it might even destroy the integrity of the entire Minnesota legal system. This group of lawyers turns to Private Investigator Holland Taylor with a simple directive: stop the disclosure any way you can. But while the directive is simple, the case is not. To find the missing files and the person responsible, Holland must first dive into the five cases covered in the files—divorce, bribery, class action, rape, and murder. While Taylor is untangling the associates and connections between the cases and families affected, things take another mysterious turn and the time before the files are released is running out. As the situation becomes more threatening, Holland Taylor is trapped in the middle of what is legal and what is ethical—between right, wrong, and deadly.
Riley Brodin is the granddaughter of Walter Muehlenhaus—a man as rich, powerful, and connected as anyone since the days of J. P. Morgan. Despite her family's connections, it's McKenzie she reaches out to when her relatively new boyfriend goes missing. Despite his reservations about getting involved with the Muehlenhaus family—again—Mac McKenzie agrees to look for one Juan Carlos Navarre. What he finds, though, is a man who appears to be a ghost. The house—mansion, really—he told Riley he owned is actually a rental, barely lived in and practically devoid of personal effects. The restaurant he claimed to own is owned by another and Navarre merely an investor. He apparently has no friends, no traceable past, and McKenzie isn't the only one looking for him. Whoever Juan Carlos Navarre is and wherever he's gone, the one thing that is clear is that he's trouble, and is perhaps someone—as Riley's family makes clear—better out of the picture. Unfortunately for everyone, McKenzie likes trouble and trouble likes him, in The Devil May Care by David Housewright.
During one of the first heavy snows of the winter, on the Interstate outside the Twin Cities, Rushmore McKenzie is behind a truck behaving erratically when the man in the truck bed dumps a body out onto the road, right in front of McKenzie's car. McKenzie avoids hitting the body, a bound woman who is just barely alive, but his stopped car in the middle of the road starts a chain of accidents, resulting in a thirty-seven car pile-up. By the time the time the police arrive, and the EMTs and ambulances have taken care of the immediate injuries, the truck is long gone. The injured woman awakens with no memories—not of the accident, not of anything—and is labeled by the police as Unidentified Woman #15. With few leads, the detective in charge, McKenzie's former partner and old friend Bobby Dunston, turns to McKenzie for a favor. Now McKenzie has to try to identify the grievously injured woman, find out who tied her up and dumped on the freeway to die. And why.